Desert Desire Afikọti láti ọwọ́ Yamile Salomon

Desert Desire Afikọti láti ọwọ́ Yamile Salomon jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ọ̀ṣọ́ Ara.

FàdákàOhun Ọ̀ṣọ́ Ara· 2022

Desert Desire Afikọti

látọ̀wọ́ Yamile Salomon

Oníbàárà: Joy Color Design

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun Ọ̀ṣọ́ Ara

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #135344

Wo Àkójọ Iṣẹ́ Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Desert Desire Afikọti

Awọn abuda kan wa ti o ṣe iyatọ awọn ege wọnyi ati ṣe afihan ipa ti apẹrẹ ayaworan. Ọkan jẹ aami-ara ti awọn apẹrẹ ati ipa wiwo ti iwọn-mẹta ti o waye, nikan, nipasẹ awọn ohun elo ati awọn ilana okun. Èkejì ni àìpé ẹyọ ọ̀kọ̀ọ̀kan tí a fi ọwọ́ ṣe. Awọn apẹrẹ jiometirika wọnyi ro pe deede ṣugbọn ko ni. Kọọkan ti tẹ ati sojurigindin ti o yatọ si. Wọn jẹ alaipe ṣugbọn alailẹgbẹ, bi ninu iseda, ati ṣawari iyasọtọ ti awọn agbaye meji - cacti ati ejo - ṣiṣe wọn ni iṣọkan ni iṣọkan ni eto kan.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Desert Desire Afikọti jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Desert Desire Afikọti yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Desert Desire Afikọti jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: There are some characteristics that distinguish these pieces and highlight the influence of graphic design. The principles of logo design are incorporated into the jewelry, and the visual effect of three-dimensionality is achieved, only, through textures and thread patterns. The second is the imperfection of each handmade piece. These geometric shapes assume accuracy but do not have it. Each curve and texture are different. They are imperfectly unique, as in nature, and explore the peculiarity of two worlds – cacti and snakes –making them harmoniously coexist in a system.
Ìwọ̀n àti Àpò: Material: Silver Clay (999 Fine Silver)
Snakes- Drop length: 69.85 mm Width: 38 mm
Cactus- Drop length: 69.85 mm Widht: 31.75 mm
Àwọn Àkọlé: earrings, snakes, cactus, silver
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The prototype of each piece was made in cardboard, testing sizes and proportions until reaching the final dimensions. The pieces are made in Silver Clay with a purity of 999. Each piece is cut by an oversized template, as the metal clay in its final process reduces the size by approximately 10-15%. Once the shapes are cut and the textures are drawn, the metal clay is dried and torch firing. The pieces are polished manually and individually to finally add the details in the red thread.
Ìpèníjà Àpèsè: I was facing for the first time work with silver, which implied, besides the manual work on the new material, designing specifically for it and its requirements. The biggest challenge in the design was to bring these natural elements to the two-dimensional and maintain their volume, textures, and shapes at a visual level, and make both designs work well separately and together. The other challenge was the packaging design, which I designed specifically for these pieces, this had to be visually a preview of the pieces it contained, so it had to have the same bi-dimensional principles, the mix of textures, the volumetry, and the manual work, each envelope is folded and sewn by hand.
Ìwádìí: Nature is imperfect and beautiful, unique in each of its elements, and it was this principle that inspired the silver handwork. Each piece is imperfectly unique. And just as in nature, finding the peculiarity of both worlds and making them harmoniously coexist, was the idea for the designs. Imperfect as our nature and unique as our being.
Ìmísí: These were the first pieces I would make and design in metal and it was from this situation that the idea was born. If I faced new challenges, the 1st design had to symbolize them. The snakes as a symbol of change, adaptation and skill, elegance, and mysticism. The cactus came from the association of the theme and concepts, adaptation to extreme situations, inner strength, and persistence. Two elements of nature as a statement.
Àkókò Iṣẹ́ Àkànṣe: Litter Havana, Miami, September 2021 First ideas and drawings emerged, finalizing the production of the pieces and packaging in November 2021, to be presented in the Dec/Feb 2022 season at Flying Solo, NYC.
Ìlànà Ìṣiṣẹ́: Two different elements - snake and cactus - are two earring designs that, when combined, create a new possibility that is just as authentic and valid.
Àwọn Ọmọ Ẹgbẹ́: Yamile Salomon
Ìfọwọ́sí Àwòrán: Image #1: Photographer Yamile Salomon, Desert Desire Silver Collection, 2022
Image #2: Photographer Osmany Torres, Desert Desire Silver Collection, 2021
Image #3: Photographer Osmany Torres, Desert Desire Silver Collection, 2021
Image #4: Photographer Osmany Torres, Desert Desire Silver Collection, 2021
Image #5: Photographer Yamile Salomon, Packaging Desert Desire Silver Collection, 2021