Life Forms of Colors Ubugcisa beDijithali ngu-Yuko Suzuki

Uyilo olubizwa ngokuba yi-Life Forms of Colors Ubugcisa beDijithali olwenziwe ngu-Yuko Suzuki ngumwini obekekileyo webhaso elinobukhazikhazi le-2025 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo oluVelisayo, olwe-Algorithimu, olweParametrikhi kunye noluNcediswa yi-AI.

IsilivereOluvelisayo· 2025

Life Forms of Colors Ubugcisa beDijithali

ngu Yuko Suzuki

Umxhasi: Civic Creative Base Tokyo (CCBT)

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Oluvelisayo

176,057

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#170854

Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Life Forms of Colors Ubugcisa beDijithali

Lo msebenzi yianimeyshini ebonakalisa ngokubonakala inkqubo yeepixel ezibhityizelwa phantsi zize zakhiwe kwakhona. Uluvo lomsebenzi lwaqala xa umculi, ongumshicileli, wayefuna ukudala ushicilelo lwendalo waza wazibuza ukuba usenokuphumeza na ukwahlula imibala ngokuphrogrema. Iipixel zibonakala njengeeseli, zihamba ukuze zakhe iimilo nemibala emitsha, zikrwelisa iingcamango zaseJapan zeKasane (ukungqinelana) kunye neZurashi (ukutshintsha). Zikwamelela iinguquko ezahlukeneyo umntu anokudlula kuzo, zivakalisa iyantlukwano nokuguquguquka kuwo wonke umsebenzi, kwaye zibonakalisa ukudibana kwesithethe nobuchwepheshe.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Life Forms of Colors Ubugcisa beDijithali ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Life Forms of Colors Ubugcisa beDijithali iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Life Forms of Colors Ubugcisa beDijithali yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: This animation breaks down an image into pixels, reconstructing and transforming them repeatedly. The pixels emerge like cells, moving and forming new shapes and colors, embodying the Japanese concepts of "Kasane (layering)" and "Zurashi (shifting)." This reflects how living beings shape the world, either by choice or by following the flow. The ever-changing forms symbolize human transformation and the cycle of life and death.
Imilinganiselo nePakishini: LED screen 4m × 4m, 10 minutes 30 seconds
Iithegi: Generative Art, Coding
Ubuchwepheshe Bokuvelisa: This work was created entirely in a programming language called Processing.
It is made up of multiple animations that change from one shape to the next, linked together.
Umngeni Woyilo: The most difficult and exciting part was figuring out how to connect all of the different shapes through coding.
It was impossible to create all of the animations in one document, so I divided the whole thing into four scenes, created the animation, and connected them using video editing software.
Uphando: This design research explores an animation technique that uses coding to break down and reconstruct pixels.
Through this process, the artist began to feel as if the pixels symbolized the workings of humans and the world. The pixels are like cells, but at the same time, they also seem like the individual people that make up the world. This created a sense of moving between the micro and macro worlds.
Through the use of digital technology, this research offers new methods of visual expression in art, business and society, and suggests the possibility of redefining cultural value.
Inkuthazo: The impetus for creating this work began when the artist, a printmaker, wanted to create a landscape print, and wondered whether it would be possible to achieve color separation through coding. This was the beginning of an attempt to incorporate the physical acts of producing a multi-color woodblock print - "color separation of the print," "overprinting, " and "rolling the paper" - into code, and it developed into the more abstract idea of "creating a three-dimensional print."
Ubude Beprojekthi: This work was exhibited as part of the CCBT x Yebisu International Festival for Art and Alternative Visions 2024 "Poems in Code: Generative Art Today and Programming Generated Moving Image" project held in Tokyo in February 2024.
Ukuhamba Komsebenzi: This work is an animation that depicts the process of pixels being broken down and reconstructed. As you watch, the pixels move and transform, creating new shapes. The changes in the pixels symbolize the potential for people to transform in various ways, and this diversity and fluidity is expressed throughout the work.
Amagunya Emifanekiso: Image #1: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Image #2: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Video Credits: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Video courtesy Civic Creative Base Tokyo [CCBT].