Arrival Ubugcisa boFakelo, uFakelo lokuKhanya ngu-Daisuke Nagatomo and Minnie Jan

Uyilo olubizwa ngokuba yi-Arrival Ubugcisa boFakelo, uFakelo lokuKhanya olwenziwe ngu-Daisuke Nagatomo and Minnie Jan ngumwini obekekileyo webhaso elinobukhazikhazi le-2026 Ibhaso Lebhronzi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweeProjekthi zokuKhanyisa kunye noBugcisa bokuKhanya.

IbhronziIiprojekthi zokuKhanyisa· 2026

Arrival Ubugcisa boFakelo, uFakelo lokuKhanya

ngu Daisuke Nagatomo and Minnie Jan

Umxhasi: MisoSoupDesign

Umwini we-Ibhaso Lebhronzi le-A' Design Award Kudidi Lwe-Iiprojekthi zokuKhanyisa

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Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#180159

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Arrival Ubugcisa boFakelo, uFakelo lokuKhanya

I-Arrival lufakelo lwexeshana lokukhanya olwakhiwe ngezikhongozeli zothutho ezimbini eziphinda zasetyenziswa ezifakwe nganye phezu kwenye ngokuthe nkqo. Ezi zikhongozeli zenza indlela emxinwa yokuhamba enemiphezulu yentsimbi egobileyo ephefumlelwe yinqanawa xa ingena echwebeni. Izipili ezikwiziphelo zombini zibonakalisa isixeko, ulwandle, kunye neendwendwe, zisusa umda phakathi kwendawo yokwenyani nokubonakaliswa. Ukukhanyisa kwe-LED okudibanisiweyo kunye nenkqubo yenkungu kuvuselela le ndlela ngamaxesha angokuhlwa. I-Arrival ibonisa indlela izixhobo zoshishino ezingasasebenziyo ezinokuba ngayo umsebenzi wobugcisa woluntu okhulula umxhelo.

Ukuqatshelwa

Malunga ne-Ibhaso Lebhronzi le-A' Design Award

Arrival Ubugcisa boFakelo, uFakelo lokuKhanya ngumphumeleli weIbhaso Lebhronzi le-A' Design Award, ukuqatshelwa okuhlonitshwayo kakhulu okunikwa imiyilo ephawulekayo eyahlukaniswa kukuyila, ubukrelekrele nobukrelekrele. Abaphumeleleyo beBhronzi ziimveliso ezinobuchule obukhulu nezidala ngokumangalisayo ezingqina amava aphangaleleyo, ukucinga nokwazi ukuzenzela kwabayili bazo. Arrival Ubugcisa boFakelo, uFakelo lokuKhanya iyathenjwa ukuba ibe yimpahla exatyiswa kakhulu, edunyiswayo nethandwayo enobungcali obuphawulekayo nezinto ezintsha. Lo myilo uphumeleleyo weIbhaso Lebhronzi le-A' Design Award ubandakanya iindlela ezilungileyo kakhulu kubugcisa, inzululwazi, uyilo kunye nobuchwephesha kwaye ugqwesile ngenxa yokunikela ingqalelo kwiinkcukacha. Arrival Ubugcisa boFakelo, uFakelo lokuKhanya iyanelisa iimfuno ngokumangalisayo, ichukumisa iinqwenelo, ikhwebela iimvakalelo kwaye itsala umdla.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: AARRIVAL is an immersive installation art and lighting project constructed from two vertically stacked recycled shipping containers. The containers are refabricated into a narrow walkable space with curved interior surfaces inspired by the bow of a ship entering harbor. Mirrors installed at both ends reflect the surrounding city and sea, visually blurring the boundary between real space and reflection. Integrated lighting and a mist system activate the installation, transforming industrial waste into a sensory spatial experience aligned with the zero waste theme of the art festival.
Imilinganiselo nePakishini: The project consists of two vertically positioned 20 foot shipping containers. Total footprint area is approximately 15.4 square meters. The installation is designed for outdoor use and temporary exhibition. Lighting includes integrated LED strips and outdoor projectors. A mist system is installed and requires water supply. Electrical power is required for lighting and mist operation
Iithegi: nstallation Art, Lighting Design, Recycled Materials, Sustainable Design, Public Art, Temporary Architecture
Ubuchwepheshe Bokuvelisa: The installation is constructed from two retired shipping containers reused as the main structure. Original container steel frames are retained for stability. Corrugated steel panels are cut and reshaped into curved surfaces inspired by ship geometry. Materials include recycled steel panels, metal mesh, mirror glass, LED lighting, outdoor spotlights, and a mist system. All components are selected to allow reuse, disassembly, or recycling.
Umngeni Woyilo: The main challenge was transforming rigid industrial shipping containers into a fluid and immersive spatial experience while maintaining zero waste principles. The project required reshaping steel panels without excessive material loss and integrating lighting, mist, and reflection in a narrow passage. Balancing structural stability, sustainability, and poetic expression was central to the design process.
Uphando: ARRIVAL investigates how recycled industrial materials can be transformed into immersive public art through light and spatial experience. By reusing shipping containers, mirrors, and mist, the project explores perception, reflection, and movement within transitional urban spaces. The installation demonstrates a zero waste design approach that combines sustainability with sensory engagement in a waterfront environment.
Inkuthazo: The project is inspired by the moment of arrival at a harbor, when a ship transitions from movement to stillness and from sea to city. This transitional condition is translated into spatial form through curved surfaces, reflection, and light. The mirrored ends echo the changing relationship between water, sky, and urban landscape, while the narrow passage emphasizes movement and pause. By walking through the installation, visitors experience arrival as both a physical and emotional journey.
Ubude Beprojekthi: Year 2025
Event Kaohsiung International Container Art Festival
Location Kaohsiung Harbor area, near the Kaohsiung Music Center waterfront plaza
Duration Temporary exhibition period (festival-based installation)
Ukuhamba Komsebenzi: Visitors enter the installation from one side and walk through the narrow space formed by two vertical containers. The compressed passage emphasizes light, reflection, and movement. Mirrors at both ends reflect the city, harbor, and visitors, creating layered visual depth. During evening hours, lighting and mist are activated to enhance the immersive atmosphere. The installation encourages slow movement, pausing, and quiet observation.
Amalungu Eqela: Jenny Yeh, Sugar Hu
Amagunya Emifanekiso: Kaohsiung Art Museum