Light Up 13 Layer Remains Iṣẹ Akọkọ: Aṣa Ìmọ́lẹ̀ Ilé-Iṣẹ́ láti ọwọ́ Chou Lien - YI.ng Lighting Design jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àṣà Ìbílẹ̀ àti Ilé-iṣẹ́ Àṣà.
IrinÀṣà Ìbílẹ̀· 2021
Light Up 13 Layer Remains Iṣẹ Akọkọ: Aṣa Ìmọ́lẹ̀ Ilé-Iṣẹ́
látọ̀wọ́ Chou Lien - YI.ng Lighting Design
Oníbàárà: Taiwan Power Company
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Àṣà Ìbílẹ̀
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #118969Àpẹrẹ Náà
Nípa Light Up 13 Layer Remains Iṣẹ Akọkọ: Aṣa Ìmọ́lẹ̀ Ilé-Iṣẹ́
Ọ̀rọ̀ Ìwé: Light Up 13 Layer Remains jẹ́ iṣẹ́ àkànṣe ìmọ́lẹ̀ iṣẹ́ ọnà gbogbogbòò fún ilé-iṣẹ́ ìtúnṣe bàbà àtijọ́ kan ní àríwá Taiwan. Ibi ìwakùsà náà ti wó ní 1973, wọ́n sì tọ́jú ìlànà pàtàkì rẹ̀. A yàn ìwọ̀n ìgbóná àwọ̀ (color temperature) 2100K láti bá ìgbékalẹ̀ òde ilé náà mu. Ìmọ́lẹ̀ àwọ̀ amber inú rẹ̀ ń rán ẹnì kan létí iná tí a ń lò nígbà ìtúnṣe bàbà náà. Ìmọ́lẹ̀ (luminance) máa ń pọ̀ sí i ní ipele kọ̀ọ̀kan, láti 1 nit ní ìsàlẹ̀ dé 6 nits ní àwọn ipele òkè, kí a bàa lè fi ojú rí ìyàtọ̀ àwọn ipele náà kedere. Àwọn ewéko tó wà nítòsí ni a tan pẹ̀lú 3000K. Ní àpapọ̀, wọ́n fi 365 àwọn ohun-ìmọ́lẹ̀ (luminaires) sínú 15 igun àti agbára oríṣiríṣi sí ipò.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Light Up 13 Layer Remains Iṣẹ Akọkọ: Aṣa Ìmọ́lẹ̀ Ilé-Iṣẹ́ jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Light Up 13 Layer Remains Iṣẹ Akọkọ: Aṣa Ìmọ́lẹ̀ Ilé-Iṣẹ́ yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Light Up 13 Layer Remains Iṣẹ Akọkọ: Aṣa Ìmọ́lẹ̀ Ilé-Iṣẹ́ nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Taiwan Power Company integrated its arts and cultural assets in the "Shua Jin Jiu" area. Through art, they tried to subvert the "Shau Nan Dong Refinery" , which is classified as a pollution control site. At the same time, combining many good causes with people who care about this land and have aspirations. Also, the company has appointed international lighting masters Lien Chou along with YI.ng Lighting Design Consultants working together to launch the "13 Layer Remains" lighting project.
- Ìwọ̀n àti Àpò
- The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits, presenting and highlighting the quality of "layer" . Low color temperature was employed to highlight the architectural landscape while outlining the silhouette of the refinery. We used 3000K burnishing to bring out the strength of the vegetation there. The entire project use of 15 different angles and wattage, with 365 sets of luminaire in total, in accordance with the topological features.
- Àwọn Àkọlé
- Refinery, Lighting Design, Shau Nan Dong, 13-Layer Remains, Taiwan, Taipei, Chou Lien
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure. Amber light was also adopted as internal lighting for the structure to represent a setting of using fire during the refining process.
- Ìpèníjà Àpèsè
- At night, the light not only perpetuates the human spirit of the site but also awakens people's understanding of the golden age of Shau Nan Dong area; the light revitalizes the cultural artistry of the area, such as the combination of performing arts and cultural landscapes, the prototype of the 2020 Bright Sea Island Festival...etc.
- Ìwádìí
- The reuse of historical architectural space is not only a direct way to involve commercial activities, but also a large-scale public art project to revitalize cultural assets and polluted land, which not only attracts people to see the magnificent nighttime beauty of the "13 Layer Remains", but also becomes a venue to nurture arts and cultural activities.
- Ìmísí
- The mining site is no longer in use since 1973 due to the exhaustion of copper and gold. The basic structure is retained and it preserves the traces of mining for a hundred years. It had been sealed for over 30 years before the rejuvenation. From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all-encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure.
- Àkókò Iṣẹ́ Àkànṣe
- "Light up 13 Layer Remains" Public Art Lighting Project was officially lit on the night of the Moon Festival on September 13, 2019, and 90 seconds of dynamic lighting was planned in response to the lighting ceremony. However, the lighting design team does not want the light movement changes to be meaningless. Even with dynamic lighting, they still want it to be in line with the original design concept, expressing the inclusive power of nature.
- Ìlànà Ìṣiṣẹ́
- The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits , presenting and highlighting the quality of "layer".
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Taiwan Power Company Public Art
- Àwọn Ọmọ Ẹgbẹ́
- Client: Taiwan Power Company
Lighting Design: Chou Lien, Wen Ying Chu, Ping Yi Liu, Joyce Ho
Manufacturers: Luxmen Technical Lighting
Products: Grand Canyon LED Lighting Systems
Photographer: Yu Chen Cha - Ìfọwọ́sí Àwòrán
- Photographer: Yu Chen Cha
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