Ching Ming Kyoto Aṣa Inu ile Ile-ounjẹ láti ọwọ́ Takuji Kamio jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2022
Ching Ming Kyoto Aṣa Inu ile Ile-ounjẹ
látọ̀wọ́ Takuji Kamio
Oníbàárà: Miyoshi Corporaiton
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #132066Àpẹrẹ Náà
Nípa Ching Ming Kyoto Aṣa Inu ile Ile-ounjẹ
Ching Ming Kyoto jẹ apẹrẹ inu ile-ounjẹ Ṣaina kan ti o wa ninu ile ibudo ọkọ oju-irin ni Kyoto, Japan. Agbegbe ilẹ jẹ mita mita 110. Awọn ìlànà ni ihamọ orule, nitorina awọn ina ni a fi rọ silẹ ati pe wọn ṣe itọju rẹ gẹgẹ bi iṣẹ ọna. Awọn ina laini ni a ṣe ni awọn irisi onigun mẹta ti a si sopọ mọ ara wọn ni titẹsiwaju lati yi awọn agbegbe ijoko ka. Orule ni a fi awọ dudu ya lati mu ki awọn ina laini ti o dabi ẹni pe wọn n fo leefofo ati awọn ina apẹrẹ bọọlu naa han daradara. Awọn ogiri ni a bo pẹlu awọn aworan epo ti awọn itan Ṣaina atijọ, ti a sopọ mọ pẹlu awọn àpẹẹrẹ jiometirika ati awọn alẹmọ ilẹ ti o ni aworan.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Ching Ming Kyoto Aṣa Inu ile Ile-ounjẹ jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Ching Ming Kyoto Aṣa Inu ile Ile-ounjẹ yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Ching Ming Kyoto Aṣa Inu ile Ile-ounjẹ ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Kamio expressed the lightings as a big art by spreading them over the whole the shop area. Making the lightings in impressive line shapes, he tried to create a dramatic atmosphere. The line lights were formed in triangle shapes and connected with each other continuously to surround the shop seating areas.
- Ìwọ̀n àti Àpò
- Floor Area : 110 square meter
- Àwọn Àkọlé
- Geometric lighting, Chinese restaurant, Kyoto restaurant, Authentic design, Japanese Designer
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- For many parts, Kamio applied artistic graphics with effective lighting systems. To emphasize the art feeling, he covered the walls with oil paintings, which are telling the some Chinese old stories, with the modern expressions, such as adding geometric patterns on the paintings.
- Ìpèníjà Àpèsè
- Perhaps the most difficult parts in this project was to deal with lighting combination. Because the team could not place the lighting equipments directly on the ceiling, they needed to hung all the equipment. Painting the ceiling in black, the team emphasized and focused more on the floating lightings consisted on line and ball shapes. To find the appropriate balance and locations of those different shape lighting was very sensitive work and one of most important aspects to create the whole space atmosphere.
- Ìwádìí
- The team made and used 3D images and models to understand the visual effects. It was very helpful to figure out how the line lights can be seen in each seating area. Also, they researched and studied several Chinese stories and art paintings in libraries for the wall graphics.
- Ìmísí
- Because the shop is located in a train station building and there were several regulations about ceilings, Kamio had to have some challenges to deal with lighting systems. Rather than using the normal ceiling lights, he understood and expressed the lights as art aspects.
- Àkókò Iṣẹ́ Àkànṣe
- From September 2018 to March 2019 in Kyoto, JAPAN
- Ìlànà Ìṣiṣẹ́
- Because the team used a number of graphic expressions such as wall paintings, floor tiles, and lighting shapes, it was very important to understand how those expressions work together. They carefully fill up the drawings with the graphic patterns and shared those images with all staffs to have the common visions. For some parts, they printed out actual life size drawings and discussed about the effects.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Ichii Kamiodesign
- Àwọn Ọmọ Ẹgbẹ́
- Takuji Kamio
Ray Keida - Ìfọwọ́sí Àwòrán
- Satoru Umetsu, nacasa and partneres
Oníṣọwọ́
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