Mayday 5525 Live Tour Ikonsathi ngu-B'in Live

Uyilo olubizwa ngokuba yi-Mayday 5525 Live Tour Ikonsathi olwenziwe ngu-B'in Live ngumwini obekekileyo webhaso elinobukhazikhazi le-2025 Ibhaso Legolide le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo loBugcisa beQonga, iSitayile kunye neMiboniso.

IgolideUbugcisa beQonga· 2025

Mayday 5525 Live Tour Ikonsathi

ngu B'in Live

Umxhasi: B'in Live

Umwini we-Ibhaso Legolide le-A' Design Award Kudidi Lwe-Ubugcisa beQonga

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Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#162176

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Mayday 5525 Live Tour Ikonsathi

Ukhenketho luka-Mayday's 5525 lubhiyozela imnyhadala weminyaka engama-25 ngohambo oluguqulayo ngexesha nomculo. Baziwa ngokuvusa iinkumbulo zobuqu, iikonsathi zabo ziphonononga imixholo efana nobuni, okusingqongileyo, nobuntu. Iqonga lineububanzi obungama-12 yeemitha kunye namangqukuva amahlanu e-LED ane-3D anemitha emi-5, ebonisa umoya weqela kunye noqhagamshelwano nabalandeli. Olu lungiselelo oluzizisayo ludibanisa umculo nemiboniso ebonakalayo, luphucula impembelelo yeemvakalelo kunye nokusebenzisana negcisa. Le konsathi ayisiyo umboniso nje; yibali elisesandini nakukukhanya, elibiza ukucamngca kwiinkumbulo nakwimixholo yehlabathi jikelele.

Ukuqatshelwa

Malunga ne-Ibhaso Legolide le-A' Design Award

Mayday 5525 Live Tour Ikonsathi ngumphumeleli weIbhaso Legolide le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo yeklasi yokuqala, ephawulekayo nentle. Abaphumeleleyo beGolide ziimveliso ezintsha kakhulu, ezinombono ongaphaya nezikhazimlayo ezibonisa ubuchule, ubulumko nobuchule babayili bazo. Mayday 5525 Live Tour Ikonsathi iyathenjwa ukuba ibe yimveliso edunyiswe kakhulu, ebeka umkhwa nekumgangatho wesikhumbuzo enikela ixabiso elingazange libonwe. Lo myilo uphumeleleyo weIbhaso Legolide le-A' Design Award yiprojekthi emangalisayo nehlonelwayo eluncedo kakhulu kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Mayday 5525 Live Tour Ikonsathi idala iimvakalelo ezinzulu zonqweno, ivusa umdla, ikhuthaza ukuyila kwaye iyasikhwebela.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: The stage design breaking away from the previous 2D screen, the stage has a 12-meter diameter and five 5-meter 3D LED spheres. Their surfaces are seamlessly spliced together to create a three-dimensional space where images can be seen more clearly. As the performance progresses, it can be a concrete earth, moon, balloon, etc., or a soul, brainwave, even a memory. The visualization method visualizes the music and allows the artists to interact with the stage, making the performance more powerful.
Imilinganiselo nePakishini: The stage was 90m wide, with a huge 12m diameter, 10-ton sphere and five 5m diameter, 3-ton spheres. A total of 13,000 pieces of special-specification LED were used to form them. And the base of the stage was also equipped with plenty of LED screens. The console area was integrated into the stage design as a hemisphere. The audience holds reusable lighting sticks, which can pair to their seats via App or NFC for sync to the lighting controller to extend the stage design to the entire venue.
Iithegi: Mayday, Time machine, AI animation, Tour, Concert, Sphere LED
Ubuchwepheshe Bokuvelisa: Using the LED spheres, the stage began like an aircraft then transformed into a time machine that leads the audience to travel through time and space. The song "Sun Wu Kong" expresses the spirit of adventure, while the song "Song of battle" reflects on diversified issues. The closing song "Dokodemo Door" highlights family, friendship, and looking forward to the future. Various Easter eggs in video contents connect the band's progress and fans' memories which makes more discussion after the show.
Umngeni Woyilo: Organizing a concert is a race against time. The manufacturing process of the sphere is complex and requires overcoming issues such as size, workmanship, and production efficiency. Video content of the spheres are needed to ensure that the holographic projection-like effect can be clearly presented at different angles. And also needs to avoid blocking the audience's view by lighting and audio equipment. This all required skillful structural techniques to ensure its safety.
Uphando: In order to bring out the concept of Mayday's 25th anniversary, the program uses Mayday's music as a time machine to lead the audience back to the day that belongs to their own memories. Through video content, the program expresses the spirit of adventure, reflecting on diverse issues such as self-identity, environmental conservation, and human nature, demonstrating the impact of music, and attempting to utilize AI animation technology to imagine another possibility of parallel worlds.
Inkuthazo: 5525 is a large-scale tour by Mayday for their 25th anniversary. Their music from their debut to the present day is like a time machine that leads the audience back to the day of their own memories. The first of its kind in Taiwan, the giant spherical LED installation symbolizes the spirit of the five members and the souls of their fans. AI animation technology is also used to integrate the visual with virtual and real, giving the audience an unforgettable concert experience.
Ubude Beprojekthi: The concert started on 31 December 2023 in Taichung, and continues touring around the world now.
Ukuhamba Komsebenzi: It’s a complete storytelling, sound, and light-integrated design experience, featuring original version and new arrangements songs. In addition to the sensory effects such as lights & lasers, the band's history and fans' memories are also interspersed in the video content. This kind of emotional resonance is the most fascinating part of the concert, as it doesn’t intentionally create a nostalgic and sentimental atmosphere, but rather reveals the common memory between the band and the fans inadvertently.
Amalungu Eqela: Concert Director: Yu-Hsuan Wu
Concert Associate Director: Sih-Jie Chen
Production Manager: Ming-Wen Tan
Visual Director: Yen-Chih Chen
Visual Design: Yen-Chih Chen / Kuan-Wen Chen / Che-Teck Lim / Ya-Chi Yu / Yan-Tung Tsai / Yu Wang
Stage Design: Hsing-Hsin Lee / Chin-Hsiang Hsieh
Lighting Design: Hsiang-Lin Wu / Ssu-Chi Chen / Jian-Feng Sun
Laser Design: Chen-Chieh Hsia / Shao-Wei Lin
Live Sound Design: Chih-Yang Chuang / Shih-Chieh Huang / Leung-King Au / Yen-Kai Chuang
Amagunya Emifanekiso: B'in Music International Limited