Waiting for the Wave in Metaverse Imisebenzi Yobugcisa Yedijithali ngu-Midori Yamazaki

Uyilo olubizwa ngokuba yi-Waiting for the Wave in Metaverse Imisebenzi Yobugcisa Yedijithali olwenziwe ngu-Midori Yamazaki ngumwini obekekileyo webhaso elinobukhazikhazi le-2024 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Ubugcisa beDijithali.

IbhronziUbugcisa beDijithali· 2024

Waiting for the Wave in Metaverse Imisebenzi Yobugcisa Yedijithali

ngu Midori Yamazaki

Umxhasi: Out of Blue

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Ubugcisa beDijithali

59,618

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#154231

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Waiting for the Wave in Metaverse Imisebenzi Yobugcisa Yedijithali

Lo msebenzi wobugcisa ngumboniso wemilo yexeshana legagasi elikwimilo egqibeleleyo yokusefa ethakazelisayo ngokwebugcisa ize inikeze ababukeli ukudideka okumnandi ngaxeshanye. Yadalwa ngenkqubo yokudala phakathi kwedijithali nendalo, idibanisa inyani nenyaniso yedijithali ngentsebenziswano ne-EPFL. Izama ukuvelisa amava kwindalo ize iqinisekise amandla athambileyo ezakhono zengqondo zomntu ezikhetha amava obugcisa ngenkuthalo ukudala ikamva elingcono. Imvakalelo yobukho bomntu iya kuhlala ingenatshintshi ngonaphakade, nakwikamva apho inyani isesiphithiphithini.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Waiting for the Wave in Metaverse Imisebenzi Yobugcisa Yedijithali ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Waiting for the Wave in Metaverse Imisebenzi Yobugcisa Yedijithali iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Waiting for the Wave in Metaverse Imisebenzi Yobugcisa Yedijithali iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: This artwork is a visualisation of the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever, through a creative process that mixes reality and virtual reality. It attempts to generate an experience in nature and reaffirms the supple strength of human cognitive abilities that select actively beautiful experiences to create a better future, and a sense of human existence that will remain unchanged forever, even in a future where reality is in chaos.
Imilinganiselo nePakishini: Video: Width 1920px X Height 1080px Static image: Width 460mm X Height 305mm
Iithegi: wave, nature, science, visualization, digitalart, digitalfabrication
Ubuchwepheshe Bokuvelisa: The artwork was created through a playful creative process, between digital and physical, 2D and 3D, mixing reality and virtual reality. The hand-drawn intuitive sketches of waves and the simulation of ‘good waves’ suitable for surfing using ocean physics were combined to create the shape using stone powder in collaboration with EPFL (Swiss Federal Institute of Technology in Lausanne). The three-views that merged the two methods were used to create the hand-formed shapes. Surprisingly the aesthetic curves from the skilled hand-drawn sketches were very close to the simulation. And the sculptures were 3D scanned, output onto transparent materials, and photographed in the actual sea to create the digital artwork.
Umngeni Woyilo: The creative challenge in this research was to design an interaction that generates an awareness of what could reaffirm the supple strength of human cognitive abilities that actively select beautiful experiences to create a better future and a sense of human existence that will remain unchanged forever in the chaotic era. To this end, we attempted to create the artwork through a playful creative process between digital and physical, 2D and 3D, mixing reality and virtual reality.
Uphando: The research question for this artwork is what design can help to make you connected to nature in order to live better in the chaotic era of reality and intended to express the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever. It was created by mixing reality and virtual reality in collaboration with Swiss Federal Institute of Technology in Lausanne. It generates the experience in nature and reaffirms the supple strength of human cognitive abilities.
Inkuthazo: Modern technology makes it easy to replicate visual representations that are indistinguishable from reality these days. The metaverse has become one of the spaces in which we humans exist, and the definition of existence is being distorted. However, we live in ever-changing times and continue to evolve, recognising and accepting flexibly the chaos of reality and the unreality that technology brings. The artwork attempts to express eternal existence with positive hope.
Ubude Beprojekthi: This artwork was launched worldwide, in May 2023. It will be open to the public for a minimum of five years. (It will be extended wherever possible).
Ukuhamba Komsebenzi: These are videos and static images as digital artworks.
Amagunya Emifanekiso: Image #1: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #2: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #3: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #4: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #5: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.