Symphony Alaga láti ọwọ́ Jason Mizrahi jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.
IdẹOhun-èlò Ilé· 2021
Symphony Alaga
látọ̀wọ́ Jason Mizrahi
Oníbàárà: Jason Mizrahi Designs
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #122607Àpẹrẹ Náà
Nípa Symphony Alaga
Àwọn ìrísí tààrà àti ìrísí wíwọ́ ti alaga Symphony ló mú ìṣẹ̀dá náà wá sí ayé. Àwọn ìwọ̀ ìrísí náà jẹ́ ìdálẹ̀kọ̀ọ́ látọwọ́ férémù tí ó ń rìn bí ìgbì omi, tí ó sì ń bá a lọ títí dé ìpìlẹ̀ níbi tí ó ti ń ṣíwọ́ dì ní igun kan láti mú ìrìn-àjò náà wá sí ìsinmi. Ìpìlẹ̀ náà ń fi ohun-ọ̀nà náà sí ààyè dúró ṣinṣin láti ṣe ọ̀wọ̀ fún iṣẹ́ rẹ̀. Ìjókòó tí a fi ìrọ̀rùn ṣe sórí alaga náà lè jẹ́ dídarí pẹ̀lú aṣọ tàbí awọ̀-ẹran.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Symphony Alaga jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Symphony Alaga yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Symphony Alaga ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The fluid form of the Symphony chair is marked by unexpected twists and details. The linear and curved forms of the chair animate the design. The curves are defined by the negative space in the undulating frame and continue to the base where it eventually folds at an angle to bring the movement to rest. The base positions the piece firmly in place to pay respect to its function. The padded seat of the chair can be upholstered in fabric or leather. The olive green velvet fabric of the seat injects warmth into the nominated design.
- Ìwọ̀n àti Àpò
- W 46.35 cm x D 53 cm x H 75 cm
The fabrication requires that a single sheet of aluminum is rolled as a single piece according to the specified degree of curvature for the base and the front portion of the arms. The height and angle of the aluminum tubing that connects the arm and the seat, as well as the angle of the back to the armrest, are important in assuring that the arm of the person sitting in the chair is comfortably resting on the armrest without hunching up the shoulders. Symphony can be customized to seat 2 persons. - Àwọn Àkọlé
- chair, metal, custom, sculptural, modern
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Symphony is a single unit with the metal formed into a seamless and continuous flow. The single sheet of metal was tested for structural stability when rolled into an undulating shape with a sharper turn at the base. The arm supports were meticulously welded into the frame to ensure seamless joints. The material was polished prior to applying the powder coat, which can be customized. The nominated design has a bronze powder coat. The seat cushion can be covered with either leather or fabric.
- Ìpèníjà Àpèsè
- The only challenge was finding the right material that was both flexible enough to be manipulated into a sinuous shape, and rigid enough to support its structure. It also had to be light in weight to accommodate its function. Tests performed on aluminum proved it to be the ideal material that met all of those requirements to support a structurally stable design.
- Ìwádìí
- Symphony breaks free from the restrictions and conventions of a chair having four legs. In exploring how to express movement with inanimate objects, the design of Symphony evolved. My formal training in architecture and prior collaborations with different artisans provided the tools for finding the balance between form and function. The eventual user is always at the core of my practice in creating furniture that elicits excitement without taking away function.
- Ìmísí
- A chair is typically perceived as an object with four legs, is linear, and has a formal structure. Symphony breaks free from these conventions. The design is an exploration of fluid forms expressing movement. This piece evokes a dance movement by unifying elements of architecture, sculpture, and furniture. Symphony attains a balance between form and function, art and design, positive and negative space. The combination of metal and velvet fabric in Symphony embodies comfort and luxury combined with a strong silent presence.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in Los Angeles in 2017 and the design was launched at the 2017 Architectural Digest (AD) Design Show in New York. For the AD Design Show, Symphony had a black powder-coat finish. The back and seat cushions were covered with flame-colored velvet fabric. It was subsequently exhibited at the 2017 WestEdge Design Fair in Santa Monica, California in its current bronze finish.
Symphony received the award "Best Innovative Product Design" from the American Society of Interior Designers during the WestEdge Design Fair. - Ìlànà Ìṣiṣẹ́
- The Symphony is not only a functional and comfortable chair for enjoying a book in the living room or by the fireplace, it also makes one feel that you are incorporated into a piece of art.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Copyrights belong to Jason Mizrahi, 2014
- Ìfọwọ́sí Àwòrán
- Image #1: Photographer, Glenn Cunanan, Ostrich Studio
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