Uyilo olubizwa ngokuba yi-Off Screen Audio Uyilo Lwencwadi olwenziwe ngu-Weiquan Long ngumwini obekekileyo webhaso elinobukhazikhazi le-2020 Ibhaso Lentsimbi le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lokuShicilela kunye noKupapasha iMidiya.
IntsimbiUkushicilela· 2020
Off Screen Audio Uyilo Lwencwadi
ngu Weiquan Long
Umxhasi: Guangzhou zhengdian advertising co. LTD
Umwini we-Ibhaso Lentsimbi le-A' Design Award Kudidi Lwe-Ukushicilela
Umwini Webhaso Oqinisekisiweyo
Qinisekisa Isimo Sebhaso se-#96152Uyilo
Malunga ne-Off Screen Audio Uyilo Lwencwadi
I-Off Screen Audio yincwadi ebonisa imizobo yeoyile ephefumlelwe yiopera yamaTshayina. Ikhava isebenzisa inkqubo yokuqhekeza ngeleza, ngoko ke iimilo zedrama zivela ngqo phezu komphezulu wencwadi. Unobumba wesihloko wakhiwe ngamachaphaza, imigca kunye namacala, kwaye wenza uphawu lwesandi. Incwadi ilinganiselwa kwii-190 ngo-210 millimitha kwaye ibotshwe ngocingo lokuloko kwikhava-bux engeyoyokwenyani. Ikhava engaphandle nekhava engasemva zisebenzisa ibhodi engwevu enobunzima obuphezulu ngoshushu lwesiliva olungacwazimuliyo lokudanyaza. Uyilo lujolise ekuveliseni umoya wenkcubeko yesiNtu yesiTshayina.
Ukuqatshelwa
Malunga ne-Ibhaso Lentsimbi le-A' Design Award
Off Screen Audio Uyilo Lwencwadi ngumphumeleli weIbhaso Lentsimbi le-A' Design Award, ukuqatshelwa okuhlonitshwayo okunikwa imiyilo elungileyo eyanelisa iimfuno zobungcali neemveliso ezilindelekileyo kwimveliso ezicwangciswe kakuhle. Abaphumeleleyo beNtsimbi babonisa ubuchule obukhulu, ubuchule obuphezulu, ukuqonda kwengcali namandla okuyila abayili babo. Off Screen Audio Uyilo Lwencwadi iyathenjwa ukuba ibe yimveliso exatyiswa kakhulu, edunyiswayo nethandwayo esebenzayo neyinto entsha. Lo myilo uphumeleleyo weIbhaso Lentsimbi le-A' Design Award udibanisa iindlela ezilungileyo kakhulu zemboleko kwaye unezimpawu zobuchwephesha ezifanelekileyo ezidityaniswe nolwazi netalente. Off Screen Audio Uyilo Lwencwadi iyahlonelwa ngenxa yenkcukacha yayo kwaye yacwangciselwa ukunika uphuculo lomgangatho wobomi olunceda ukwenza ihlabathi libe yindawo engcono.
Emva Koyilo
Ikhithi Yeendaba
Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.
- Iimpawu Ezizodwa
- In the cover design, the technology of hollow out can directly reflect the world
of books and drama, highlight the theme of off screen sound, break the limitation of drama, cater to the essence of The Times, and create a specific symbol of off screen sound. Increased the aesthetic and artistic sense of books. The font design of off screen audio is an audio symbol composed of dots, lines and planes.
The work of "Sound Outside the Picture" uses a hollow-out process on the cover design. Through the mutual deposit of the theme of "Sound Outside the Picture" and the appearance of the drama, it can directly reflect the author's drama world, break the limitations of the drama, and cater to the spirit of the times Create a specific symbol with sound outside the painting. Increased the aesthetic and artistic sense of books. - Imilinganiselo nePakishini
- DIMENSION: 190mmX210mm
- Iithegi
- Peng Xiao Hang、Opera paintings、Book Cover Design、Off-screen sound
- Ubuchwepheshe Bokuvelisa
- Lock wire false hardcover
Outer cover back cover high density gray plate
Hot dumb silver
Activated hollow
Laser void - Umngeni Woyilo
- The challenge comes from how to express the inner essence of Peng Xiao hang 's works and the Oriental feelings that urge him to work tirelessly.
- Uphando
- Through painting creation, Peng Xiao Hang expresses his love for drama, transplanting national freehand brushwork spirit into oil painting creation, and writing his Oriental feelings. Through the simplification of time and space in the process of creation, Peng Xiao hang makes the character unbending on the surface, but emphasizes the inner spirit. The character can be gone with the wind, but the soul is eternal.
- Inkuthazo
- Opera elements are one of the important elements and components in Peng Xiao hang's works. His creation breaks through the description of the behavior of dramatic characters and wedge into their soul, breaks through the description of fragmental pictures and shows the eternal quality, and depicts the eternal texture at the core of his creation. The characters in the pictures are more abstract in common and symbolic of the spirit of traditional Chinese culture.
- Ubude Beprojekthi
- Guangzhou, China, 2019
- Ukuhamba Komsebenzi
- "Sound outside the painting" Peng Xiaohang's work is a "Guangdong Freehand Oil Painting Society Nomination Exhibition" co-sponsored by Guangdong Freehand Oil Painting Society, New Southern Art, Guangdong Environmental Protection and Guangdong Fashion Brand Operation Group.
The opera element is one of the important elements and components in Peng Xiaohang's works. For him, drama is the epitome of oriental culture, permeating the vitality of the nation, containing oriental thoughts and humanistic feelings, which also inspired his thinking about life , Prompting him to express his love for drama with painting creation.
His heart is woven with oriental feelings, Chinese style is the appearance of his life, and oil painting is his tool for expressing emotions. Western oil painting is used to express the Chinese national spirit and culture. The rich traditional culture constitutes an inexhaustible art resource for the painter, and transplants the national freehand spirit into oil painting creation.
In recent years, his paintings have gradually reduced the depiction of character shapes, simplified the background, made the characters exist in non-specific spaces, emphasized the non-uniqueness of time, and increased the depth of time, making the symbol of the character not cause Time and space are limited.
In the process of his continuous creation, the painting language and form content are evolving. In this series of painting exhibition works, he let more people know the painter's unique painting language system and style, and how the painter uses painting To express the spiritual culture of the Chinese nation and the symbols of oriental civilization, to give the audience an experience of the dramatic world outside the painting.
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