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Grace Alaga Rọgbọkú láti ọwọ́ Daniel Devadder

Grace Alaga Rọgbọkú láti ọwọ́ Daniel Devadder jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


WúràOhun-èlò Ilé· 2023

Grace Alaga Rọgbọkú

látọ̀wọ́ Daniel Devadder

Oníbàárà: Daniel Devadder Interior Design

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #141711

Àwọ̀

Àpẹrẹ Náà

Nípa Grace Alaga Rọgbọkú

Oore-ọfẹ jẹ apẹrẹ ti o tumọ awọn ikunsinu ti ọrọ kan ko le ṣe apejuwe. Eyi ni apapo pẹlu idalẹjọ ti fọọmu ko nigbagbogbo tẹle iṣẹ, ṣugbọn o yẹ ki o ni anfani lati tẹle imolara. Abajade jẹ apẹrẹ iru ere ti a ṣe lati inu fireemu ti a tẹjade 3D, ni apakan ti a bo pelu foomu fun itunu ti a fikun ati aṣọ rirọ sibẹsibẹ ti o tọ. Lati oju iwoye darapupo, o ni didara ati apẹrẹ ti o jẹ bakan ailakoko. O le baamu awọn ipari ati awọn ohun elo oriṣiriṣi ati dapọ si awọn agbegbe oriṣiriṣi: lati lilo opin-giga ni ibebe hotẹẹli kan si ohun-ọṣọ ni ile ikọkọ.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Grace Alaga Rọgbọkú jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Grace Alaga Rọgbọkú yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Grace Alaga Rọgbọkú ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Grace provides a certain wow factor and the way it is interpreted changes from person to person, from feeling to feeling, making it a unique experience.
An experience that will always be linked to your thoughts and how you feel.
Ìwọ̀n àti Àpò
Width 900mm x Depth 910mm x Height 680mm
Àwọn Àkọlé
Furniture, chair, productdesign, lounge, seating, indoor, organic, 3Dprint, stereolithography, Belgium
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
3D printed structure. The material used is called Tusk SolidGrey3000 which is the world's first Stereolithography material that combines a high degree of stiffness with high impact resistance, available exclusively at Materialise.
The chair was tested from 2000N to 6000N. The displacement in the seating area ranges from 2mm to 5mm (for 2000N and 6000N respectively) and 3.5mm to 11mm at the top of the back rest.

The fabric used for the manual upholstery is Tonus 4, colour 0610, from Kvadrat because of its flexibility and durability. On the outsides of the design, high resilience foam is used for added comfort.
Ìpèníjà Àpèsè
Finding a material that could follow the shapes while having the strength and rigidity to support the weight of an adult without deforming.

He wanted to use a fully recycled plastic to 3D print the design. However, this was not yet possible with the available materials, which at the same time had to meet the necessary strength requirements, etc.

He had the chair upholstered. Even though an elaboration without any upholstery would be perfectly conceivable.

If a pattern would be cut by machine, some details from the upholstery could be finished in a more refined way.
Ìwádìí
The design arises as a reflection of emotions that you cannot capture with a simple word, but rather express through a movement, a certain flow. The spiritual, indescribable and mysterious is what resulted in the design.
Ìmísí
Grace was a way to translate feelings and emotions a single word can not describe.

Inspired by nature with its complexity hidden behind elegant and flawless forms.

This in combination with the conviction that form doesn't and shouldn't always follow function, but rather should be able to follow emotion. They merge together. It's something you strongly see in dance. Ballet and tango for example. Translating emotions and feelings by transcending oneself in a form or movement.
Àkókò Iṣẹ́ Àkànṣe
End of December 2020: First sketch.
January 2021: First digital plans.
June 17, 2021: 3D printed structure was delivered.
March 11, 2022: Collection of the fully upholstered and finished chair in Antwerp.
Ìlànà Ìṣiṣẹ́
As you walk around it, from every angle you discover something new that changes the interpretation of what you see. Some may recognise a bird, a plant, a child may think of a ghost. This gives the design a certain personality and soul.

It has an elegance and form that somehow is timeless. It could go with different finishes and materials and fit in different settings. From high-end use in the lobby of a hotel to furniture in a private home.
Even when not in use, the design leaves behind a kind of sculpture that enhances the space it resides in.
Àwọn Ọmọ Ẹgbẹ́
Daniel Devadder
Ìfọwọ́sí Àwòrán
Ypsilon Business Photography, 2022

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