For Two Ilé Gbígbé Fún Ìjọkọ láti ọwọ́ Shiu-Ming Chen jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2023
For Two Ilé Gbígbé Fún Ìjọkọ
látọ̀wọ́ Shiu-Ming Chen
Oníbàárà: Liumu Design
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #149154Àpẹrẹ Náà
Nípa For Two Ilé Gbígbé Fún Ìjọkọ
Fún Méjì jẹ́ apẹrẹ inú ilé gbígbé tí a ṣe fún ènìyàn méjì ní Taiwan. Ètò náà yọ yàrá ìjókòó ìbílẹ̀ àti àwọn ògiri títì tí ó yí ká kúrò. Yàrá aṣọ àti pákó ìdáná (kitchen island) ṣiṣẹ́ gẹ́gẹ́ bí àárín méjì, tí ètò rẹ̀ sì ń tẹ̀lé àyíká méjì tí wọ́n ní àárín kan náà, tí ó dá ọ̀nà yíyí sílẹ̀ láàrin ilé ìdáná, yàrá amóhùnmáwòrán, yàrá ìwé àti yàrá ìsùn olórí. Àwọn ògiri dígí àti fèrèsé tí ó gùn láti ilẹ̀ dé àjà ń mú ìmọ́lẹ̀ wọlé, wọ́n sì ń fi ìgbèríko tí ó wà lóde hàn gẹ́gẹ́ bí àwòrán. Àwọn ilẹ̀kùn tí ń rọ̀ mọ́ra ń pa àṣírí mọ́, àwọn iná tí a gbé sí abẹ́ àwọn ìtì-ilé (beams) sì ń dín ìwúwo tí a rí lójú ìhun ilé kù.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
For Two Ilé Gbígbé Fún Ìjọkọ jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé For Two Ilé Gbígbé Fún Ìjọkọ yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. For Two Ilé Gbígbé Fún Ìjọkọ ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Glass facilitates lighting and brings brightness to the space. The design team takes the characteristics of the material to draw light into the interior, creating a distinct romance between day and night. Outside the window is lush greenery. The design team takes the 'borrowed view' technique, using glass to frame the view outside the window, just like a large picture frame. The design team sets the dressing room and the kitchen island as the centers, drawing two concentric circles to create a circular route. The track lighting installed in the ceiling also echoes the layout.
- Ìwọ̀n àti Àpò
- The project is for two people. The linear lighting on the beams forms light and shadow changes, and the glass windows draw light into the room for a more open view. Besides, the doors of each space are sliding doors for intimacy and privacy. Not to block the view with the cabinets, the design team make the cabinets 'formless' to lighten the storage. They replace parts of the wall structure with transparent vertical partitions that might block light penetration.
- Àwọn Àkọlé
- Light, penetration, greenery, dual-axis structure, open plan.
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The glass is conducive to lighting and draws light into the interior, while the vertical transparent items retain a sense of penetration for storage. Some cabinets are made of iron and glass to create a diverse visual layer. Meanwhile, the stainless-steel kitchen island is the highlight. and the glass of the dressing room guides the light and shadow of the whole space. The design team installs light strips to make the dressing room look lighter. At the same time, the glass and partitions allow the structure to replace the cabinetry, embodying the concept of 'penetration'.
- Ìpèníjà Àpèsè
- The project has been planned since the pre-sale stage. However, the space is completely deconstructed, and the beams are not in the expected position. Therefore, the design team set up a circular track light under the original beam and raise the height with color flashing to weaken the volume. In this way, in addition to reducing the visual load, the sense of oppression is also eliminated, and it can echo the circular layout. Additionally, there were no water pipes for the kitchen island. The design team replans the pipes so that the water is supplied smoothly.
- Ìwádìí
- The project removes the traditional concept of the living room and enclosed partition and instead takes a bold and innovative double-axis concentric circle through the space. The project takes the dressing room and the kitchen island as the cores, including the kitchen, the audio-visual room, the study room, and the master bedroom, all of which extend around the two centers. This layout allows for unobstructed routes between the different areas, they can choose the space they want to go to according to their needs while maintaining intimacy and privacy.
- Ìmísí
- The entire space is bright and open, with a '360-degree view of the entire space from anywhere' at the core. The planning is extended by the dressing room and the kitchen island as centers. The whole space is divided into two concentric circles with these two places as the center, and the structure is circular. Moreover, the track lights installed under the beams reduce the sense of pressure in the space and also in a circular structure, and three concentric circles can be seen from the top down.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in Taiwan.
- Ìlànà Ìṣiṣẹ́
- Instead of the traditional plan of a living room, the project takes two concentric circles through the space to form a circular route. The dressing room and the kitchen island serve as the centers, allowing people to look around the space from every angle. In this way, clients can use the space as they wish. The team takes the 'borrowed view' technique to frame the greenery outside the windows, bringing in the beauty through large transparent glass partitions and floor-to-ceiling glass windows.
- Ìfọwọ́sí Àwòrán
- Liumu Design
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