Orbit A Collection Àkójọpọ̀ Ohun Ọ̀ṣọ́ láti ọwọ́ Suyu Chen jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ọ̀ṣọ́ Ara.
IrinOhun Ọ̀ṣọ́ Ara· 2022
Orbit A Collection Àkójọpọ̀ Ohun Ọ̀ṣọ́
látọ̀wọ́ Suyu Chen
Oníbàárà: Suyu Chen
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ohun Ọ̀ṣọ́ Ara
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #131168Àpẹrẹ Náà
Nípa Orbit A Collection Àkójọpọ̀ Ohun Ọ̀ṣọ́
Orbit A Collection jẹ́ àwọn ohun-ọ̀ṣọ́ tí a fi ọwọ́ ṣe, tí ó ní broṣi kan àti ẹ̀gba ọrùn méjì. Ẹ̀yà kọ̀ọ̀kan jẹ́ àrà ọ̀tọ̀, tí ó sì so fàdákà (sterling silver) pọ̀ mọ́ àwọn tíọ́bù pilasitiki, amọ̀ resin àti kun. Ẹ̀ka pilasitiki kan náà ni a ń tún ṣe gẹ́gẹ́ bí ìpìlẹ̀ ìdásílẹ̀ láti ṣẹ̀dá oríṣiríṣi àwòrán tí ó ṣeéwọ̀ àti tí ó ní ìrísí ère. Àwọn ọ̀nà ìbílẹ̀ ti iṣẹ́ irin bí sídà, dídá àpẹrẹ àti dídá ẹ̀wọ̀n ni a lò, pẹ̀lú ìdásílẹ̀ pilasitiki, dídán àti kíkun. Àkójọpọ̀ yìí fi àjọṣe tí ó wà láàrin iṣẹ́ ọnà ìbílẹ̀ àti ìṣelọ́pọ̀ òde-òní hàn.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Orbit A Collection Àkójọpọ̀ Ohun Ọ̀ṣọ́ jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Orbit A Collection Àkójọpọ̀ Ohun Ọ̀ṣọ́ yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Orbit A Collection Àkójọpọ̀ Ohun Ọ̀ṣọ́ nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
- Ìwọ̀n àti Àpò
- Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm - Àwọn Àkọlé
- jewelry, necklace, brooch, craft, mixed material, art jewelry
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.
Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin) - Ìpèníjà Àpèsè
- Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
- Ìwádìí
- By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
- Ìmísí
- By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
- Ìlànà Ìṣiṣẹ́
- This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
- Àwọn Ọmọ Ẹgbẹ́
- Suyu Chen
- Ìfọwọ́sí Àwòrán
- Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020
Oníṣọwọ́
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