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Shenzhen Prince Plaza Ile-iṣẹ Ifihan láti ọwọ́ YuQiang and Partners

Shenzhen Prince Plaza Ile-iṣẹ Ifihan láti ọwọ́ YuQiang and Partners jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IdẹInú Ilé· 2021

Shenzhen Prince Plaza Ile-iṣẹ Ifihan

látọ̀wọ́ YuQiang and Partners

Oníbàárà: YuQiang & Partners

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #109526

Àwọ̀

Àpẹrẹ Náà

Nípa Shenzhen Prince Plaza Ile-iṣẹ Ifihan

Shenzhen Prince Plaza jẹ́ ile-iṣẹ ifihan tí ó wà ní ilẹ̀ kẹrìnlélógún (25th floor) inú ilé-iṣẹ́ ọ́fíìsì kan ní Shenzhen. Àyè náà bo nǹkan bí 16000 square feet, tí a ṣètò gẹ́gẹ́ bí àyè ìfihàn tí ó ṣí sílẹ̀, tí ó sì yí ká. Ògiri gíláásì kan pín àyè náà sí méjì, ó sì tún ń ṣiṣẹ́ gẹ́gẹ́ bí ohun ìfihàn tí ń tan ìmọ́lẹ̀. Òkúta marble aláwọ̀ búlúù Palissandro, òkúta, aluminiomu àti gíláásì ni àwọn ohun èlò pàtàkì tí a lò. Gígé irin àti àwọn ipa ìmọ́lẹ̀ jẹ́ kí inú ilé náà fúyẹ́ àti kí ó túbọ̀ hàn kedere. Àwọn ibi ìwòran mẹ́ta so ìlú náà pọ̀ mọ́ àwọn òkè ńlá àti omi tí ó yí i ká. Àwọn tábìlì kékeré tí ó ṣí sílẹ̀ rọ́pò àwọn tábìlì ńlá ìbílẹ̀ láti ràn wá lọ́wọ́ láti ṣe ìbáraẹnisọ̀rọ̀.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Shenzhen Prince Plaza Ile-iṣẹ Ifihan jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Shenzhen Prince Plaza Ile-iṣẹ Ifihan yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Shenzhen Prince Plaza Ile-iṣẹ Ifihan ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The image of Prince Plaza as an artistic center and urban aesthetics application platform are fully conveyed from five perspectives: the city, space, buildings, people, and art. A glass wall, resembling a luminous installation piece, effectively divides the space, forming an artistic space in the style of Richard Sierra. Based on connection between the city and the natural environment, the designers organically combined mountains, water, and the city to create three viewing platforms.
Ìwọ̀n àti Àpò
The project is located on the 25th floor of a first-rate office building. There is an open and surrounding exhibition space with about 16000 sq.ft, showing a minimalist and modern office space like sculptures by the architectural design techniques. It is composed of stone, aluminum as well as glass, and embellished with exquisite furnishings according with the mobility style of the space. The overall integration naturally forms a futurism office with the unique sense of beauty.
Àwọn Àkọlé
Office design, Glass, Minimalist, Richard Sierra, Futuristic
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Palissandro blue marble and acrylic form the rudiments of the building, and the office skyscraper rises up to draw attention. The designers extracted different modern forms and shaped the metal works to outline the resplendent skyline of this area. The glass wall, with a strong sense of flow, is integrated harmoniously with the city view, so that the office space explodes with dimensional field energy.
Ìpèníjà Àpèsè
The most challenging part of the design process is the research on office pattern. The rate of space utilization of traditional offices often increased by setting multiple cubicle. However, designers have broken away from the conventions, and designed the truly future work space. For the production, while both the aluminum plates and the glass are polished, and all the plates are cut in the factory to be more exquisite, it is difficult to achieve the expected effect.
Ìwádìí
Designers would like to take advantages of the project sight and location to make a harmonious space with sense of mobility, especially in the front hall. Also, they hoped to construct the partition wall like the sculptures made by Richard Sierra and then choose aluminum and glass to create an artistic space.
Ìmísí
Composed of a horizontal series of commercial buildings and vertical office buildings, Prince Square is richly endowed with a unique mountain and sea landscape. The architecture was designed by the Office for Metropolitan Architecture. In this office tower, shaped like an art gallery, designers created a modern commercial office exhibition space with a theme of energy. Our designers also absorbed wisdom from Richard Sierra as he discussed the relationships between art, space, and audiences.
Àkókò Iṣẹ́ Àkànṣe
The project started in February 2017 and finished in September 2019 in Shenzhen.
Ìlànà Ìṣiṣẹ́
The designer made the overall space lighter and more transparent through metal cutting and the creation of lighting effects. A quiet and comfortable corner provided by Mutto's Oslo series sofa, and an immersive experience created by the scientific and technological multimedia exhibition hall. At the same time, the traditional giant desks are replaced by the smaller and open desks. The clear lines and blocks subtly balance the warmth of the office and the interpersonal relationship in modern society, which increases the interaction between staffs.
Àwọn Ọmọ Ẹgbẹ́
YuQiang & Partners
Ìfọwọ́sí Àwòrán
Image #1: Photographer Shawn,Shenzhen Prince Plaza Exhibition Center,2019.
Image #2: Photographer Shawn,Shenzhen Prince Plaza Exhibition Center,2019.
Image #3: Photographer Shawn,Shenzhen Prince Plaza Exhibition Center,2019.
Image #4: Photographer Shawn,Shenzhen Prince Plaza Exhibition Center,2019.
Image #5: Photographer Shawn,Shenzhen Prince Plaza Exhibition Center,2019.

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