The Land of Rocks Bùùtù Ìfihàn láti ọwọ́ Weixian He and Baoyang Wei

The Land of Rocks Bùùtù Ìfihàn láti ọwọ́ Weixian He and Baoyang Wei jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé Ibi Àfihàn Ìṣòwò, Inú Ilé àti Àfihàn.

FàdákàIbi Àfihàn Ìṣòwò· 2023

The Land of Rocks Bùùtù Ìfihàn

látọ̀wọ́ Weixian He and Baoyang Wei

Oníbàárà: Wise Space Aesthetics

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ibi Àfihàn Ìṣòwò

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #139921

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa The Land of Rocks Bùùtù Ìfihàn

Ilẹ̀ Àwọn Àpáta jẹ́ àyè ìfihàn fún ìgbà díẹ̀ tí a ṣẹ̀dá fún àmì-ọjà òkúta sintà ní Ọ̀sẹ̀ Aṣàpẹẹrẹ Guangzhou ní ọdún 2020. Bùùtù náà gba mítà onígun mẹ́rin 180. Ètò tí ó jẹ́ ìdajì-pípadé àti ìdajì-ṣíṣí ń darí àwọn àbẹ̀wò lọ ní ọ̀nà oríṣiríṣi, nígbà tí àwọn ihò tí a gé sínú àwọn ògiri tí a tò ń jẹ́ kí a lè rí àwọn àpẹẹrẹ òkúta láti ìta àti láti inú. Ìkọ́lé oníkọ̀rọ̀ tí a pè ní Òdòdó Àpáta dúró ní àárín pèpéle náà. Aṣàpẹẹrẹ náà mú kí ìbáṣepọ̀ láàrin òkúta sintà, ibùgbé àti ìlú ńlá hàn kedere kí ó sì rọrùn láti ní ìrírí rẹ̀.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

The Land of Rocks Bùùtù Ìfihàn jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé The Land of Rocks Bùùtù Ìfihàn yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. The Land of Rocks Bùùtù Ìfihàn jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: "Custom, high-end, professional brand essence" given to show the space inside and outside.The main products combined with the brand culture are displayed in front of the public through a variety of aesthetic forms to create a visual, sensory and experiential immersive experience place.The purpose is not only to express exhibitionality and artistry, but also to attract the attention of designers and professionals and create conditions for brand communication and brand appreciation.
Ìwọ̀n àti Àpò: 180sqm
Àwọn Àkọlé: Brand exhibition, temporary exhibition, ceramic tile, sintered stone, Guangzhou
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Arrangement and encircle do not cause closure or isolation. On the contrary, through special arrangement and cut crevices, one can see the beautiful and varied posture of the stone patterns from the outside to the inside. Or watching people from the inside out as they move and stare curiously at them.
Ìpèníjà Àpèsè: The huge theme of the relationship between sintered stone, habitation and city is challenging to express through a limited space in a limited time period. We have a primary and secondary layout of a spatial structure, giving full consideration to the design aesthetic feeling and functionality, semi-enclosed and semi-open structure to create a dynamic visiting line. Visitors can control the rhythm of moving and static, fast and slow, so that visitors have a sense of immersion.
Ìwádìí: From the point of view of the brand, while fully displaying the advantages of the product, we need to express the deeper cultural connotation, that is, to make the relationship between sintered stone, habitation and city visible, palpable and experiential, which is the focus of our design. This relationship is not straightforward, but requires people to place themselves in the space, heart feeling. So when we design, we need to consider how to make the visitors have a more delicate touch point - Architecture should become more open in the city, both formally and emotionally.
Ìmísí: What is the relationship between sintered stone, habitation and city? One lives in the city, moving between different buildings and staying sometimes. This exhibition space is like the epitome of urban architecture. The sintered stone and its application products are integrated into the space, and the building will no longer be a "shelter" without emotion. Endowed with the soul of nature, the architecture has more flexibility and is infinitely close to people's hearts.
Àkókò Iṣẹ́ Àkànṣe: The project was constructed and completed in Guangzhou in December 2020, and was exhibited at Pavilion 2C06, Hall 2, Guangzhou Design Week from December 3 to December 6, 2020.
Ìlànà Ìṣiṣẹ́: To meet the requirements of semi-open interaction, the entrance presents the characteristics of rigid and flexible sintered stone in two ways. Symmetric and asymmetric docking - Together. The flexibility and suppleness of sintered stone as the first impression to attract the attention of visitors. The "Rock flower" structure stands in the center of the stage as the protagonist, with graceful curves extending upward. When you sit on the bench and look up, the clouds glow implicitly, like a dream.
Àwọn Ọmọ Ẹgbẹ́: Chief Designer: Weixian He
Designer: Baoyang Wei
Designer: Fengming Tang
Ìfọwọ́sí Àwòrán: Image #1, 2, 3, 4, 5: Photographer Zhuoquan Wu
Video shooting and editing: Zhuoquan Wu