The Pitched Roof Bahay ni Takaharu Tezuka and Yui Tezuka

Ang disenyo na The Pitched Roof Bahay ni Takaharu Tezuka and Yui Tezuka ay isang lubhang iginagalang na nagwagi ng napaka-prestihiyosong 2021 A' Design Award na Pilak sa Kategoryang Paligsahan na Disenyo ng Arkitektura, Gusali at Estruktura.

PilakArkitektura· 2021

The Pitched Roof Bahay

ni Takaharu Tezuka and Yui Tezuka

Kliyente: Tezuka Architects

Nagwagi ng A' Design Award na Pilak sa Kategoryang Arkitektura

20,495

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Mga Kulay

Ang Disenyo

Tungkol sa The Pitched Roof Bahay

Ang Pitched Roof ay isang single-storey na bahay sa Karuizawa, Japan, na nababalutan ng napakasimpleng pitched na bubong. Apatnapung porsiyento lamang ng espasyo sa ilalim ng bubong ang nakasarado, kaya nananatiling malambot ang hangganan sa pagitan ng loob at labas. Ang cantilevered na bubong ay umaabot ng higit sa anim na metro na may istrukturang 200 milimetro lamang ang kapal. Ang isang nakatuping, hugis-L na ibabaw ay gumagana bilang isang monocoque na elemento at binabawasan ang mga suportang kinakailangan. Ang mga sliding door ay nagbibigay-daan sa mga naninirahan na baguhin ang katangian ng living space. Muling binibigyang-kahulugan ng bahay ang malalalim na balisbisan ng tradisyonal na arkitekturang Hapon.

Ang Pagkilala

Tungkol sa A' Design Award na Pilak

Ang The Pitched Roof Bahay ay nagwagi ng A' Design Award na Pilak, isang pambihirang prestihiyosong pagkilalang iginagawad sa mga disenyong nasa pinakamataas na antas, nakabibighani at kahanga-hanga. Ang mga nagwagi ng Pilak ay mga likhang lubhang makinang at napakamalikhain na naglalarawan sa pambihirang kadalubhasaan, talento at talas ng isip ng kanilang mga tagapagdisenyo. Inaasahang ang The Pitched Roof Bahay ay isang kahanga-hangang likhang huwaran na kapansin-pansing propesyonal at malalim na makabago. Ang disenyong ito na nagwagi ng A' Design Award na Pilak ay isang lubhang kapansin-pansin at hinahangaang imbensyon na nakikinabang at nagpapaunlad sa mga hangganan ng sining, agham, disenyo at teknolohiya. Ang The Pitched Roof Bahay ay isang likhang labis na kinaiinggitan na gumigising ng mga hangarin, nagdadala ng positibong damdamin at nagpapasiklab ng pagkamangha at pagkabighani.

Sa Likod ng Disenyo

Press Kit

Mga kredito, miyembro ng koponan at teknikal na detalye na ibinigay ng taga-disenyo.

Mga Natatanging Katangian: This is a house located in Karuizawa, Japan with an extremely simple pitched roof. Traditional Japanese houses do not create enclosed environments but instead, form spaces that enable easy transition from the inside to the outside. By forming a blurred boundary, only forty percent of the space under the roof is enclosed within the interior. While the inside is being used primarily by the inhabitants as living spaces, it is the outside that defines it.
Mga Sukat at Packaging: Floor: Single floor
Ceiling Height: 2,100 mm
Roof Height: 3.446 mm
Site Area: 1,059.18 m2
Floor Area: 208.56 m2
Mga Tag: House, Pitched Roof, Cantilevered, Japanese, Deep eaves, Boundary, Wood structure,
Teknolohiya sa Produksyon: The cantilevered roof of over 6 meters, pushes the limit of the 200mm thick roof structure. By adopting a folded shape as the main structural element, it minimizes the support needed as compared to having a flat roof, which would require three times more of the support utilized. Like the Japanese papercraft, Origami, the L-shaped surface acts as a monocoque element – not resisting stiff but drooping about 5 centimeters under snow pressure like tree branches in the forest.
Hamon sa Disenyo: In Traditional Japanese Houses, the space under the eaves is often associated with columns. However, these columns serve purely as structural elements to support the cantilevered edges and are not crucial in enclosing the space. Had technology been much more advanced, we would have been able to design without columns years ago. We are now able to achieve the real intricate quality of open spaces in Japanese Architecture - a feat that was not possible for carpenters 400 years ago.
Pananaliksik: The pitched roof house is trying to reach a certain level of mutability by re-interpreting the traditional elements into modern context. In aiming to heighten qualities of architectural mutability, the work is tied into a long tradition of Japanese vernacular architecture known for its sliding doors, screens, and other boundary-modulating elements, such as deep eaves. These elements not only create the spatial fluidity, but also open the architecture to life-giving elements of sunlight, wind, and humidity, modestly scaled the ubiquitous digital lifestyle with a return of nature.
Inspirasyon: Deep eaves, as one of the most important Japanese traditional architecture elements in local monsoon climate, are almost extinct in modern houses. It is essential to comprehend the meaning of these traditional elements in the modern setting. With the latest technology, the house seek to reinterpret the deep eave in the context of a humid climate, retain and create more opportunities for these distinctive Japanese qualities to sprout forth in modern architecture.
Tagal ng Proyekto: The project started in July 2007 and finished in May 2009 in Karuizawa, Japan
Daloy ng Operasyon: The house is designed for a well-known Japanese pop songwriter who wanted to create a place where he could disconnect from the pressures of daily life. The space enclosed enables the inhabitants to perform their basic living tasks while open space under the deep eaves allows them to connect to nature and the surroundings. The sliding doors which divide the inside from the outside can be used to realize the shift in ambiance within the living space.
Mga Miyembro ng Koponan: Constructor: Niitsugumi Co., Ltd.
Structure: OHNO-JAPAN
Lighting: BONBOLI Lighting Architect & Associates
Landscape: GA Yamazaki
Mga Credit ng Larawan: Image #1: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #2: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #3: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #4: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #5: Photographer Katsuhisa Kida, FOTOTECA, 2009.