Tobias Kappeler tomonidan yaratilgan Haragana Lounj kreslosi — Mebel Dizayni tanlov toifasida nufuzli 2022 A' Design Award Bronza Mukofoti mukofotining yuqori baholangan g'olibidir.
BronzaMebel· 2022
Haragana Lounj kreslosi
muallif: Tobias Kappeler
Mijoz: Tobias Kappeler Design
Mebel toifasida A' Design Award Bronza Mukofoti g'olibi
Tasdiqlangan mukofot g'olibi
#127610 uchun mukofot holatini tasdiqlashDizayn
Haragana Lounj kreslosi haqida
Haragana — egilgan po'lat quvurlar va probka disklardan yasalgan lounj kreslosi. Kreslo o'zining asosiy strukturasigacha soddalashtirilgan, shuning uchun unda yostiqlar yoki qoplama materiallar qo'llanilmagan. Uning tashqi ko'rinishi qo'l suyanchisiz bo'lsa-da, kreslo shaklini eslatadi. 28 santimetrlik past o'tirish holati insonlarni orqaga suyanib, atrofni uzoq vaqt kuzatishga chorlaydi. Ochiq ramka kresloni vizual jihatdan yengil qiladi va uni ko'p e'tibor talab qilmasdan ichki makonlarga moslashtirishga imkon beradi. Sodda probka disklar egri quvursimon struktura bilan tafovut hosil qiladi. Har bir kreslo qo'lda egiladi, payvandlanadi va silliqlanadi.
Tan olinish
A' Design Award Bronza Mukofoti haqida
Haragana Lounj kreslosi A' Design Award Bronza Mukofotining g‘olibi bo‘lib, bu ijodkorlik, zukkolik va topqirlik bilan ajralib turuvchi a’lo dizaynlarga beriladigan o‘ta nufuzli e’tirofdir. Bronza g‘oliblari o‘z dizaynerlarining keng tajribasi, tasavvuri va topqirligini tasdiqlovchi juda mohir va hayratlanarli darajada ijodiy buyumlardir. Haragana Lounj kreslosi yuqori qadrlanadigan, hayrat bilan qaraladigan va suyukli, diqqatga sazovor darajada kasbiy va innovatsion buyum bo‘lishi kutiladi. A' Design Award Bronza Mukofotini qo‘lga kiritgan ushbu dizayn san’at, fan, dizayn va texnologiyadagi eng yaxshi amaliyotlarni o‘zida mujassam etadi va tafsilotlarga e’tibori bilan a’lodir. Haragana Lounj kreslosi ehtiyojlarni go‘zal qondiradi, istaklarga tegadi, tuyg‘ularni maftun etadi va qiziqishni jalb qiladi.
Dizayn ortida
Press-kit
Dizayner tomonidan taqdim etilgan kreditlar, jamoa a'zolari va texnik tafsilotlar.
- Noyob xususiyatlar
- The Haragana is a lounge chair made from bent steel tubes and cork disks for seating. The outline of the chair resembles and reminds of an armchair however there are no cushions or upholstery. The chair is reduced to the essential structure, giving it a light and airy design, which fits perfectly in interior spaces without taking up too much space visually. The simple graphical cork seating disks provide contrast to the more complex underlying tubular structures.
- O'lchamlar va qadoqlash
- The chair has a width of 75cm, a length of 65cm and a height of 65cm. To add additional support to the legs, a thin stainless steel rod was welded in between the legs. The seating position is purposely low 28cm to ensure people stay seated for longer and enjoy the experience, their surroundings and thoughts that come when taking a break.
- Teglar
- Furniture Design, Chair Design, Lounge Chair, Tubular Design, Observation.
- Ishlab chiqarish texnologiyasi
- The chair was made from 19 and 16mm steel tubes and cork. After an extensive study on the design territory “observation” small scale prototyping and sketching the chair was produced fully by hand without any automated machines. Steel tubes were bent by hand and welded together, piece by piece. First the outline, then the inside structure, then the legs and lastly the seating of the chair. After welding it together, the chair was sanded down and spray painted. The cork was sanded and then added.
- Dizayn muammosi
- The challenge was to produce a chair with a complex curved shape that was still symmetrical. This required several attempts and an in-depth observation from several angles. As tubular systems for furniture design have been explored before, the challenge was to come up with a design that is new and still interesting. To keep the light feel of the chair, the structure needed to be strong and stable.
- Tadqiqot
- The project started with an exploration into the theme of observation and how to create a seating experience that could last for a longer period. A strong driver of the project was prototyping on a scale of 1:10 with steel rods that were spot-welded together. This allowed for quick iterations on different shapes and to explore different curves and their relation with each other. The tools used to produce the chair were very simple, a tube bending machine, a welding machine and a sanding machine.
- Ilhom
- We live in a fast-paced world where everything must happen instantly and thus, we often forget to take a break, lean back and just observe our surroundings. The aim was to create a chair in which you stay and remain seated for a while.
Studying the territory of observation the design invites and resembles this as well. What you see, is actually not what you see. Perceived is an armchair due to the emphasized outline which resembles an armchair, however, there are no armrests. - Loyiha muddati
- The project started in January 2020 and was developed by myself as part of my MA/MSc Innovation Design Engineering degree. The project duration was 4 weeks and was exhibited at the Royal College of Art in February 2020.
- Ish jarayoni
- Due to its low and comfortable seating point, it invites people to stay seated for longer. In addition, having only the essential structures and the seating of the chair, its light and open design smoothly integrates into the interior without claiming too much attention but still allowing for a more complex shape to be present.
- Jamoa a'zolari
- Tobias Kappeler
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