Takanabe Ninomaru Imyuziyam Yembali ngu-Tomohiro Kaji

Uyilo olubizwa ngokuba yi-Takanabe Ninomaru Imyuziyam Yembali olwenziwe ngu-Tomohiro Kaji ngumwini obekekileyo webhaso elinobukhazikhazi le-2025 Ibhaso Legolide le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweLifo leNkcubeko kunye noShishino lweNkcubeko.

IgolideIlifa leNkcubeko· 2025

Takanabe Ninomaru Imyuziyam Yembali

ngu Tomohiro Kaji

Umxhasi: Takanabe Town Hall

Umwini we-Ibhaso Legolide le-A' Design Award Kudidi Lwe-Ilifa leNkcubeko

78,077

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#167822

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Takanabe Ninomaru Imyuziyam Yembali

Imyuziyam Yembali yeTakanabe, eyasekwa ngo-1986, yaphinda yacingwa ngokutsha ukuze ijongane nokuqhubeka kokwehla kwendwendwe ngenxa yemiboniso ephelelwe lixesha. Uyilo olutsha lwamkela i-JIN, ifilosofi yobubele, luyiguqula yaba yiziko lenkcubeko nemfundo elidibanisa ikratshi labahlali. Ngokubalisa ngokubonwayo kunye noyilo lwesithuba, uhlaziyo lwazisa ugqogqoselo olunomxholo, imiboniso engenisayo, kunye namaphaneli e-acrylic acwangcisiweyo afuzisela ukuqhubeka kwembali. Yathiywa ngokutsha kwathiwa yi-NINOMARU History Museum, ngoku isebenza njengendawo esebenzisanayo apho ilifa, imfundo, noluntu luqhagamshelana khona.

Ukuqatshelwa

Malunga ne-Ibhaso Legolide le-A' Design Award

Takanabe Ninomaru Imyuziyam Yembali ngumphumeleli weIbhaso Legolide le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo yeklasi yokuqala, ephawulekayo nentle. Abaphumeleleyo beGolide ziimveliso ezintsha kakhulu, ezinombono ongaphaya nezikhazimlayo ezibonisa ubuchule, ubulumko nobuchule babayili bazo. Takanabe Ninomaru Imyuziyam Yembali iyathenjwa ukuba ibe yimveliso edunyiswe kakhulu, ebeka umkhwa nekumgangatho wesikhumbuzo enikela ixabiso elingazange libonwe. Lo myilo uphumeleleyo weIbhaso Legolide le-A' Design Award yiprojekthi emangalisayo nehlonelwayo eluncedo kakhulu kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Takanabe Ninomaru Imyuziyam Yembali idala iimvakalelo ezinzulu zonqweno, ivusa umdla, ikhuthaza ukuyila kwaye iyasikhwebela.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: This design centers on the concept of a history of benevolence, creating a space that visually and intuitively conveys the region's heritage through storytelling. Located on the historic site of Takanabe Castle, the museum was renamed and redesigned as a cultural hub to rediscover the town's uniqueness and foster civic pride. From curation and visual identity to signage and narrative design, the space was fully reimagined to serve as an educational and inspiring environment.
Imilinganiselo nePakishini: Scale:
Site area: 7,763 meter square
Building area: 904.43 meter square
1st floor area: 461.58 meter square
2nd floor area: 442.85 meter square
Iithegi: historical museum, cultural heritage, exhibition design, storytelling, visual identity, graphic design, spatial design, civic engagement, SDGs
Ubuchwepheshe Bokuvelisa: This exhibition uses graphic and spatial design to make history visually engaging. The entrance features a concept display with a tagline, while the first exhibition room includes zoning signs with symbolic designs. The second exhibition presents Takanabe Domain's history, the Meirindo school, and the 7th lord Akizuki Taneshige's SDGs-related policies. At the center, acrylic panels display successive lords and their policies, with a red gradient symbolizing historical continuity.
Umngeni Woyilo: The biggest challenge of this project was creating an engaging exhibition with limited historical materials and budget. From a historical and social perspective, extensive document research and discussions with experts were conducted to highlight the region's uniqueness, shaping the exhibition narrative around the culture of human development. As large-scale renovations were not feasible, we utilized graphic and spatial design to create a visually compelling and immersive exhibition.
Uphando: This study aimed to revitalize a historical museum through design and narrative. The objective was to enhance visitor engagement, promote cultural heritage preservation, and foster civic pride. The methodology included comparative studies of museums and interviews with historians. We introduced content curation and visual solutions. By highlighting the region's unique history of human development, we proposed a narrative-driven exhibition design, enhancing historical understanding.
Inkuthazo: This project was inspired by the need to revitalize a declining local region by restoring its historical museum. Established in 1986 under the Akizuki domain, the museum's outdated exhibits led to a decline in visitor engagement. With the town's rich history in education and culture, revitalizing its significance was crucial. The goal was to transform the museum into a cultural hub where people can learn, connect, and take pride in their heritage and traditions.
Ubude Beprojekthi: The project began in autumn 2023 in Miyazaki, Japana and finished in December 2024.
Ukuhamba Komsebenzi: This exhibition utilizes visual storytelling to help visitors intuitively understand the region's history. The layout is designed for a sequential experience, guiding visitors through zoned spaces categorized by theme and era, ensuring a natural flow of information. The design creates an immersive experience where history is learned through narratives, while layered acrylic panels symbolize temporal connections, resulting in a visually engaging and easily comprehensible exhibition.
Amagunya Emifanekiso: Illustrations: Tomohiro Kaji
Image #1-#5: Photographer Kai Kanno (Nacasa & Partners)