Floating Island Ifihan Iṣẹ́ọnà láti ọwọ́ Zong-Ying Chen jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2024
Floating Island Ifihan Iṣẹ́ọnà
látọ̀wọ́ Zong-Ying Chen
Oníbàárà: IW Magazine
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #158573Àpẹrẹ Náà
Nípa Floating Island Ifihan Iṣẹ́ọnà
Floating Island jẹ́ ìfihàn iṣẹ́ọnà tí a ṣe ní ibi tóóró kan tí ó ní square mítà 190. Ideri ìwé-ìròyìn méjìlélógójì (40), tí a yàn láàrin àwọn ẹ̀dà ìwé-ìròyìn 153, ni a tẹ̀ sórí àwọn pátákò acrylic tí ó fẹ́ẹ́rẹ́fẹ́ tí ẹ̀rí lè kọjá, tí a sì fi kọ́ sórí ohun ìṣètò kan tí ó ní gíga mítà mẹ́sàn-án tí a gbé sí àárín gbùngbùn ibi náà. Ohun ìṣètò yìí pín àyè náà sí àwọn apá onígun mẹ́ta méjì tí kì í ṣe déédéé, ó sì fún àyè láti to àwọn ìjókòó ní ìrísí abẹ́fẹ́lẹ́ fún àwọn ìkẹ́kọ̀ọ́. Nítorí pé ilé náà jẹ́ ojúlé ìtàn àtijọ́, àwọn òpó truss aluminiomu ni ó gbé àwọn pátákò náà dúró láìsí fífarakan ìlédìí ilé náà rárá. Àwọn truss wọ̀nyí ṣe é tún lò, nítorí náà ìdàrudapọ̀ àti ìsọ̀nù dínkù. Àwọn burandi ohun-ọ̀ṣọ́ inílé àti ìtànṣán ìmọ́lẹ̀ tí a yàn ni a tún fi hàn níbẹ̀.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Floating Island Ifihan Iṣẹ́ọnà jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Floating Island Ifihan Iṣẹ́ọnà yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Floating Island Ifihan Iṣẹ́ọnà ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Double Covers Installation: Utilizing the limited space scale to develop endless aesthetic depth. Centered on our characteristic double covers collection, the preliminary issues, by the time sequence, are exhibited to the public for the first time.
Brand Showcase Island: Select Scandinavian and Italian design brands that have had a profound impact on the history of furniture design.
Aesthetic Special Lecture: Returning to the essence of media, the exhibition invites Taiwan's renowned architectural scholars and photographers to share with readers the aesthetic experience of life. - Ìwọ̀n àti Àpò
- The Venue is only 190 square meters with a long and narrow layout. The team expected to create a comfortable and interesting traffic flow and, thus, located the 9-meter magazine cover installation in the center, which not only breaks the original rigid space planning but makes it extra two unequal triangular areas that with full of scale tension. Firstly, it gives a strong visual and a deep sense of spatial form; secondly, the lecture seats can be unfolded in a fan-shaped, making the event a small theater, and also shortening the distance between the speaker and the audience.
- Àwọn Àkọlé
- IW Magazine, Exhibition, Art Exhibition, PP Mobler, Gufram, Memphis Milano, Flos, Smeg, Space Design Magazine.
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- In this exhibition, we focus on how to make the main visual cover installation as an emotional communication with readers, instead of just a backdrop. 40 double-covers selected from 153 issues were presented at the exhibition, adopting the form of transparent acrylic plate for output, in a penetrating and lightweight manner, along with a chronology of twenty-five years of important events, let it could be unrestricted in the 190-square-meter site, let the viewers as immersive in a quality magazine.
- Ìpèníjà Àpèsè
- The exhibition building is a municipal historic site, thus all structures must be connected with external objects and not touch the building itself. To this end, the IW team chose 'aluminum square columns' (truss structures) that are commonly used in music concerts as the main structure of the double-cover installation. The 9-meter device uses 4 trusses in total, which are connected in series with flat irons. Its Thick and solid characteristics make the 80 acrylic panels hanging below extremely safe. It not only solves the load-bearing problem but is also reusable, which will not cause waste.
- Ìwádìí
- The entire exhibition not only showcases our magazine's historical highlights with internationally famous brands, PP Mobler, Gufram, Memphis Milano, Flos, and Smeg but also invites two well-known representative cultural figures to share their professional views through lectures. In summary, by taking 'life' as the fulcrum, 'aesthetics' as the focus, and 'perseverance' to express the opinion, the IW team wishes to evoke a clash of readers' points of view during this unprejudiced reading experience and also injects new thoughts into a cluster of buildings of historical value.
- Ìmísí
- 1997, IW Magazine was launched. As a bi-monthly magazine that reports on the aesthetics of living space and design trends, we have been thinking about exploring the essence of the publication and giving it an interpretation. In every meticulously crafted story, we expand the narrative by synthesizing the view and discovering depth through the details. This is the first special exhibition of IW Magazine's 25th anniversary, the team expects to express the value of the pass-years knowledge through the curation.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in November 2023 in Taiwan.
- Ìlànà Ìṣiṣẹ́
- Just like the initial mission of IW magazine, 'reports on the aesthetics of living space and design trends', we wish to contribute to the improvement of national aesthetics and implement as Rodin, the French sculptor, said: 'Beauty is everywhere. It is not that she is lacking to our eye, but our eyes which fail to perceive her.' As an independent media, we wish to through our modest power, provide the public another stage and perspective for appreciating beauty.
- Àwọn Ọmọ Ẹgbẹ́
- IW Magazine
- Ìfọwọ́sí Àwòrán
- Zong-Ying Chen
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