Meduse Fitila Alaworan Ere láti ọwọ́ Ana Maria Reque jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ọnà Dídára àti Iṣẹ́ Ọnà Ìgbékalẹ̀.
IrinIṣẹ́ Ọnà Dídára· 2021
Meduse Fitila Alaworan Ere
látọ̀wọ́ Ana Maria Reque
Oníbàárà: Ana Maria Reque Art
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dídára
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #104827Àpẹrẹ Náà
Nípa Meduse Fitila Alaworan Ere
Meduse jẹ́ fitila alaworan ere tí ó gba ìmísí láti ibùgbé àwọn ẹ̀dá inú omi. Ẹ̀yà kọ̀ọ̀kan so amọ̀-amọ̀ Raku pọ̀ mọ́ àwọn tentacle gíláàsì Murano tí a fẹ́ (blown glass). Fitila náà bá ìlò nínú àti lóde ilé mu, ó sì ń dá àwọn ipa ìmọ́lẹ̀ àti òjìji sílẹ̀ lórí àwọn ògiri tí ó wà nítòsí. Ìmọ́lẹ̀ LED oríṣiríṣi àwọ̀ ni a lè ṣàtúnṣe pẹ̀lú ohun ìdarí (remote control). A ṣe ara amọ̀ náà pẹ̀lú amọ̀ tí ó lè fara da iná gbígbóná (refractory clay), a gbẹ́ ẹ, a yan án, a fi gíláàsì bò ó (glazed), a sì tún yan án lẹ́ẹ̀kejì ní ìwọ̀n ooru 930 dígrì Celsius, lẹ́yìn náà ni a mú un jáde nínú ìléru nígbà tí ó ṣì gbóná. Ìyípadà ooru òjijì (thermal shock) tí ó yọrí sí i ń dá orí ilẹ̀ tí ó ní àwọn ìlà kéékèèké sílẹ̀ pẹ̀lú àwọn ìtànṣán aláwọ̀ irin àti aláwọ̀ Ọ̀làjú (iridescent).
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Meduse Fitila Alaworan Ere jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Meduse Fitila Alaworan Ere yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Meduse Fitila Alaworan Ere nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Global design and local identities,they are collector's pieces.
Two identities, Peru and Italy two different cultures highly integrated in the Medusa lamps, after a process of deconstruction and liberation from history for giving space to a new syncretic language.
Integration of two materials only ceramic Peru and Murano glass, harmonized thanks to the reflections of multicolored Led lighting.
Raku process during the heat shock, the flames and the oxygen reduction method at 930 degrees celsius, are decisive for both the craquelure decorative effect and metallic and iridescent reflections. - Ìwọ̀n àti Àpò
- Materials: Raku ceramic, Murano glass, multicolored Led RGB
Dimensions: 36 cm (diameter) 48 cm (height)
Weight: 4 kg. each one - Àwọn Àkọlé
- Muranoglass, madeinItaly, theveniceglassweek 2020, venicedesignweek 2016, anamariarequeart,
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- After the modelling with refractory clay, I begin a deconstruction process of the traditional shape, a 20 day long drying process begins. I go on with the first cooking at 950 degrees celsius, the glazing process and the second cooking into a Raku oven at 930 degrees celsius. The object is removed still white-hot from the oven. Arrangement of the Led lighting system and finally the insertion of the Murano blown glass tentacles.
- Ìpèníjà Àpèsè
- Take the pieces out of the oven at 940 degrees celsius and quickly manage the thermal shock in three minutes.
The integration of the glass tentacles on the ceramic base. - Ìwádìí
- The goal is to create lamps that integrate Art and Design. The method is transversal by integrating two techniques ceramics with Murano glass; Through the Deconstruction of art, a process of liberation from the traditional historical form begins to give way to a new syncretic language. Two readings: Fusion of different techniques and cultures and Safeguarding the oceans, a tropicalization of the Mediterranean is occurring.The lamp has had a positive impact in Milan and in the VeniceGlassWeek 2020
- Ìmísí
- The Marine Habitat, I conceive my works as reflections of a recreated nature, the connection between nature and culture is a constant in my work. I work across different disciplines.I began a path of alienation from the Traditional shape in order to give way to a new syncretic language by the deconstruction of the art.
The work communicates two levels of interpretation:
Fusion and integration of two cultures, Peru and Italy.
Safeguarding seas and oceans: a Tropicalization of the Mediterranean sea is occurring. - Àkókò Iṣẹ́ Àkànṣe
- Modeled with clay: 12 days
Drying: 20 days
Blown glass processing: 7 days
Location: Lido of Venice and Murano,Italy - Ìlànà Ìṣiṣẹ́
- The object can be used as an Indoor and Outdoor Lamp. The lamp is suitable for creating new atmospheres with light and shadow effects on the wall. The user can interact by changing different colors using the remote control.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Camara di Commercio di Venezia, Modello multiplo VE2015O000008
- Àwọn Ọmọ Ẹgbẹ́
- Ana Maria Reque, Glassmaker Paolo Giubelli
Photographer Gino Gabrieli - Ìfọwọ́sí Àwòrán
- Photocredit: Gabrieli Gino
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