2022 Phantasm Ingqokelela Yesikhafu Soboya ngu-Yen-Ting Cho

Uyilo olubizwa ngokuba yi-2022 Phantasm Ingqokelela Yesikhafu Soboya olwenziwe ngu-Yen-Ting Cho ngumwini obekekileyo webhaso elinobukhazikhazi le-2022 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweZongezelo zeFashoni kunye nokuHamba.

IsilivereIsongezelo· 2022

2022 Phantasm Ingqokelela Yesikhafu Soboya

ngu Yen-Ting Cho

Umxhasi: YEN TING CHO Studio

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Isongezelo

683,648

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#136065

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-2022 Phantasm Ingqokelela Yesikhafu Soboya

Izikhafu zoboya obusulungekileyo obungakhethi cala ngokwesini ezineepateni ezizodwa eziprintwe ngokwedijithali zangoku eziveliswe kusetyenziswa isoftware ecwangcisiweyo ebizwa ngokuba yi-Mov.i.see esebenzisa intshukumo yomzimba ukuguqula idatha yedijithali kwaye iveze neenkcukacha eziphilayo ezingenakwenzeka kuphela ngocwangciso lwekhompyutha. I-Mov.i.see yenza ukuba umyili enze iipateni ze-asymmetrical kunye nezingaphindaphindiyo, nto leyo ekhokelela kwizikhafu ezinamacala amaninzi nezidlalayo ezinokunxitywa ngeendlela ezahlukeneyo ngokweemvakalelo okanye ngesehlo, kwaye azifani nazo naziphi na ezinye iimveliso kwimakethi yamalaphu okanye yefashoni. .

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

2022 Phantasm Ingqokelela Yesikhafu Soboya ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. 2022 Phantasm Ingqokelela Yesikhafu Soboya iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. 2022 Phantasm Ingqokelela Yesikhafu Soboya yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The patterns are unique because they are created with the studio's digital software, mov.i.see, which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. This enables he design team to create asymmetrical, non-repeat patterns that are very different from those made using traditional methods eg. mirroring or repetition. Finished by hand, the patterns are digitally-printed onto natural fabric which enables the design team to reproduce the fine detail of the designs.
Imilinganiselo nePakishini: Each scarf: pure wool fibre, 100cm wide x 200cm long, 0.4 kg weight. Pattern digitally-printed with ink free of heavy metals.
Iithegi: Digital design, digital print, wool, scarf, textile design, pattern, contemporary, new aesthetic, COVID-19, pandemic
Ubuchwepheshe Bokuvelisa: The design team uses a bespoke interactive software, mov.i.see, to create digital patterns. Mov.i.see uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. For this Collection, the team used, for the first time, layered design to bridge the gap between the figurative and the abstract to represent the complexity of the COVID-19 virus. Digital printing techniques reproduce the fine detail of the original designs whilst retaining the special colour-pattern combinations. Pure fine-combed wool holds the ink and reveals the detail of the pattern.
Umngeni Woyilo: The challenge was to create patterns inspired by the difficult circumstances of the COVID-19 pandemic that were colourful, optimistic and playful. The team researched thematic concepts and colour-ways, and experimented with mov.i.see to create the new patterns. The designers used, for the first time, layered design to integrate distinctive abstract patterns with figurative symbols (eg. houndstooth). The patterns were modified whilst they were being created, rather than allow the software to wholly dictate the design; consequently, the patterns reveal the authorship of the designer.
Uphando: The design team creates unique patterns using a bespoke digital software programme (mov.i.see), which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. Inspired by the COVID-19 pandemic, the team aimed to apply the designs to a saleable commodity - pure wool scarves - that are colourful, optimistic and playful. Through trial and error, the team found digital printing techniques that reproduce the fine detail of the original digital designs whilst retaining the special colour combinations. The scarves are retailed and exhibited internationally.
Inkuthazo: The 2022 patterns represent a personal creative response to the COVID-19 pandemic. Physically stranded between studios in two countries during national lockdowns, the design team looked inwards for inspiration. Longing to escape to a utopian paradise, the team envisaged a journey to a fantastical world. The response was fantastical, ethereal and playful patterns based on the imagined journey, incorporating radically new pattern structures and colour combinations.
Ubude Beprojekthi: This Collection was inspired by the peculiar circumstances of the COVID-19 pandemic. The design team started designing the patterns in September 2020 and completed the project in February 2022 when the patterns were launched in New York City.
Ukuhamba Komsebenzi: A pure wool scarf with a digitally-printed pattern which can be worn as a gender-neutral fashion accessory. The studio produces unique and dynamic patterns that can be applied to playful, aesthetically-pleasing and desirable products. With asymmetrical and unique colour combinations, the scarf can be worn in different ways and to reflect individual expression, and fit changing fashion needs and occasions. Patterns are printed through the wool, so each pattern is double-sided. The wool is specially treated so that it is very comfortable and non-abrasive to the touch.
Amalungu Eqela: Director: Yen-Ting Cho
Co-Director: Jamie Gilham
Software Developer: Yen-Ling Kuo
Software Developer: Yen-Ting Yeh
Brand Assistant: Cheng-Lin Lee
Design Assistant: Yu-Ting Li
Video Editor: Kai Ting Chan