Beyond Oriental Ìṣe Pàtàkì: Ìṣàṣàyàn Abẹ́nú Ilé Ìgbélé láti ọwọ́ Ting Chih Huang - Athens Space Design jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IrinInú Ilé· 2021
Beyond Oriental Ìṣe Pàtàkì: Ìṣàṣàyàn Abẹ́nú Ilé Ìgbélé
látọ̀wọ́ Ting Chih Huang - Athens Space Design
Oníbàárà: Athens Space Design
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #115609Àpẹrẹ Náà
Nípa Beyond Oriental Ìṣe Pàtàkì: Ìṣàṣàyàn Abẹ́nú Ilé Ìgbélé
Ọ̀rọ̀ Ìwé: Beyond Oriental jẹ́ iṣẹ́ àpẹẹrẹ ìṣàṣàyàn abẹ́nú ilé ìgbélé tí ó bo agbègbè mítà mẹ́rin ìgbọ̀nwọ́ 365. Àpẹẹrẹ náà so àwọn ẹ̀yà àṣà Ṣáínà àti Japan pọ̀ mọ́ àwọn ìlà òde òní tí ó mọ́ tónítóní. Ilé tíì kan ní ọ̀nà Japan ni a fi sí ẹ̀gbẹ́ ẹnu ọ̀nà, tí ó sì ń kí àwọn ọmọ ẹbí àti àlejò káàbọ̀. Nínú gbọ̀ngàn ẹnu ọ̀nà, ère bronze aláwọ̀ dúdú-brown kan dúró níwájú ògiri dúdú àti wúrà. Ọtí bar tí ó ní ìrísí arc jẹ́ àṣe láti inú dígí tíì tí a gé ní ọ̀nà onígun-mẹ́ta mélòó kan. Àwọn ohun èlò tí a lò pẹ̀lú irin stainless, marble, àwọn pákó òkúta tínrin, iṣẹ́ igi, irin tí a bò pẹ̀lú titanium àti dígí. Àwọn yàrá ìsùn méje pẹ̀lú balùwẹ̀ ń fún olúkúlùkù ọmọ ẹbí ní àsírí rẹ̀.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Beyond Oriental Ìṣe Pàtàkì: Ìṣàṣàyàn Abẹ́nú Ilé Ìgbélé jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Beyond Oriental Ìṣe Pàtàkì: Ìṣàṣàyàn Abẹ́nú Ilé Ìgbélé yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Beyond Oriental Ìṣe Pàtàkì: Ìṣàṣàyàn Abẹ́nú Ilé Ìgbélé nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The project is filled with conservative, yet, updated oriental decorations that depict a similar Chinese elegance, and gradually develop into Eastern sentiments, depicting an oriental elegance and revealing a touch of transcending Eastern aesthetics. At the entrance, there is a view of the Japanese-style tea house. This feature uncovers the tea ceremony culture along with a preview of the designs. These arrangements communicate the spirit of the traditional Japanese tea ceremony.
- Ìwọ̀n àti Àpò
- Embarking on a tasteful journey through the 365 square meters space, the eyes lay upon expressive light and shadow elements in the entrance foyer. Before the focal black and gold wall stands the dark brown bronze sculpture of Guanyin with willow branches that unfold the overture of this oriental decoration. The arc-shaped bar made of tea mirrors has a polygonal cut to pave the facade. Throughout the private domain, the style remains consistent with the new oriental luxury of the public domain applying materials such as stainless steel pieces, marble, thin rock slabs, woodwork, titanium-plated metal, and mirror.
- Àwọn Àkọlé
- New Oriental Aesthetics, Oriental Classical Customization, Japanese tea house, Peony Flower and Bird, Chinese image
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- At a comprehensive review of this luxurious residential project, the ideal household life is customized with fine-quality details. It is an evident model showing that a boutique-like space design is not an imitation of another existence, but rather is a carefully planned piece with spatial aesthetics appealing to clients.
- Ìpèníjà Àpèsè
- The biggest challenge of this design plan is situating seven suites with bathrooms in one residential space, while still providing privacy for individual activities among the family members. The master bedroom, the room for grandparents, and the guest room are on the right side of the public domain, allowing the inhabitants to share their living movement with the public domain. The three rooms for teenagers are located on the left side of the public domain, which share a different living room.
- Ìwádìí
- This space emanates sophistication and dazzling luxury. The classic oriental sentiment emerges from the elaborate decorations, while the modern refinement speaks through the clean-cut lines and layouts. As bold contrasts blend together, oriental and western, classic and modern, an exclusive elegance is born.
- Ìmísí
- The inspiration of this project originates from the conservative oriental sentiments that are meticulously depicted from wall to wall. The tea house presents a welcoming area that uncovers the reverence for the Japanese tea ceremony and models the spirit of one life offers one encounter. The position of each circle is arranged with balance and symmetry to enhance visual aesthetics, conveying the idolized value of consummation in the Eastern culture and reflecting a peaceful mindset.
- Àkókò Iṣẹ́ Àkànṣe
- The project was finished in April 2019 in Luzhou District, New Taipei City, Taiwan
- Ìlànà Ìṣiṣẹ́
- The transition of stylistic elements from Japanese to Chinese, then from Chinese style to classic style, create a simple yet luxurious setting. The three major components of the public domain, the tea house, living room, and dining room, are in harmony with each other. The distinct sections and integrated boundaries allow a close interaction among the entire family.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Copyrights belong to Ting Chih Huang, 2019
- Àwọn Ọmọ Ẹgbẹ́
- Ting Chih Huang
- Ìfọwọ́sí Àwòrán
- Image #1: Lin Fu Ming, Beyond Oriental, 2020.
Image #2: Lin Fu Ming, Beyond Oriental, 2020.
Image #3: Lin Fu Ming, Beyond Oriental, 2020.
Image #4: Lin Fu Ming, Beyond Oriental, 2020.
Image #5: Lin Fu Ming, Beyond Oriental, 2020.
Video Credits
Video #1: Editor So Nan, Beyond Oriental, 2021.
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