Uyilo olubizwa ngokuba yi-Tokyo Isitulo Sokuphumla olwenziwe ngu-Isabelle De Mari ngumwini obekekileyo webhaso elinobukhazikhazi le-2026 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweFanitshala.
IsilivereIfanitshala· 2026
Tokyo Isitulo Sokuphumla
ngu Isabelle De Mari
Umxhasi: Olho Moveis Autorais
Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ifanitshala
Umwini Webhaso Oqinisekisiweyo
Qinisekisa Isimo Sebhaso se-#181979Uyilo
Malunga ne-Tokyo Isitulo Sokuphumla
UTokyo sisitulo sokuphumla esenziwe ngomthi oqinileyo we-sucupira waseBrazil. Isakhelo sivezwe ngokupheleleyo, sibonisa iindibaniso kunye neenxalenye zomthi ezibunjiweyo. Iingalo kunye nezixhasi zomqolo zijikeleziswa kwi-lathe phantsi kolawulo lwezandla, kunye neenkcukacha ezingenileyo ezipheleni. Ifakelo lofele lwendalo lingeniswe ngaphakathi kwisixhasi ngasinye seengalo kwaye ligqityezelwe ngokuthungwa. Iikushini zesihlalo nezomqolo zidibanisa ifom ye-polyurethane engamaleko kunye nokugcwaliswa ngeentsiba, zambeswe ngelinen emdaka. Imiphezulu iguduzwe ngesandla yaza yagqityezelwa ngevanishi engabengezeliyo. Uyilo lusebenzisa imigaqo yaseJapan yokusebenza ngomthi kwimathiriyeli yaseBrazil.
Ukuqatshelwa
Malunga ne-Ibhaso Lesilivere le-A' Design Award
Tokyo Isitulo Sokuphumla ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Tokyo Isitulo Sokuphumla iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Tokyo Isitulo Sokuphumla yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.
Emva Koyilo
Ikhithi Yeendaba
Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.
- Iimpawu Ezizodwa
- Tokyo asserts craftsmanship as structure and expression. Defined by its fully exposed wooden frame in solid Brazilian sucupira, the lounge chair reveals precision woodworking through manually operated lathe-turned arms with subtle concave detailing at the ends. An inlaid leather armrest refines the tactile experience, balancing substantial material presence with aesthetic lightness and disciplined form.
- Imilinganiselo nePakishini
- Dimensions: 700 mm W x 800 mm D x 700 mm H.
Weight: approximately 30 kg.
Structure: solid sucupira wood.
Armrests with recessed natural leather inlay and stitching.
Seat and back cushions with layered foam and feather filling, upholstered in brown linen.
Finish: matte acrylic varnish.
Non disassemblable construction. - Iithegi
- Lounge chair, Solid wood furniture, Japanese craftsmanship, Brazilian sucupira, Exposed structure, Artisanal woodworking, Contemporary seating, Minimalist design, Leather inlay
- Ubuchwepheshe Bokuvelisa
- Tokyo is manufactured in certified solid Brazilian sucupira hardwood. Structural components are precision machined, with arms and back supports shaped on a mechanically driven lathe under manual control. Armrests incorporate recessed detailing for flush leather inlay. Elements are hand sanded to refine concave terminations. The base is assembled from solid planks with radiused edges. Upholstery combines multi density polyurethane foam and feather filling. Finished with water based matte varnish.
- Umngeni Woyilo
- The main challenge was achieving formal discipline while working with substantial volumes of solid wood. Balancing structural mass with refined proportion required precise control during lathe shaping and manual finishing. Internally, the project sought to reinterpret Japanese woodworking principles within a Brazilian material context. Externally, contemporary production constraints demanded efficiency without compromising craft integrity, requiring careful coordination between technique, material and artisanal execution.
- Uphando
- Research focused on refining solid sucupira structure through controlled manual processes. The objective was to test how lathe shaped components and proportional studies could enhance structural precision. Methodology included full scale prototyping and ergonomic evaluation. Data was collected through physical mockups and material testing. Experiments centered on hand guided finishing. Results confirmed durability and refined surface quality, reinforcing craft driven production in contemporary furniture.
- Inkuthazo
- Tokyo was inspired by the principles of Japanese woodworking, where precision, restraint and respect for material define construction. The project explores how substantial volumes of solid wood can achieve visual lightness through disciplined detailing and controlled form. By prioritizing hand guided processes, even when using mechanical tools, the design embraces an a mano approach, valuing the artisan gesture over automated production.
- Ubude Beprojekthi
- The project started in July 2025 in Sao Paulo, Brazil, and was completed in October 2025. It was officially launched in November 2025 as part of the Tokyo Collection, a broader furniture series inspired by Japanese culture and craftsmanship.
- Ukuhamba Komsebenzi
- Tokyo is experienced as a balance between structure and comfort. The solid wood frame provides visual stability, while the layered cushions offer a soft and supportive seat. The recessed leather armrest enhances tactile contact, creating a refined resting point for the hands. Its proportions encourage a relaxed posture without excess, allowing the user to feel supported by craftsmanship rather than hidden structure.
- Amalungu Eqela
- Designer: Isabelle De Mari
Designer: Filipe Melo
Okuxhasiweyo
Hlola Ngaphaya kwe-Designers.org
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