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Abrete y Cierrate Primary Function: Kabodu láti ọwọ́ Federico Varone

Abrete y Cierrate Primary Function: Kabodu láti ọwọ́ Federico Varone jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


FàdákàOhun-èlò Ilé· 2022

Abrete y Cierrate Primary Function: Kabodu

látọ̀wọ́ Federico Varone

Oníbàárà: Federico Varone Studio

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #140561

Àwọ̀

Àpẹrẹ Náà

Nípa Abrete y Cierrate Primary Function: Kabodu

Abrete y Cierrate jẹ kabodu ìpamọ́ tí ó ní àwọn ìlẹ̀kùn ìfàsẹ́yìn. Àwọn ìlẹ̀kùn náà ni a ṣe láti inú híhun àwọn okùn awọ tí a tún lò tí a so pọ̀ pẹ̀lú àwọn ìṣokọ́ irin. A ṣe ìhun rẹ̀ láti inú igi Lenga tí ó wá láti Patagonia ilẹ̀ Argentina, tí a gé pẹ̀lú ẹ̀rọ ìdarí nọ́mbà tí a sì parí rẹ̀ pẹ̀lú àwọ̀ polyurethane tí a ṣe pẹ̀lú omi. A gbé àwọn ohun ìdìmọ́ olumáyẹ́tì tí a ṣe àkànṣe sínú igi náà, kí ìlẹ̀kùn kọ̀ọ̀kan bàa lè tì pẹ̀lẹ́pẹ̀lẹ́ ní ọ̀nà àwọn ọ̀nà irin méjì. Híhun náà máa ń yí padà pẹ̀lú igun tí a fi ń wò ó àti pẹ̀lú ìṣíkiri àwọn ìlẹ̀kùn, tí ó ń dá ìmọ́lẹ̀ àti òjìji tí ń yí padà. Kabodu náà wọ̀n 1200 nípa 600 nípa 800 mílímítà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Abrete y Cierrate Primary Function: Kabodu jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Abrete y Cierrate Primary Function: Kabodu yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Abrete y Cierrate Primary Function: Kabodu jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Its name is linked to the limits between the interior and exterior. To the relationship between the transformation of the weft when opening and closing and the change generated with the contrasts of light and shadow that occurs as the day goes by.
We developed custom magnetic sockets inserted into the wood. They produce a subtle closing sensation when the panel is slid over the rails and brought closer to the structure. To produce it, we used noble and ecological materials such as recycled leather and Lenga wood, thus achieving a fusion between the conceptual and the traditional aspects.
Ìwọ̀n àti Àpò
Dimensions: L1200 x W600 x H 800 mm. The wood chosen is Lenga, a native type from the Argentine Patagonia.
Surface finish:
The wood is finished with water-based polyurethane lacquer. The recycled leather is laser cut and the edge of each strip is painted.
The leather strips that make up the doors are joined with metal rivets.
The legs and rails are made of powder-coated metal rods.
Àwọn Àkọlé
Craftmanship, handmade, Wood, Cabinet Design, Wood Design, Furniture, Furniture Design
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Production is made by fusing traditional techniques with numerical control machinery. The doors are made of a weft generated from strips of recycled leather joined together with rivets and other hardware. The structure is made of Lenga wood and CNC cut. It consists of a lid, base, and middle shelf. All these parts are supported by 4 columns that contain the magnetic fasteners as well as the wooden hardware attached to the frame. Two metal rods allow for smooth sliding. The legs are made of metal rod.
Ìpèníjà Àpèsè
The biggest challenge was the production of the panels and textures to obtain an ethereal weave that interacts with the user and the environment. Finding the right material in terms of thickness and internal composition was a challenging search. Recycled leather was chosen for the noble nature of the material and also for the elasticity generated when recycling it and mixing it with other additives to achieve this new laminate composite. The doors are assembled by hand, joining the strips one by one with rivets and turned bronze pieces.
Ìwádìí
It is the result of exploring how an object that is theoretically static, but always in motion depending on how you look at it, is seen and perceived. We experimented with different materials to achieve the necessary expansion and compression. The structure is defined by the wood, as a traditional container, framing the doors that represent this experimental game between what is seen and what is not seen, between light and shadow. We experimented with the limits of light and shadow and how the point of view changes the perception of what we see.
Ìmísí
Inspired in garlands, decorations and symbols of affection, celebration and commemoration, in how they contract and expand, changing shape through movement. The weft changes, interacting with the user and the environment depending on the point of view and through the movement of the panels. Textures emerge with moving lights and shadows, merging the interior and exterior, what is visible and what is not.
Àkókò Iṣẹ́ Àkànṣe
The project begin en Buenos Aires en el 2015 and was finished in Buenos Aires in 2016.
Was exhibited for the first time in Wanted Design/Launch Pad 2016, in the Salone Satellite in April 2017, was part of the Argentine Design Hallmark 7th edition in Buenos Aires 2018, D&D + Dara exhibition in Buenos Aires 2017 and in MADE (Mercado Arte Design) in August 2019.
Ìlànà Ìṣiṣẹ́
The product has a unique characteristic related to the way it is used and whether or not it shows what is inside. Depending on the viewing angle, the texture changes, and also with the movement of the doors, it interacts with the user and the environment, even when at rest. The use of the product is simple, the doors that are suspended on rails slide through them, the locks and closures are magnetic.
Àwọn Ọmọ Ẹgbẹ́
Federico Varone

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