Extreme of Emptiness Iṣẹ́-ọnà Gbangba 3D láti ọwọ́ Haiyu Zheng

Extreme of Emptiness Iṣẹ́-ọnà Gbangba 3D láti ọwọ́ Haiyu Zheng jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán Kọ̀mpútà, Ìṣẹ́dá 3D, Ìṣàwọ̀ àti Ìyọrísí.

IrinÀwòrán Kọ̀mpútà· 2024

Extreme of Emptiness Iṣẹ́-ọnà Gbangba 3D

látọ̀wọ́ Haiyu Zheng

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Àwòrán Kọ̀mpútà

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #155560

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Extreme of Emptiness Iṣẹ́-ọnà Gbangba 3D

Extreme of Emptiness jẹ́ iṣẹ́-ọnà gbangba kan tí ó ń rì àwọn olùwòye sínú ẹ̀wà ìgbà òru àti ìgbà ẹ̀ẹ̀rùn, pẹ̀lú èrò láti ṣàwárí ọ̀pọ̀lọpọ̀ àwọn ẹ̀dá ìyanu tí a lè rí nínú ìṣẹ̀dá. Iṣẹ́ yìí ń ṣiṣẹ́ bí ọ̀nà agbára kan, tí ó ń so àárín ènìyàn àti ìṣẹ̀dá pọ̀ nípa fífi àwọn ààlà nù ní ọ̀nà iṣẹ́-ọnà. Nípa gbígbé ní ọ̀nà ewì nínú agbáyé àfọ̀mù yìí ti ìṣẹ̀dá, ní ìrírí ìgbónágbóoru oòrùn, gbọ́ ìró ríro jẹ́jẹ́ ti afẹ́fẹ́, ṣàkíyèsí àwọn àyípadà kékeré nínú ìṣẹ̀dá pẹ̀lú gbogbo ẹ̀mí, tí ó ń farahan mú ìmọ̀lára jíìnlẹ̀ ti àìgidi tó dà bí òtítọ́.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Extreme of Emptiness Iṣẹ́-ọnà Gbangba 3D jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Extreme of Emptiness Iṣẹ́-ọnà Gbangba 3D yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Extreme of Emptiness Iṣẹ́-ọnà Gbangba 3D nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: "Extreme of Emptiness" is a public art piece. The scene is set in spring and summer, in order to explore a wide variety of marvelous creatures in nature and use them as a strong carrier to connect humans and nature, hoping to blur the boundaries between us and nature in a poetic way. Poetically inhabiting the virtual nature, feeling the temperature of the sunlight, feeling the sound of the breeze, feeling the subtle changes of nature in a moment of breathing, feeling a "real sense of unreality".
Ìwọ̀n àti Àpò: The project is displayed on an LED billboard with a resolution of 8K and a size of 888 square meters. This piece is mainly produced by Cinema 4D and Octane Render, also uses Houdini for the FX effects.
Àwọn Àkọlé: Naked-eye 3D billboard, CG, digital art, public art, visual art, 3D Anamorphic, motion design, digital nature
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: CG, Naked-Eye 3D Technology
Ìpèníjà Àpèsè: Starting from the natural world we live in, the work explores how to connect the "non-human" creatures of nature with the city. The work chooses the sea slug as the main character of the story, not only its unique posture when traveling allows for more dynamic forms to be explored, but also in a public space with a diverse crowd, a cute and curious "sea rabbit" can easily attract people's attention and goodwill. In addition, the sea slug and its surroundings are boldly colored to amplify the difference between the imaginary world and the real world.
Ìwádìí: This work explores how to achieve the effect of art healing through digital art. Art healing is more of an emotional expression, how to rely on the creator's own perception of the surrounding world, through the expression of digital art to help the audience psychological, emotional and physical relaxation, relieve stress, and give emotional value to society.
Ìmísí: The ecosystems in nature are complex and fascinating, life expresses itself in a mysterious way, and the vastness of the unknown makes me fantasize about the choices that creatures go through in the process of evolution. I want to illustrate it through digital visual art and create a real sense of unreality to bring the audience a moment of tranquility outside the world. I hope more people will pay attention to the "wonderland" that is about to be lost before we have a chance to understand it.
Àkókò Iṣẹ́ Àkànṣe: July 1st, 2023 - Sept. 26th, 2023, Chengdu,China
Ìlànà Ìṣiṣẹ́: The virtual world breaks through the limitations of traditional exhibition space and interacts directly with the audience on the bustling shopping street in Chengdu, China. Utilizing the clever visual difference without the use of any professional equipment to achieve the shocking effect of naked eye 3D, to bring the audience a new visual experience!