Dignity Fọ́tógíráfì láti ọwọ́ Satoru Nakahara

Dignity Fọ́tógíráfì láti ọwọ́ Satoru Nakahara jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Fọ́tò Yíya àti Àtúnṣe Fọ́tò.

IrinFọ́tò Yíya· 2021

Dignity Fọ́tógíráfì

látọ̀wọ́ Satoru Nakahara

Oníbàárà: Satoru Nakahara

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Fọ́tò Yíya

20,476

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #115115

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Dignity Fọ́tógíráfì

Ó ṣe àpẹrẹ "Ọlá" kan nípa fọ́tógíráfì. Àwọn ohun wọ̀nyí jẹ́ àwọn igi pine àti plum tí a ti rí ní ibi gbogbo ní Japan tí ó sì ti wà láàyè fún ju ọgọ́rùn-ún ọdún lọ. A ti fihàn àwọn wọ̀nyí nínú "Sumi-e" àti ìkọ́ àwòrán inki, ìkọ́ àwòrán ibòjì láti ìgbà àtijọ́. Lẹ́yìn tí ó ya àwọn fọ́tò, ó ṣàtúnṣe ìfihàn ìmọ́lẹ̀ ó sì tò wọ́n sínú ọ̀nà àkà funfun. Láti inú àwọn iṣẹ́ rẹ̀, olùwòran lè fojú inú wo ẹ̀yìn kó sì rílárá ìwáláàyè bí "Ọlá". Nítorí náà, a lè sọ pé ìgbìyànjú àpẹrẹ rẹ̀ ni láti mú kúrò ní àlà láàárín Ìkọ́ Àwòrán àti Fọ́tógíráfì.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Dignity Fọ́tógíráfì jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Dignity Fọ́tógíráfì yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Dignity Fọ́tógíráfì nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: This project is to design a "Dignity" by photography. The subjects are trees that are trying to live and survive everywhere unnoticed by anyone in the city now. They have not said anything and made their appearance for a long time. So this project tried to design by photography for expressing these natural appearance in the white square framework as the most beautiful composition.
Ìwọ̀n àti Àpò: These photographs were taken with fine mode and size are 6016×4016 by Nikon Z5. And all are digitized and JPG files. These original sizes are from 6 to 12 Mega-bytes. For this project, these were changed to the square framework and black and white. These were changed by using Adobe photoshop.
Àwọn Àkọlé: Photography, Nature Photo, Black and white, Pine tree, Japanese Nature
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: These photographs were taken by Nikon's digital camera. These were considered the most beautiful position and form inside the square framework. And in the home studio, these photos have changed the exposure by using photoshop to be shaped more lively and most beautiful appearance.
Ìpèníjà Àpèsè: The most difficult is to find objects in the city and to compose the best position to get the empty white background. To delete eliminate waste and discomfort, its appearance stands out more. This makes it possible to express of photography the abstract concepts of "Yugen" and "looseness" in traditional Japanese art culture. This is challenging for new design's possibilities to fuse with Art and photography, the Western and Eastern concept.
Ìwádìí: This project has the background of ink paintings and "Sumi-e," folding screen painting. That objects are natural things that show the beauty in the four seasons, such as pine, bamboo, plum, flowers in the mountains and river. This project tried to express these forms by black and white photography as the most beautiful appearance in the square.
Ìmísí: This project's idea came up suddenly at one time in the city. It is the moment when appears the beautiful appearance in the trees and plants. These were the existence casually that seen everywhere but have not been noticed. It is meaningful for design to clarify the beautiful appearance of life that has been created over a long period. In addition that this project concept is from ink paintings and "Sumi-e," folding screen painting in Japanese and Chinese art and culture.
Àkókò Iṣẹ́ Àkànṣe: This project started in May 2020 in Numazu, Japan, and finished in February 2021.
Ìlànà Ìṣiṣẹ́: This project by photography was being able to create a beautiful appearance from the trees that usually and casually were seen. In these photos to create a more beautiful appearance, it selected the black and white photography and square framework.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Copyrights belong to Satoru Nakahara, 2020_2021
Ìfọwọ́sí Àwòrán: Image #1:Photographer Satoru Nakahra,2020,Numazu.
Optional Image #1:Photographer Satoru Nakahra,2020,Numazu. Optional Image #2:Photographer Satoru Nakahra,2020,Numazu. Optional Image #3:Photographer Satoru Nakahra,2021,Shimizu.
Optional Image #4:Photographer Satoru Nakahra,2021,Numazu.