Kallucci Boot Iṣẹ Ọna Bọtini 3D láti ọwọ́ Mateus Morgan de Aguiar

Kallucci Boot Iṣẹ Ọna Bọtini 3D láti ọwọ́ Mateus Morgan de Aguiar jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán Kọ̀mpútà, Ìṣẹ́dá 3D, Ìṣàwọ̀ àti Ìyọrísí.

WúràÀwòrán Kọ̀mpútà· 2021

Kallucci Boot Iṣẹ Ọna Bọtini 3D

látọ̀wọ́ Mateus Morgan de Aguiar

Oníbàárà: Morgan Studio

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Àwòrán Kọ̀mpútà

74,244

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #121488

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Kallucci Boot Iṣẹ Ọna Bọtini 3D

Ero akọkọ ti onise ni a mu nipasẹ awọn eroja ti o rọrun, gẹgẹbi awọn apata, abala ti agbara ati resistance ti ọja naa nilo, ti o sunmọ si lilo rẹ ati igbesi aye awọn onibara. Awọn kirisita ti a fi kun ṣe iranṣẹ lati mu ifamisi kan wa si ohun akọkọ, fifun afẹfẹ aramada kan ti n fa iwariiri ti awọn alabara ti o ni agbara.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Kallucci Boot Iṣẹ Ọna Bọtini 3D jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Kallucci Boot Iṣẹ Ọna Bọtini 3D yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Kallucci Boot Iṣẹ Ọna Bọtini 3D ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: The idea is to bring the characteristics of the product through the use of visual elements, connecting the shoe direct to the customers life style. The mood also transmits durability, present on the shoe essence and a pinch of a mystical language that comes with the crystal elements. Everything made in 3D without scans
Ìwọ̀n àti Àpò: Width 5000px x Height 5000px 300dpi
Àwọn Àkọlé: boot, shoe, cgi, footwear, fashion, 3d boot, cgi boot, kallucci
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The boot was modeled using photographs as a reference and hard surface 3D modeling techniques. For modeling we used the software 3ds Max. All the textures made using leather texture and some photoshop brushes. Vray was used for rendering. Nothing on the scene was scanned or photoscaned.
Ìpèníjà Àpèsè: The hardest part was making the 3D model itself, considering that there's a lot of parts that had to be perfectly as the real product.
Ìwádìí: The work was executed based mainly on the previous experiences in other works for several companies of the sector footwear, in very natural way. Feedback was collected mainly online about the quality of the 3D itself as well as the sensations that people had in the first contact with the art.
Ìmísí: The comes from the nature, connecting the image directly with the customers life style. The rocks refer to the durability of the product.
Àkókò Iṣẹ́ Àkànṣe: I started the piece on november 21 and it took about 1 month, ending on december 21.
Ìlànà Ìṣiṣẹ́: The key visual was used on online and offline media such product folder, box, and video. The main focus was to attract attention to the product, bringing in the composition elements that generate the necessary sensations without the need for explanatory texts. Competitors often use images without a strong visual appeal, so the product, especially in the online market, goes unnoticed. The excess of texts works negatively in most of these cases, underestimating the viewer's intellect.
Àwọn Ọmọ Ẹgbẹ́: 3D modelling and texturing: Mateus Morgan
Agency: Dote