Aeon Fifi Sori Ere láti ọwọ́ Jung-Mei Wou jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ọnà Dídára àti Iṣẹ́ Ọnà Ìgbékalẹ̀.
IdẹIṣẹ́ Ọnà Dídára· 2023
Aeon Fifi Sori Ere
látọ̀wọ́ Jung-Mei Wou
Oníbàárà: JMW Art Studio
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dídára
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #148751Àpẹrẹ Náà
Nípa Aeon Fifi Sori Ere
Iṣẹ yii jẹ atilẹyin nipasẹ itan-akọọlẹ ni ibẹrẹ ti ipin akọkọ ti imoye Zhuangzi, Irin-ajo Idunnu. Aworan yii jẹ afihan ti aye gidi ni microcosm ati ṣawari iru akoko ati aaye, otitọ ati irokuro, lẹsẹkẹsẹ ati ayeraye, eyiti o dabi ẹni pe o jẹ idakeji ṣugbọn o wa ni akoko kanna interdependent symbiotic phenomena.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Aeon Fifi Sori Ere jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Aeon Fifi Sori Ere yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Aeon Fifi Sori Ere ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- This work is a reflection of time and space, reality and fantasy, instant and eternity, which appear to be opposites but are at the same time interdependent symbiotic phenomena. The form interprets the contrast between large and small with the round holes formed by the solid body. Abstract shapes, light, and shadow are refracted and intertwined with the environment, and the work leads the viewer into the illusion of personal subconsciousness when viewed at close range.
- Ìwọ̀n àti Àpò
- Work Dimension:
1030mmx910mmx1120mm Material: Stainless Steel - Àwọn Àkọlé
- Sculpture, Public Art, Contemporary Art, Installation Art, Philosophy, Dualism, A Happy Excursion
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- This work is made of forged stainless steel. The inside of the sculpture uses a grid-shaped stainless steel skeleton as the structure, and the surface is made of stainless steel thin plate split forging, knocking, and welding to make the sculpture lightweight.
The supporting point of the sculpture presents the lightness of the sculpture with two curved surfaces, and the ingenious balance of structural mechanics is also presented in this work. - Ìpèníjà Àpèsè
- The most challenging part of this sculpture is presenting the lightness of the sculpture with a double curved surface for the support points. In the process of experimenting with the balance of the sculpture, six models were made to test the circular hole that would affect the center of gravity of the sculpture. The size and the most suitable position were determined based on rational principles to achieve an exquisite balance of structural mechanics.
- Ìwádìí
- The wind load influences the shape of the sculpture and the surface optimisation method. Aerodynamic shape optimisation has helped to achieve the optimum design for a sculpture while reducing the wind load.
- Ìmísí
- The concept of this work is inspired by the fable at the beginning of the first chapter of Zhuangzi's philosophy, "A Happy Excursion".
This work seeks to explore the essence of all symbiotic phenomena that appear to be in opposition to each other and are interdependent. The abstract sculpture, light, and shadow refract and intertwine with the environment, not only projecting a seemingly real space but also creating an illusion of the personal subconscious. - Àkókò Iṣẹ́ Àkànṣe
- The project took one year from concept model to finished work. This project was exhibited at the Taipei World Trade Center Art Fair in April 2016.
- Ìlànà Ìṣiṣẹ́
- This sculpture intends to symbolise the relationship of duality and interdependence by combining the large fish whale and fish eggs in the sea. The shape is made of round holes surrounded by solid bodies, respectively expressing large and small.
- Ìfọwọ́sí Àwòrán
- Jung-mei Wou
Oníṣọwọ́
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