Museum Hanmi Exhibition Apẹrẹ Iwe láti ọwọ́ Sunghoon Kim

Museum Hanmi Exhibition Apẹrẹ Iwe láti ọwọ́ Sunghoon Kim jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìtẹ̀wé àti Àtẹ̀jáde.

IdẹÌtẹ̀wé· 2023

Museum Hanmi Exhibition Apẹrẹ Iwe

látọ̀wọ́ Sunghoon Kim

Oníbàárà: Museum Hanmi

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìtẹ̀wé

34,290

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #147990

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Museum Hanmi Exhibition Apẹrẹ Iwe

O ṣe apẹrẹ ikojọpọ aworan kan ti "Inu si Ita, Itan Fọtografi Kọria 1929-1982", eyiti o jẹ iṣafihan ṣiṣi Ile-ari-ran Hanmi. Gẹgẹ bi iṣafihan itan ti o n ṣe ayẹwo ọdun aadọta sẹhin ti fọtografi Kọria, o tẹle awọn ipade ti awọn ipo ajọ ti fọtografi Kọria fi ṣe itan lati 1929 si 1982. Papọ pẹlu iṣafihan naa, iwe naa yoo ṣe iranlọwọ lati tẹle awọn ipade fọtografi Kọria labẹ awọn ipo ajọ ti o ti fi ṣe itan ati pe yoo jẹ anfani iyebiye lati fi idi itan fọtografi Kọria mulẹ.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Museum Hanmi Exhibition Apẹrẹ Iwe jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Museum Hanmi Exhibition Apẹrẹ Iwe yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Museum Hanmi Exhibition Apẹrẹ Iwe ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: He were directly inspired by the word photo because it is an exhibition photo book that looks back on Korea’s photography history over the past 50 years. Black and white were actively used as design elements on the cover and interior of the book, using photographic techniques that are printed in the way of light and darkness. The exhibition title is Inside Out, so he used intuitive parentheses as graphic elements.
Ìwọ̀n àti Àpò: Softcover book, 170mm x 240mm x 38mm, 512 pages, the cover of two versions black and white, black cover is glossy black and glossy red hot foil stamping, white cover is pearl and glossy red hot foil stamping, bookbinding fully unfolded
Àwọn Àkọlé: MUSEUM HANMI, Photo Book, Book, Photography, Design, Editorial, Graphic, Typography
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: To express light and darkness, the paper on the cover was made in two versions: black and white. The black version is hot foil stamping with glossy black and glossy red, and the white version is hot foil stamping with pearl and glossy red. He printed it on matte paper so that the pictures of the past could be realized well. The book was tied with thread so that it could be fully unfolded and the back of the book has not adhered to.
Ìpèníjà Àpèsè: The biggest goal is to understand the purpose of the exhibition while following in the footsteps of the institutional conditions in which Korean photography has made history and to convey its meaning well in the photo book. Also, since it is a photo book, He wanted to find a design methodology so that the techniques and elements of photography could be expressed in the book, and the two elements of light and darkness presented a great direction.
Ìwádìí: Over the years, he reviewed and organized the LIMB Eungsik’s Scrapbook, the largest archive of Korean photographers owned by MUSEUM HANMI. Based on this, he collected and organized photo materials with the help of various related organizations, bereaved families, and writers. Through this, he found the lost link in Korean photography history and filled the gap in the scrapbook. These efforts will serve as a foundation for academic attempts to establish the history of Korean photography.
Ìmísí: He designed a photo collection of , which is the opening exhibition of the MUSEUM HANMI SAMCHEONG. As a historical exhibition that looks back on the past 50 years of Korean photography, he follow in the footsteps of what institutional conditions Korean photography made history from 1929 to 1982.
Àkókò Iṣẹ́ Àkànṣe: The project began in Seoul, South Korea in August 2022 and ended in January 2023. In Korea, books have been distributed to customers since January 2023.
Ìlànà Ìṣiṣẹ́: He designed this book hoping that it will be a memorable book so that visitors to the exhibition can feel their feelings and thoughts about Korea’s photo history even after the exhibition. Along with the exhibition, the book will help follow the footsteps of Korean photography under what institutional conditions it has made history and will be a valuable opportunity to establish Korea’s photography history.
Àwọn Ọmọ Ẹgbẹ́: Creative Directed & Designed by Kim Sunghoon
Ìfọwọ́sí Àwòrán: Kim Sunghoon