Device of Perception Umbutho ophambili: IZiko lweNkcubeko ngu-Yuting Zhang

Uyilo olubizwa ngokuba yi-Device of Perception Umbutho ophambili: IZiko lweNkcubeko olwenziwe ngu-Yuting Zhang ngumwini obekekileyo webhaso elinobukhazikhazi le-2022 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweZakhiwo, Isakhiwo kunye neMilo.

IbhronziUyilo lweZakhiwo· 2022

Device of Perception Umbutho ophambili: IZiko lweNkcubeko

ngu Yuting Zhang

Umxhasi: Yuting Zhang

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Uyilo lweZakhiwo

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Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#138650

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Device of Perception Umbutho ophambili: IZiko lweNkcubeko

Isicatshulwa seNcwadi: Idivayisi yokuQonda liziko lenkcubeko elikwidolophu iMexico City, elimiswe phakathi kwesithili esidala esiphantsi kunye nophuhliso lwezorhwebo eliphakamileyo. Eli ziko lithatha indawo emalunga ne-4500 yeemitha ezisikwere kwaye linehholo lentetho, ithiyetha encinci, indawo yombukiso, iiofisi, indawo yokugcina impahla kunye nekhafe. Ipleyiza yesango engenayo etyheliweyo iyalwahlula uhlaka kwindlela ephithizelayo kwaye isebenza njengesandiso seqonga elingaphakathi. Umgangatho ngamnye wesakhiwo esimfutshane siphothiwe ngesahluko sesine sokujika, sisenza igalari yoluntu ejikelezayo eneembono ezibiywe zesixeko. Kusetyenziswa isamente eyomeleziweyo kunye nentsimbi enokuguga.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Device of Perception Umbutho ophambili: IZiko lweNkcubeko ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Device of Perception Umbutho ophambili: IZiko lweNkcubeko iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Device of Perception Umbutho ophambili: IZiko lweNkcubeko iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Imilinganiselo nePakishini: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Iithegi: cultural center, gallery, theater, exhibition
Ubuchwepheshe Bokuvelisa: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Umngeni Woyilo: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Uphando: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Inkuthazo: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Ubude Beprojekthi: 2017 in Mexico City
Ukuhamba Komsebenzi: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Amalungu Eqela: Yuting Zhang
Amagunya Emifanekiso: Yuting Zhang