Sharing Art Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì láti ọwọ́ Fu Chu Hsu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2021
Sharing Art Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì
látọ̀wọ́ Fu Chu Hsu
Oníbàárà: G Design
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #119967Àpẹrẹ Náà
Nípa Sharing Art Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì
Sharing Art jẹ́ àpẹrẹ inú ọ́fíìsì àjọ-ṣiṣẹ́-papọ̀ tí ó ní mítà onígun mẹ́rin ẹ̀ẹ́dẹ́gbẹ̀ta (500) ní Taichung, orílẹ̀-èdè Taiwan. Àwọn àkọsílẹ̀ létà ńlá, tí a tún lò láti inú ìfihàn ti tẹ́lẹ̀, ni a gbé sí inú àyè iṣẹ́ gẹ́gẹ́ bí iṣẹ́-ọnà gbogbo ènìyàn àti gẹ́gẹ́ bí àwọn ìpín. Àwọn férémù irin, àwọn àwọ̀n irin àti àwọn ojú-ìlẹ̀kẹ̀ dígí ń pínpín àwọn àgbègbè tí ó rọ̀ mọ́ra, wọ́n sì ń jẹ́ kí ìmọ́lẹ̀ gba inú rẹ̀ kọjá. Àwọn ohun-èlò igi tí ó rọrùn àti àwọn tábìlì tí ó ṣí sílẹ̀ láìsí ìpín ń ṣe àtìlẹ́yìn fún ṣíṣe àwòṣe, ìpàdé, yíyà àwòrán àti iṣẹ́ àjọṣepọ̀. Ìtò ọ̀nà yíyí ń tọ́ ìṣíkiri sọ́nà, àwọn ògiri funfun sì ń jẹ́ kí a lè lo àyè náà fún àwọn ìfihàn.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Sharing Art Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Sharing Art Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Sharing Art Iṣẹ́ Àpẹrẹ Inú Ọ́fíìsì jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- This project is a creative coworking spaces. Reuse the obsolete letter installations from an exhibition and make use of the linear tension of geometry and enframed scenery technique, allowing the workspace and the art to transform to a modern and minimalist artistic ambiance.
- Ìwọ̀n àti Àpò
- The project is 500 square meter.
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The big letter installations placed in the workspace give a new life to the space and they symbolize the reuse of facilities and diverse uses in the space. Introduce non-profit architecture and design website organizations, product research and development organizations, handicraft design organizations and exhibition organizations, revealing the value of multicultural and artistic integration.
- Ìpèníjà Àpèsè
- Considering the movability and identity, the designer incorporates the installations to the workplace as public art and fence of the space. The rich colors of the installation complement with the color arrangement of the space. Simple and gentle wooden furniture are used, available for different needs. Industrious iron frames and transparent glass partitions not only work as the boundary of the space but also allow the transmission of light and shadow from the windows. The bright white wall is best for exhibitions. The cold iron frames form a large area of public and shared art discussion space. The occupation of on-profit design website organizations and product creative design organizations improves the diversity of the workspace, achieve the goal of sharing and sustainable cross-industry discussion.
- Ìwádìí
- The letter installations were designed considering the activity factors such as passengers’ coming and going in the railway station and gathering of foreign workers. Be originally inspired by reusing the letter installations and considers the story and identity of the space, the designer includes creative elements to the design and continues the spirit of diverse cultural activities and exhibitions, combines minimalist aesthetics with pure beauty of the space, revealing modern design aesthetics with the reuse of facilities.
- Ìmísí
- The design is inspired by constant flow of people going in and out of railway stations and multicultural integration, combining with the concept of space sharing.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in October 2017 in Taichung, Taiwan.
- Ìlànà Ìṣiṣẹ́
- Many iron pieces seem irrelevant or cold, but they can be assembled quickly and form a space. The semitransparent space with net can be used as a display room. The metal net plates are used to form a space needed immediately. The loop layout leads and guides people unintentionally. The large area of glass and desks and chairs without partitions make it possible to transform to different work patterns immediately, no matter it is for making models, meeting discussions, drawing or teamwork.
- Àwọn Ọmọ Ẹgbẹ́
- Designer: Fu-Chu Hsu
Designer: Hung-Wei Wu - Ìfọwọ́sí Àwòrán
- Image #1-5: Photographer Chi-Min Wu, Sharing Art, 2017.
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