Zijin Art Museum Àwòṣe Inú Ilé láti ọwọ́ The Design Code Co.,Ltd jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2023
Zijin Art Museum Àwòṣe Inú Ilé
látọ̀wọ́ The Design Code Co.,Ltd
Oníbàárà: The Design Code CO.,LTD
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #148068Àpẹrẹ Náà
Nípa Zijin Art Museum Àwòṣe Inú Ilé
Zijin Art Museum jẹ́ àwòṣe inú ilé fún gbọ̀ngàn iṣẹ́ ọnà àti ibùdó títà tí ó ní ilẹ̀ méjì tí ó bo mítà onígun mẹ́rin 1,200. Kókó ọ̀rọ̀ rẹ̀ ni Ètò àti Iṣẹ́ Ọnà, tí ó dá lórí èrò àwòṣe aláìlópin. Ilẹ̀ àkọ́kọ́ ní gbọ̀ngàn iwájú, tábìlì ìgbàlejò, yàrá àpẹẹrẹ àti ibi ìfihàn iṣẹ́ ọwọ́. Ilẹ̀ kejì ní agbègbè fídíò àmì-òkòwò, agbègbè tábìlì iyanrìn, ọtí omi àti agbègbè ìjíròrò. Àtẹ̀gùn tí ó dúró ṣánṣán so ilẹ̀ méjèèjì pọ̀, àwọn ọ̀nà ìrìnkiri oníyíká sì so àwọn àyè náà pọ̀. Wọ́n da igi tín-ínrín, òkúta, kun àkànṣe àti irin pọ̀ jákèjádò ibẹ̀.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Zijin Art Museum Àwòṣe Inú Ilé jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Zijin Art Museum Àwòṣe Inú Ilé yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Zijin Art Museum Àwòṣe Inú Ilé jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- This design themed in “Order · Art” infuses the design concept of “Unbounded Design”, highlights the quiet and calm exterior in the form of interspersing, stacking, turning, priority level, order and other modern architecture design techniques, and creates a spatial aesthetic art gallery with modern, narrative, guiding and local poetic features.
- Ìwọ̀n àti Àpò
- The building covers an area of 1,200m2 and is composed of two floors, the first floor is front hall, reception desk, model room and craft show, and the second floor is brand video display area, sand table area, water bar area and negotiation area.
- Àwọn Àkọlé
- Art Gallery, Modern, Sample Rooms, Sales Center, Aesthetics, Architecture, Interior Design
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The project is made of wood veneer, stone, special paint and metal and makes a breakthrough in regrouping and combining different materials.
- Ìpèníjà Àpèsè
- In the prior-stage design consideration, how to plan a reasonable layout of three sample rooms and arrange the basic functions in line with the marketing needs on only 1,200 m2 construction site; the slope terrain limits cause poor lighting condition on the first floor, and the landscape on the interface of the building and parking lot is weakly functioning; in addition, the staggered form of building blocks results in cramped interior depth, which is believed to make the design work even more difficult. With the design logic and the moving line direction clarified, the first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area.
- Ìwádìí
- As part of the execution strategy of Zijin Art Gallery, the focus on details and daily use of functions is a sort of design attitude that caters to the vested needs and rational persistence. For space experimentation, we make a trade-off between people, architecture and the site area, and exploit appropriate aesthetic ideas to express and cross the venue limits, until the aesthetic characteristics suited to local conditions are shaped.
- Ìmísí
- We try to think about the essence of architecture directed at problem solving, and expect to unleash the most brilliant charm of the city in space. Visitor would be attracted by art and gradually become a part of the space, rather than as a distant onlooker.
- Àkókò Iṣẹ́ Àkànṣe
- This project started the design stage in 2021 and was put into operation and open to the public in 2022.
- Ìlànà Ìṣiṣẹ́
- With the design logic and the moving line direction clarified, the entrance space is designed with vertical staircase that makes two floors associated. The first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area. All features available on the second floor are independent but associated, the flowing plan layout integrates sight, light, shadow, breath, rhythm and atmosphere, which in turn shapes a poetic and "homogeneous" ordered aesthetic of the space.
- Àwọn Ọmọ Ẹgbẹ́
- Xie Fang, Hu Anqi, Zhu Wenjun, Xia Jinbo, Pan Zaojin, Zhang Lingjie
Oníṣọwọ́
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