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Cornnie Ìjókòó Igun láti ọwọ́ Wen-Hsin Tu

Cornnie Ìjókòó Igun láti ọwọ́ Wen-Hsin Tu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


WúràOhun-èlò Ilé· 2021

Cornnie Ìjókòó Igun

látọ̀wọ́ Wen-Hsin Tu

Oníbàárà: Wen-Hsin Tu

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #104116

Àwọ̀

Àpẹrẹ Náà

Nípa Cornnie Ìjókòó Igun

Cornnie jẹ́ àkójọpọ̀ ìjókòó tí a ṣe àgbékalẹ̀ rẹ̀ fún àwọn àyè igun. Àkójọpọ̀ yìí ní ẹ̀yà mẹ́ta tí ìwọ̀n wọn jẹ́ 1200 pẹ̀lú 700 pẹ̀lú 850 mílímítà nígbà tí a bá kó wọn papọ̀. Ọ̀kọ̀ọ̀kan ìjókòó ni a fi pákó plywood tí ó lè tẹ̀ ṣe, tí a lẹ̀ mọ́ra, tí a sì tẹ̀ mọ́ apẹẹrẹ àwòṣe tí ẹ̀rọ CNC gbẹ́. Àwọn ẹsẹ̀ oníṣùpọ̀ tí ó tẹ̀ so ọ̀kọ̀ọ̀kan ìjókòó mọ́ igun náà, wọ́n sì dábàá àwọn ọ̀nà tuntun láti lo àyè náà. Cornnie jẹ́ kí àwọn olùmúlò lè sinmi ní àwọn àyè igun, kí wọ́n sì dá àyè aládàáni sílẹ̀ níbẹ̀ láìsí kíkọ́ ògiri sáàárín ara wọn. Èrò rẹ̀ ni láti pèsè ibi ìsinmi pẹ̀lẹ́pẹ̀lẹ́ láàárín àwọn àyíká gbangba tí gbogbo ènìyàn ń pín papọ̀.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Cornnie Ìjókòó Igun jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Cornnie Ìjókòó Igun yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Cornnie Ìjókòó Igun ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
A seating series designed for corner spaces, presenting a solitary moment that conveys the message, everyone needs space for themselves. Users can find comfortable corner spaces through the use of the seating and can create a relatively personal space there, without building a wall between each other. The furniture also shows that we don‘t always need to be proactive in seeking interaction, but can take a step back and make ourselves comfortable.
Ìwọ̀n àti Àpò
1200mm*700mm*850mm
(all three pieces putting together)
Àwọn Àkọlé
Stool, Seating, Corner, Stair, Windowsill, Retreat, Solitary, Seclusion, Interaction, Get Along With
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
bendable plywoods were being glued and pressed on the mould that milled by CNC
Ìpèníjà Àpèsè
To figure out how to connect people and the corner spaces is the hardest part. There aremanyways that wecould sit in the corner spaces. But what’s the connection between people, object (seating) and space? And then, I come up with the ideas, the curved legs of the chairs. This relationship between object and space create dialogue between themselves, and leads to the specific characters of the objects. These characteristics also seem to hint to the user how they can use the space in a novel way. The process empowers the users to experience their environment with a new perspective.
Ìwádìí
I tried to sit in every corner space that I could find to experience how we could see and feel a room with different perspectives. And then I made some miniatures of spaces and objects to find out which element I can extract from the spaces to connect the design strongly with the corners. After the connection between object and space is bounded, I made some 1:1 prototypes of stools with curved legs and put them in certain positions to observe how people interact with them. A clear concept of the relationship between people, objects and spaces is then developed.
Ìmísí
The spaces between public and private are becoming more open as time goes on. The people who use these in-between spaces are diverse. The interactions in these spaces enrich our everyday lives and provides inspiration, but also lead to stressful situations due to the lack of places to retreat. CORNNIE builds on these observations. Users can feel comfortable in corner spaces through the use of the seating and create a relatively personal space there without building a wall between each other.
Àkókò Iṣẹ́ Àkànṣe
The project started in October 2018 in Berlin and finished in October 2019 in Berlin, and was exhibited in the Berlin University of the Arts Design Master Graduation Show
Ìlànà Ìṣiṣẹ́
The seatings play an important role, they create an interface between people and space. This interrelationship leads to the specific characters of the objects, and these characteristics also seem to hint to the user how they can use the space in a novel way. The process empowers the users to experience their environment with a new perspective.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
Design © Wen-Hsin Tu
Àwọn Ọmọ Ẹgbẹ́
Wen-Hsin Tu
Ìfọwọ́sí Àwòrán
Fotos © Shih-Hsien Chan, Wen-Hsin Tu
Video Music © Shih-Hsien Chan

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