Architectural Traces Incwadi ngu-Stjepko Rosin

Uyilo olubizwa ngokuba yi-Architectural Traces Incwadi olwenziwe ngu-Stjepko Rosin ngumwini obekekileyo webhaso elinobukhazikhazi le-2022 Ibhaso Lentsimbi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lokuShicilela kunye noKupapasha iMidiya.

IntsimbiUkushicilela· 2022

Architectural Traces Incwadi

ngu Stjepko Rosin

Umxhasi: Naklada Boskovic

Umwini we-Ibhaso Lentsimbi le-A' Design Award Kudidi Lwe-Ukushicilela

12,336

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#126347

Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Architectural Traces Incwadi

I-Architectural Traces yincwadi emalunga nomsebenzi womyili wezakhiwo waseDalmatia. Iqweqwe lincwadi linecala elithe gu bhecuka elifana nophahla olunefayile zesitayela sesiRoma xa libonwa umgama. Xa libonwa ukusondela, ipatheni ibonakala njengemifanekiso yokuskena kwenyani kwe-magnetic resonance somqolo womyili wezakhiwo. Umbono ongenguwo wenyani ukhomba kubunzima obufihlakeleyo nobubuhlungu obungasemva kwezakhiwo eziyincomekayo. Incwadi ilinganiselwa kuma-270 mm nge-270 mm nge-35 mm kwaye ipeyintwe kwiphepha le-offset ngokuthungelwa okuqinileyo kunye nokungabikho kophawu lwangaphandle. Iqweqwe lifikelela kwisimo esithe gu bhecuka esivulekileyo xa isetyenziswa.

Ukuqatshelwa

Malunga ne-Ibhaso Lentsimbi le-A' Design Award

Architectural Traces Incwadi ngumphumeleli weIbhaso Lentsimbi le-A' Design Award, ukuqatshelwa okuhlonitshwayo okunikwa imiyilo elungileyo eyanelisa iimfuno zobungcali neemveliso ezilindelekileyo kwimveliso ezicwangciswe kakuhle. Abaphumeleleyo beNtsimbi babonisa ubuchule obukhulu, ubuchule obuphezulu, ukuqonda kwengcali namandla okuyila abayili babo. Architectural Traces Incwadi iyathenjwa ukuba ibe yimveliso exatyiswa kakhulu, edunyiswayo nethandwayo esebenzayo neyinto entsha. Lo myilo uphumeleleyo weIbhaso Lentsimbi le-A' Design Award udibanisa iindlela ezilungileyo kakhulu zemboleko kwaye unezimpawu zobuchwephesha ezifanelekileyo ezidityaniswe nolwazi netalente. Architectural Traces Incwadi iyahlonelwa ngenxa yenkcukacha yayo kwaye yacwangciselwa ukunika uphuculo lomgangatho wobomi olunceda ukwenza ihlabathi libe yindawo engcono.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: Looking from a distance at the sloping side of the cover, we recognize a roof with typical Dalmatian Roman tiles. It is created by the optical illusion of images of the actual Magnetic resonance of the architect's spine, which can be seen when we approach the book. They reveal the hidden and painful reality of a responsible Dalmatian architect, the one behind the buildings we admire.
Imilinganiselo nePakishini: Dimensions are 270 mm x 270 mm x 35 mm
Iithegi: Book, Architecture, Spine, Traces, Dalmatian, Roman
Ubuchwepheshe Bokuvelisa: The format of the book was chosen as the one that corresponds to the difference in proportions and quality content of the publication, not too large for the convenience of leafing. It is printed on quality offset paper, hard, stitched binding without the outer paper wrapper.
Umngeni Woyilo: The challenge was how to show the life of an architect who is not easy. To show it true in a society that has prejudices against responsible architects and that perceives architecture in the wrong way. Show that not all architects are the same.
Uphando: Almost a lifelong experience, living in the same household with an architect, talking many times about architecture, I witnessed many successes but also injustice, misunderstanding, pressure, threats, sleepless nights, and consequently health problems.
Inkuthazo: The Dalmatian architecture disappears under the trends. The authors of the book, called Architectural Traces, describe the works of a renowned Dalmatian architect Jerko Rosin, as modest, considerate, rational, responsible for the area, without unnecessary trendy views. And on the spine that has not bent in front of insatiable investors, which are consistency, stress, and years spent in a chair, I notice some different architectural, more painful, traces.
Ubude Beprojekthi: The project started in October 2019 in Split and finished in January 2020 in Split, and was exhibited in Hotel Park congress hall in January 2020.
Ukuhamba Komsebenzi: The book is not designed flat. Although it communicates even when closed, it comes to full expression during use, when opening the book, when the cover comes into its open oblique position.
Amagunya Emifanekiso: Image #1: Photographer Stjepko Rosin, 2021
Image #2: Photographer Stjepko Rosin, 2021
Image #3: Photographer Stjepko Rosin, 2021
Image #4: Photographer Stjepko Rosin, 2021
Image #5: Photographer Stjepko Rosin, 2021