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Tomeo Ijoko Ti Ita Ita Gbangba láti ọwọ́ Hugo Charlet Berguerand

Tomeo Ijoko Ti Ita Ita Gbangba láti ọwọ́ Hugo Charlet Berguerand jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


FàdákàOhun-èlò Ilé· 2020

Tomeo Ijoko Ti Ita Ita Gbangba

látọ̀wọ́ Hugo Charlet Berguerand

Oníbàárà: Hugo Charlet Design Studio

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #101890

Àwọ̀

Àpẹrẹ Náà

Nípa Tomeo Ijoko Ti Ita Ita Gbangba

Lakoko awọn ọdun 60, awọn apẹẹrẹ apẹẹrẹ ni idagbasoke awọn ohun elo ṣiṣu akọkọ. Talenti ti awọn apẹẹrẹ pẹlu pọ pẹlu ibaramu ti nkan naa yori si ilodi si. Mejeeji apẹẹrẹ ati awọn alabara di mowonlara si o. Loni, a mọ awọn ewu ayika rẹ. Etomọṣo, fibẹtado-họjẹ núdùdù tọn lẹ nọ gọ́ na ohàn lẹ tọn lẹ. Eyi jẹ nitori ọjà nfunni ni yiyan miiran. Aye apẹrẹ ṣi wa pẹlu awọn olupilẹṣẹ ti awọn ohun elo irin, paapaa nigbakan awọn atunjade awọn aṣa lati pẹ orundun 19th… Eyi ni ibi ti Tomeo: igbimọ tuntun kan, ina ati ijoko irin alagbara, irin.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Tomeo Ijoko Ti Ita Ita Gbangba jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Tomeo Ijoko Ti Ita Ita Gbangba yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Tomeo Ijoko Ti Ita Ita Gbangba jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Tomeo’s structure has a surprising and innovative geometry which clearly differentiates it from other products on the market. It is as if the skeleton of the chair has come out of its body, the seat is narrower than the backrest at the rear and the chair legs jut out towards the sides. The armrests protrude from the backrest at a forty-five-degree angle to meet the front chair legs. The feet of which are directly below the front edge of the seat giving the impression that the seat and the backrest are suspended inside the structure.
Ìwọ̀n àti Àpò
510 x 560 x 820 without armrests
590 x 550 x 820 with armrests
Àwọn Àkọlé
chair, furniture, design, outdoor, metal, elegant, outdoor furniture, decoration, chairs, armchair.
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The above photos show Tomeo’s prototypes made from plastic tubes and 3D printed pieces assembled together. The seat is made from rubber and from plastic rods for the second version. The real chair will be made from bended steel pipes welded together and the seat will be made from metallic rods or plastic rubber.
Ìpèníjà Àpèsè
The challenge was to give Tomeo a shape that would clearly differentiate it from existing products but that would still not be beyond what the consumer would accept in terms of innovation. In addition, I worked to make this innovative structure equally as robust as that of traditional chairs and to build the 1:1 prototypes.
Ìwádìí
My design process strongly relied on my intuition coupled with a great knowledge and understanding of the history of furniture design. Everyday life, society, my imagination, my history and my dreams are all ingredients for my subconscious soup. If my designs reveal indisputably a part of myself they are also a reflection of the world we are living in.
Ìmísí
This design takes its inspiration from the meticulous and exhaustive observation of contemporary furniture market, as well as from trends and aesthetic language evolution. The initial goal wasn't only to achieve an appealing appearance but also to propose a unique geometry that will differentiate Tomeo from all other chairs of its category.
Àkókò Iṣẹ́ Àkànṣe
This project started in 2019 and was finished in 2020 in Milan.
Ìlànà Ìṣiṣẹ́
Tomeo’s uniqueness comes from its original structure. Considerable attention was dedicated to the look, which had to be simple but contemporary. Many pieces of metallic furniture on the market are strongly inspired from older designs from the 20th century. Tomeo is truly different from what already exists because the design itself questions the traditional chair structure. It was also designed to be light and stackable to meet essential consumer needs.
Ìfọwọ́sí Àwòrán
image #1: Photographer Hugo Charlet berguerand, tomeo, 2020.
image #2: Photographer Hugo Charlet berguerand, tomeo, 2020.
image #3: Photographer Hugo Charlet berguerand, tomeo, 2020.
image #4: Photographer Hugo Charlet berguerand, tomeo, 2020.
image #5: Photographer Hugo Charlet berguerand, tomeo, 2020.

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