Mohammad Rahimizadeh and Shaqayeq Nemati tomonidan Esfahan Piyodalar ko'prigi

Mohammad Rahimizadeh and Shaqayeq Nemati tomonidan yaratilgan Esfahan Piyodalar ko'prigi — Arxitektura, Bino va Inshoot Dizayni tanlov toifasida nufuzli 2022 A' Design Award Bronza Mukofoti mukofotining yuqori baholangan g'olibidir.

BronzaArxitektura· 2022

Esfahan Piyodalar ko'prigi

muallif: Mohammad Rahimizadeh and Shaqayeq Nemati

Mijoz: Kalbod Studio

Arxitektura toifasida A' Design Award Bronza Mukofoti g'olibi

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Saytga tashrif A' Design Award saytida ko'rish Press-reliz Mukofot nishoni

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Dizayn

Esfahan Piyodalar ko'prigi haqida

Esfahan — Eron, Isfahan shahridagi bir joy uchun mo'ljallangan piyodalar ko'prigidir. Ko'prik texnologiya savdo markazini muzey bog'i bilan bog'laydi va yaqin atrofdagi universitetlar, tadqiqot institutlari va sanoat korxonalariga xizmat qiladi. Yo'l bo'ylab ko'rgazma zallari, markaziy hovlilar va dam olish joylari joylashtirilgan bo'lib, shu tariqa o'tish joyi ijtimoiy makon vazifasini ham bajaradi. Shakli Isfahonning tarixiy ko'priklariga, jumladan Xoju ko'prigiga ishora qiladi. Aks etuvchi simmetriyadan foydalanilgan bo'lib, fasad va uning daryodagi aksi yaxlit bir naqshni hosil qiladi. Ichki makonlar moslashuvchan bo'lib, turli maqsadlarda foydalanish imkonini beradi.

Tan olinish

A' Design Award Bronza Mukofoti haqida

Esfahan Piyodalar ko'prigi A' Design Award Bronza Mukofotining g‘olibi bo‘lib, bu ijodkorlik, zukkolik va topqirlik bilan ajralib turuvchi a’lo dizaynlarga beriladigan o‘ta nufuzli e’tirofdir. Bronza g‘oliblari o‘z dizaynerlarining keng tajribasi, tasavvuri va topqirligini tasdiqlovchi juda mohir va hayratlanarli darajada ijodiy buyumlardir. Esfahan Piyodalar ko'prigi yuqori qadrlanadigan, hayrat bilan qaraladigan va suyukli, diqqatga sazovor darajada kasbiy va innovatsion buyum bo‘lishi kutiladi. A' Design Award Bronza Mukofotini qo‘lga kiritgan ushbu dizayn san’at, fan, dizayn va texnologiyadagi eng yaxshi amaliyotlarni o‘zida mujassam etadi va tafsilotlarga e’tibori bilan a’lodir. Esfahan Piyodalar ko'prigi ehtiyojlarni go‘zal qondiradi, istaklarga tegadi, tuyg‘ularni maftun etadi va qiziqishni jalb qiladi.

Dizayn ortida

Press-kit

Dizayner tomonidan taqdim etilgan kreditlar, jamoa a'zolari va texnik tafsilotlar.

Noyob xususiyatlar: Due to the location of the site in terms of proximity to universities and various industries and science and technology towns and educational and research institutions and proximity to the fourth ring of Isfahan and location on the main route Isfahan-Tehran and Isfahan Najafabad axis has made it possible to establish scientific research. And meet the mutual needs between the area of technology trade and innovation with educational institutions and industries.
O'lchamlar va qadoqlash: 1. Creating an exhibition space
2. Inclusiveness of bridge space
3. The symbolism of the bridge
4. Spending leisure time for students and visitors
5. Create landscape spaces sometimes
6. Flexibility of different bridge spaces
7. Utilizing traditional architectural patterns to preserve the landscape of the city
Teglar: Technology , bridge , Exhibition , Recreational , tourism , iran
Ishlab chiqarish texnologiyasi: In the design of the bridge, reflective symmetry has been used, so that by reflecting the facade on the river surface, a complete pattern is created, such as the inner covering of the dome of Sheikh Lotfollah Mosque.
In the project, by considering different spaces in the bridge, an attempt has been made to design maximum dynamic and flexible spaces so that the user, in addition to using exhibition spaces at different times, can enjoy various spaces such as the central courtyard.
The central courtyards are located in front of the exhibition doors to help the exhibition with different spatial qualities when needed.
Dizayn muammosi: In the urban plan, the location of functional points is not specified according to the needs of students and professors around the University of Technology.
In addition to the relationship between the two academic districts, the urban element must also be considered
The quality of flexible urban space with gallery spaces has been considered by designers in project design.
The project design has arranged different spaces next to each other so that it can perform its adjacent functions properly. Decisions to select and organize uses will also be flexible depending on the circumstances.
Tadqiqot: Due to the location of the site and close to the fourth ring of Isfahan and the traffic of students of Khomeini Shahr and Najafabad industrial and free universities and managers of various industries, as well as being located on the main route Isfahan-Tehran from the route and proximity to industrial factories and educational centers and institutions We are trying to design the communication route between the Technology Trade Center and the Museum Garden in a German way in order to attract people, investors and students in the field of technology.
Ilhom: In designing the bridge, we have tried to use not only the Iranian people but also the international level, considering the historical bridges of Isfahan province, especially the Khajoo bridge, which spoke as a symbol of culture and technology between Isfahan bridges. It also has different functions and flexibility of the bridge with climatic and user conditions, which is one of the goals of this project. As a result, the project design process proceeds in such a way .
Loyiha muddati: esfahan - iran
Ish jarayoni: According to the surveys conducted in the bridges of Isfahan province, the communication routes have not only been a passageway for pedestrians, but also have pauses, gatherings and occasional views, as well as people spending their free time. Thirty-three bridges had three pauses at the beginning and end of the bridge called Saqakhaneh and in the middle of the bridge with the title of Manzar Gahi (Shahneshin Room).
In the architecture of the bridges, symbols and arches such as gable arches and song arches have been used, which were structurally correct.
Jamoa a'zolari: Mohamad Rahimizadeh - Shaghayegh Nemati - Atefeh Zolfagharifar -