GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby ni Yoko Komatsu and Hajime Tokura

Ang disenyo na GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby ni Yoko Komatsu and Hajime Tokura ay isang lubhang iginagalang na nagwagi ng napaka-prestihiyosong 2026 A' Design Award na Ginto sa Kategoryang Paligsahan na Disenyo ng Muwebles.

GintoMuwebles· 2026

GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby

ni Yoko Komatsu and Hajime Tokura

Kliyente: Grand Green Osaka JV Group

Nagwagi ng A' Design Award na Ginto sa Kategoryang Muwebles

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Ang Disenyo

Tungkol sa GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby

Matatagpuan sa Grand Green Osaka, ang 16-metrong biomorphic na bench na ito ay gawa sa Japanese oak. Ginamit ang advanced na digital fabrication upang pagsama-samahin ang mahigit 6,000 na indibidwal na bahagi tungo sa 29 na organic na yunit. Lahat ng metal na fastener ay matagumpay na naitago sa pamamagitan ng concealed joint system. Sa sculptural na public furniture na ito, pinagsama ang tradisyunal na manual na pagkakagawa sa parametric computational design. Idinisenyo ito upang gumana bilang parehong relaxing na bench at planter sa loob ng espasyo ng lobby.

Ang Pagkilala

Tungkol sa A' Design Award na Ginto

Ang GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby ay nagwagi ng A' Design Award na Ginto, isang napakaprestihiyosong pagkilalang iginagawad sa mga disenyong pangunahing-uri, kahanga-hanga at namumukod-tangi. Ang mga nagwagi ng Ginto ay mga likhang lubhang makabago, may pananaw at nakasisilaw sa karilagan na sumasalamin sa talino, karunungan at husay ng kanilang mga tagapagdisenyo. Inaasahang ang GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby ay isang lubos na pinupuri, nagtatakda-ng-uso at monumental na imbensyon na naghahatid ng walang kapantay na halaga. Ang disenyong ito na nagwagi ng A' Design Award na Ginto ay isang kahanga-hanga at iginagalang na proyekto na lubos na nakikinabang at nagpapaunlad sa mga hangganan ng sining, agham, disenyo at teknolohiya. Ang GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby ay lumilikha ng matinding damdamin ng pagnanais, gumigising ng damdamin, nagpapasigla ng pagkamalikhain at nakahuhumaling sa atin.

Sa Likod ng Disenyo

Press Kit

Mga kredito, miyembro ng koponan at teknikal na detalye na ibinigay ng taga-disenyo.

Mga Natatanging Katangian: This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
Mga Sukat at Packaging: Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
Mga Tag: Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
Teknolohiya sa Produksyon: The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
Hamon sa Disenyo: The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
Pananaliksik: Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
Inspirasyon: Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
Tagal ng Proyekto: The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
Daloy ng Operasyon: Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
Mga Patent: Copyrights belong to KOKUYO Co., Ltd., 2025.
Mga Miyembro ng Koponan: Principal Designer: Yoko Komatsu
Project Director: Takashi Ueda
Technical Supervisor: Katsuhito Yui
Technical Supervisor: Mamoru Yamazaki
Assistant Designer: Hotaka Inagaki
Lead Architect: Hajime Tokura
Production Designer: Shimpei Ogawa
Engineer: Pyaezone Aungsoe
Fabricator: Yasufumi Hanada
Fabricator: Yoji Konishi
Fabricator: Kazuki Nagao
Mga Credit ng Larawan: Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.