Yuko Suzuki tomonidan Changes Cycles and Shapes Raqamli San'at

Yuko Suzuki tomonidan yaratilgan Changes Cycles and Shapes Raqamli San'at — Generativ, Algoritmik, Parametrik va Sun'iy Intellekt Yordamida Dizayn tanlov toifasida nufuzli 2025 A' Design Award Oltin Mukofoti mukofotining yuqori baholangan g'olibidir.

OltinGenerativ· 2025

Changes Cycles and Shapes Raqamli San'at

muallif: Yuko Suzuki

Mijoz: Feral File

Generativ toifasida A' Design Award Oltin Mukofoti g'olibi

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Dizayn

Changes Cycles and Shapes Raqamli San'at haqida

Ushbu asar vizual ifodalarning aylanishini ifodalash orqali "Rasm nima?" degan savolni o'rganadi. Mondrianning rasmlaridagi o'tishlardan ilhomlangan holda, u rasmning komponent diagrammasiga asoslanadi, bunda shakl figurativ va abstrakt orasida hamda shovqin va chiziqlilik orasida harakatlanadi – bu g'oya rangga qo'llaniladi. Asar raqamli moddiylikning o'zgaruvchan holatini uyg'otadi va o'zgarishlar orasidagi shakllar mohiyat ekanligini ta'kidlaydi. Baren bilan bosilgan teksturalarni kiritish orqali, u rassomning raqamli shakldagi bosma ustasi sifatidagi o'ziga xosligini aks ettiradi.

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A' Design Award Oltin Mukofoti haqida

Changes Cycles and Shapes Raqamli San'at A' Design Award Oltin Mukofotining g‘olibi bo‘lib, bu birinchi darajali, ajoyib va ajralib turuvchi dizaynlarga beriladigan o‘ta nufuzli e’tirofdir. Oltin g‘oliblari o‘z dizaynerlarining daholigi, donoligi va mahoratini aks ettiruvchi benihoya innovatsion, uzoqni ko‘ra oladigan va ko‘zni qamashtiruvchi ijodlardir. Changes Cycles and Shapes Raqamli San'at misli ko‘rilmagan qiymat keltiruvchi, juda maqtalgan, yo‘nalish belgilovchi va yodgorlik darajasidagi ixtiro bo‘lishi kutiladi. A' Design Award Oltin Mukofotini qo‘lga kiritgan ushbu dizayn san’at, fan, dizayn va texnologiya chegaralarini katta foyda bilan kengaytiruvchi ko‘zni qamashtiruvchi, e’zozlangan loyihadir. Changes Cycles and Shapes Raqamli San'at kuchli istak tuyg‘ularini yaratadi, ishtiyoqni uyg‘otadi, ijodkorlikni rag‘batlantiradi va bizni maftun etadi.

Dizayn ortida

Press-kit

Dizayner tomonidan taqdim etilgan kreditlar, jamoa a'zolari va texnik tafsilotlar.

Noyob xususiyatlar: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
O'lchamlar va qadoqlash: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Teglar: Generative Art, Coding
Ishlab chiqarish texnologiyasi: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Dizayn muammosi: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Tadqiqot: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Ilhom: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Loyiha muddati: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Ish jarayoni: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Rasm mualliflari: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.