Labyrinthine Journey of a Ballerina Isinxibo Sabasetyhini ngu-Tingyu Hu

Uyilo olubizwa ngokuba yi-Labyrinthine Journey of a Ballerina Isinxibo Sabasetyhini olwenziwe ngu-Tingyu Hu ngumwini obekekileyo webhaso elinobukhazikhazi le-2022 Ibhaso Lentsimbi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweFashoni, Isinxibo kunye neSambatho.

IntsimbiIfashoni· 2022

Labyrinthine Journey of a Ballerina Isinxibo Sabasetyhini

ngu Tingyu Hu

Umwini we-Ibhaso Lentsimbi le-A' Design Award Kudidi Lwe-Ifashoni

22,328

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#128106

Fumana Ngoku Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Labyrinthine Journey of a Ballerina Isinxibo Sabasetyhini

ILabyrinthine Uhambo lweBallerina lubonisa indibaniselwano yokungaqhelekanga kunye nokungabi nanto kwendawo ye-surrealism kunye nobumnandi be-ballerina, usebenzisa isambatho njengento ephakathi. Umyili wakha amaqhekeza ngokusebenzisa iibhoni ukwakha i-3D illusion, kwaye ukwahlula amalaphu ahlukeneyo acacileyo kugxininisa ingcamango yobukhulu. Imisebenzi yezandla efana ne-silkscreen kunye ne-hand-embroidery isetyenziswa ngokubanzi kule projekthi. Amanqaku amathathu ale ngqokelela yinkohliso, indawo kunye nesithunzi, kunye nokwahlukileyo phakathi kwesakhiwo kunye nokuthamba.

Ukuqatshelwa

Malunga ne-Ibhaso Lentsimbi le-A' Design Award

Labyrinthine Journey of a Ballerina Isinxibo Sabasetyhini ngumphumeleli weIbhaso Lentsimbi le-A' Design Award, ukuqatshelwa okuhlonitshwayo okunikwa imiyilo elungileyo eyanelisa iimfuno zobungcali neemveliso ezilindelekileyo kwimveliso ezicwangciswe kakuhle. Abaphumeleleyo beNtsimbi babonisa ubuchule obukhulu, ubuchule obuphezulu, ukuqonda kwengcali namandla okuyila abayili babo. Labyrinthine Journey of a Ballerina Isinxibo Sabasetyhini iyathenjwa ukuba ibe yimveliso exatyiswa kakhulu, edunyiswayo nethandwayo esebenzayo neyinto entsha. Lo myilo uphumeleleyo weIbhaso Lentsimbi le-A' Design Award udibanisa iindlela ezilungileyo kakhulu zemboleko kwaye unezimpawu zobuchwephesha ezifanelekileyo ezidityaniswe nolwazi netalente. Labyrinthine Journey of a Ballerina Isinxibo Sabasetyhini iyahlonelwa ngenxa yenkcukacha yayo kwaye yacwangciselwa ukunika uphuculo lomgangatho wobomi olunceda ukwenza ihlabathi libe yindawo engcono.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: What would it look like if clothes become the canvas or the carrier of a concept lingering in her mind? Absorbing the bizarreness and emptiness of space from surrealism art and the delicacy of the ballerina, Tingyu treated her garments as 'paintings' while combining the functionality of clothing. Layering and crafts like silkscreen and hand-embroidery are widely used in this project. Three points for this collection are 'illusion', 'space and shadow', and 'contrast between structure and softness'.
Imilinganiselo nePakishini: 5 looks in US Size 4.
Iithegi: surrealism, fashion, womenswear, wearable art, storytelling, pratt institute.
Ubuchwepheshe Bokuvelisa: Tingyu focuses on how dimensional a garment could be while keeping the balance of movement and abstraction. She uses boning to construct a 3D illusion and chooses transparent fabric to increase the layers of the garment so that emphasizes the concept of 'dimension', such as double knit layering, tulle over canvas, and beige lace over pink cotton sateen. About the techniques, crafts are always a major style so she corporates silkscreens and hand-embroidery to add some raw and playful feel to make the contrast with the strict color palette.
Umngeni Woyilo: To avoid the literal interpretation or similar techniques of 1930s surrealism fashion, Tingyu edited down ideas that were too superficial or easy to look at and balanced the fine art side and the apparel side. This project requires a lot of draping of asymmetrical shapes and experiments of fabric to figure out the best choice for a certain silhouette.
Uphando: Standing in front of 'The Melancholy of Departure' by De Chirico at MOMA and wondering what does it look like when is a ballerina trying to escape from De Chirico's paintings? How is it possible to add multiple dimensions to garments, like the dream world in 'Blood of a Poet'? By analyzing the geometrical elements in De Chirico's paintings and reading his artist theory, with the whimsical feeling, the little sculpture on the arm, and the contrast between the softness of pale pink and lined silhouette, the narrative is presented through every detail.
Inkuthazo: Giorgio De Chirico, 'Blood of a Poet' and classical ballet are the three major inspirations. By observing works by De Chirico, Tingyu captures the contrast of brightness and shadow, enormous environment and tiny figures, and unlimited extension of the space even she becomes a part of the painting. 'Blood of a Poet' emphasizes the theme of 'labyrinthine'. The dreamlike quirkiness of the movie inspires her to replace the main character with a ballerina.
Everything in this project is the reflection of her vision.
Ubude Beprojekthi: The project finished in May 2019 and shoot in 2022.
Ukuhamba Komsebenzi: Tingyu creates a womenswear fashion collection 'A Labyrinthine Journey of a Ballerina' to present the quirkiness and elegance, structure and softness by using textile with the contrast of canvas and tulle, and asymmetrical shape. Inspired by surrealism art and movies and ballet costume.
Amalungu Eqela: Fashion Designer: Tingyu Hu
Amagunya Emifanekiso: Photographer: Sha Luo
Designer & Styling: Tingyu Hu
Makeup: Shiyao Liu
Model: PJ
Assistants: Xiang Cheng, Gianna Chun
Special Thanks: 19