Shuhei Matsuyama tomonidan Transition Ko'rgazma dizayni

Shuhei Matsuyama tomonidan yaratilgan Transition Ko'rgazma dizayni — Tadbir va Voqea Dizayni tanlov toifasida nufuzli 2026 A' Design Award Bronza Mukofoti mukofotining yuqori baholangan g'olibidir.

BronzaTadbir· 2026

Transition Ko'rgazma dizayni

muallif: Shuhei Matsuyama

Mijoz: enigma Inc.

Tadbir toifasida A' Design Award Bronza Mukofoti g'olibi

11,388

Tasdiqlangan mukofot g'olibi

#175008 uchun mukofot holatini tasdiqlash

Saytga tashrif A' Design Award saytida ko'rish Press-reliz Mukofot nishoni

Ranglar

Dizayn

Transition Ko'rgazma dizayni haqida

Transition — bu ikebana nomi bilan mashhur bo'lgan 1400 yillik yapon gul tuzish an'anasini zamonaviy muhitda taqdim etuvchi gul ko'rgazmasidir. Ochiq rejalashtirilgan makonda orqa devor yo'q, shuning uchun tashrif buyuruvchilar erkin harakatlanib, har bir kompozitsiyani faqat old tomondan emas, balki turli burchaklardan tomosha qilishlari mumkin. Tabiiy quyosh nuri va moslashuvchan yoritish kun davomida o'zgarib turadi, natijada makon va tirik gullar doimiy ravishda o'zgarib boradi. Modulli poydevorlar qayta ishlanadigan smoladan 3D bosma usulida tayyorlangan bo'lib, ularni qismlarga ajratib, qayta ishlatish mumkin. Tekis, to'siqsiz pol barcha hududlarning hamma uchun ochiq bo'lishini ta'minlaydi.

Tan olinish

A' Design Award Bronza Mukofoti haqida

Transition Ko'rgazma dizayni A' Design Award Bronza Mukofotining g‘olibi bo‘lib, bu ijodkorlik, zukkolik va topqirlik bilan ajralib turuvchi a’lo dizaynlarga beriladigan o‘ta nufuzli e’tirofdir. Bronza g‘oliblari o‘z dizaynerlarining keng tajribasi, tasavvuri va topqirligini tasdiqlovchi juda mohir va hayratlanarli darajada ijodiy buyumlardir. Transition Ko'rgazma dizayni yuqori qadrlanadigan, hayrat bilan qaraladigan va suyukli, diqqatga sazovor darajada kasbiy va innovatsion buyum bo‘lishi kutiladi. A' Design Award Bronza Mukofotini qo‘lga kiritgan ushbu dizayn san’at, fan, dizayn va texnologiyadagi eng yaxshi amaliyotlarni o‘zida mujassam etadi va tafsilotlarga e’tibori bilan a’lodir. Transition Ko'rgazma dizayni ehtiyojlarni go‘zal qondiradi, istaklarga tegadi, tuyg‘ularni maftun etadi va qiziqishni jalb qiladi.

Dizayn ortida

Press-kit

Dizayner tomonidan taqdim etilgan kreditlar, jamoa a'zolari va texnik tafsilotlar.

Noyob xususiyatlar: An immersive flower exhibition engaging all five senses, tracing 1,400 years of ikebana and the kado philosophy of the life of flowers. Fresh floral works, shifting sunlight, and responsive lighting continuously transform both space and experience. A wall-less, open configuration overturns traditional frontal ikebana viewing, inviting active participation and enabling unrepeatable, time-based engagement with floral art.
O'lchamlar va qadoqlash: Exhibition area: approx. 300 sqm.
Monitor fixtures: 1965 mm Width x 470 mm Depth x 1195 mm Height.
Large stage: 3000 mm Width x 4200 mm Depth x 300 mm Height.
130-size modular lighting pedestals in 3 types: A: 400 mm Width x 400 mm Depth, B: 500 mm Width x 500 mm Depth, C: 800 mm Width x 800 mm Depth.
All components are designed for disassembly, reuse, and full barrier-free accessibility.Exhibition area: approx. 300 sqm.
Monitor fixtures: 1965 mm Width x 470 mm Depth x 1195 mm Height.
Large stage: 3000 mm Width x 4200 mm Depth x 300 mm Height.
130-size modular lighting pedestals in 3 types: A: 400 mm Width x 400 mm Depth, B: 500 mm Width x 500 mm Depth, C: 800 mm Width x 800 mm Depth.
All components are designed for disassembly, reuse, and full barrier-free accessibility.
Teglar: Ikebana, Exhibition Design, Floral Art, Japanese Culture, Immersive Experience, Sustainable Design, Inclusive Design, Expo 2025, Contemporary Art, Spatial Design
Ishlab chiqarish texnologiyasi: The exhibition structure was realized using recyclable resin-based 3D-printed pedestals, minimizing waste and enabling modular reuse for future installations. The lighting design incorporated responsive LED systems to simulate natural transitions. Spatial modeling and daylight simulation were conducted using Unreal Engine to test sun paths and visual conditions, allowing for precise environmental calibration. Materials include wood, recycled steel, and living floral elements.
Dizayn muammosi: Traditional ikebana shows erected one-off timber walls and fixtures, then scrapped them. We challenged that legacy, adopting a reusable system that slashes physical build. Pedestals are 3-D-printed from recyclable resin, designed for quick disassembly, transport, and redeployment, cutting material use and waste. With level floors and wide clearances, the fully barrier-free layout marries sustainability to inclusive design.
Tadqiqot: In this show we discarded the rear wall once mandatory for classical ikebana and used self-standing fixtures, letting visitors wander freely. Single-use timber walls became reusable, 3-D-printed units of recycled resin, proving ikebana can travel to sites once impossible. Surveys showed 90 % of attendees were first-time ikebana viewers, revealing new audiences. Energized by this success, we are already planning the next “new-generation” flower exhibition.
Ilhom: Ikebana is a centuries-old tradition that unites time-based and spatial art. To honor this duality, we removed the rear wall once deemed essential, shaping a fluid gallery where changing daylight, responsive lighting, and living flowers mingle in shifting layers. Visitors roam freely, viewing each arrangement from many angles while bespoke Unreal-Engine simulations refined sun paths and sightless, letting space and work animate each other.
Loyiha muddati: The project started on April 13, 2025, and concluded on April 20, 2025. It was exhibited at the “Gallery EAST” of Expo 2025 Osaka, Kansai.
Ish jarayoni: Visitors freely move through the open, wall-less gallery, exploring ikebana arrangements from multiple angles. Natural and dynamic lighting interact with fresh flowers, creating constantly shifting scenes. This spatial and sensory engagement encourages personal interpretation, breaking from the static, front-facing norms of classical ikebana.
Patentlar: Copyrights belong to Ikenobo Society of Floral Art, 2025.
Jamoa a'zolari: Creative Director / Art Director / Planner: Shuhei Matsuyama
Technical Director / Engineer: Koki Kaminoura
Project Director: Kenji Suina
Spatial Design Director: Kazuhiro Itagaki
Designer (130): Daina Kato
Engineer (130): Kenta Iguchi
Promotion Director: Satomi Tamai
Research Director: Tsubasa Kuri
Researcher: Tomoya Shimojo
Promotion Planner: Mako Fujimoto
Rasm mualliflari: Image #1-#5: Photographer Kamiya Ryo、Transition: The Origin of Ikebana、 2025.
Video Credits: Videographer Mizuno Kai、 Transition: The Origin of Ikebana、 2025.