Bluetown Wuxi Guixiangli Àgbékalẹ̀ Inú fún Ibùdó Títà láti ọwọ́ Zhijun Zhong jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2024
Bluetown Wuxi Guixiangli Àgbékalẹ̀ Inú fún Ibùdó Títà
látọ̀wọ́ Zhijun Zhong
Oníbàárà: Herabenna
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #161332Àpẹrẹ Náà
Nípa Bluetown Wuxi Guixiangli Àgbékalẹ̀ Inú fún Ibùdó Títà
Bluetown Wuxi Guixiangli jẹ́ àgbékalẹ̀ inú ibùdó títà tí ó tó 400 mítà onígun mẹ́rin ní Wuxi, Ẹkùn Jiangsu, ní orílẹ̀-èdè China, tí a parí ní oṣù Kejìlá ọdún 2023. Àgbékalẹ̀ náà túmọ̀ ẹwà ìran ọba Song ní ọ̀nà ìgbàlódé. Igi ni ohun èlò pàtàkì jùlọ, pẹ̀lú àwọn ohun ọ̀ṣọ́ òkúta tí ó dá àyíká adánidá àti ìgbóná-ọkàn sílẹ̀. A pín àyè náà sí ẹnu-ọ̀nà àbáwọlé, àwọn ọ̀nà ìrìnnà, gbọ̀ngàn ìgbàlejò, gbọ̀ngàn ńlá àti agbègbè ọtí. Àwọn ọ̀pá àgbélébùú àti fèrèmù tí a fi hàn ni ó ṣe àjà ilé, níbi tí ìmọ́lẹ̀ adánidá àti ètò ìtànṣán ìmọ́lẹ̀ ń fi kún ìjìnlẹ̀ rẹ̀. Àwọn ìran ọgbà kékeré àti àwọn wọ́ọ̀rọ̀wọ́ igi ń rán wa létí àṣà ìbílẹ̀ agbègbè náà.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Bluetown Wuxi Guixiangli Àgbékalẹ̀ Inú fún Ibùdó Títà jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Bluetown Wuxi Guixiangli Àgbékalẹ̀ Inú fún Ibùdó Títà yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Bluetown Wuxi Guixiangli Àgbékalẹ̀ Inú fún Ibùdó Títà jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The project is located in Wuxi, Jiangsu Province, where the roots of Song dynasty aesthetics run deep for a millennium, ingrained in its culture. Through the passage of time, historical context has infused the city's essence, imbuing it with a spiritual depth. The design draws inspiration from the past to innovate for the present, interpreting the elegance of Song dynasty aesthetics and embracing a contemporary urban slow living lifestyle.
- Ìwọ̀n àti Àpò
- 400 square meters
- Àwọn Àkọlé
- Song dynasty aesthetics, frame structure, exposed structure, mortise and tenon structure, light and shadow order
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The design incorporates contemporary aesthetics, applying Song dynasty aesthetics to the space. The main space draws inspiration from Song dynasty architectural aesthetics, dissecting traditional architecture to innovate a contemporary Chinese style. By intertwining and overlapping components, it showcases traditional architectural textures while embracing simplicity, reflecting the Song dynasty's minimalist philosophy.
The structure of the exhibition center is enclosed by curtain walls and steel frames, integrating traditional wood structures into the layout. The space is divided into entrance, corridors, reception hall, lobby, and bar areas, with a layout that builds up gradually, creating interconnected yet distinct contemporary social spaces. Wood is the primary material, complemented by stone accents, enhancing the space with a natural and warm atmosphere. - Ìpèníjà Àpèsè
- The "exposed structure" design is the highlight of the interior space in this project. In Song dynasty architecture, "exposed structure" refers to the ceiling's natural state. It involves leaving the interior structure completely exposed, beautifying the beams and columns themselves to create a unique order and logic. By downplaying heavy ornamentation, the design presents the architectural beauty through minimalist connection logic. The exposed beams and frames intersect and layer to create a dynamic rhythm and order. As sunlight penetrates through the ceiling, interacting with light and shadow, it enhances the depth and layering of the structure. With the assistance of a lighting system, it creates a three-dimensional and transparent spatial sensation, making the entire ceiling the focal point of the space, inviting exploration.
- Ìwádìí
- A millennium ago, the Song dynasty provided the perfect model for understanding life: banquets, tea gatherings, hanging paintings—slowly and gracefully living life to its fullest. However, with the rapid pace of contemporary urbanization, we have forgotten the essence of life, losing touch with the time and space to truly experience life. In this project, the designers aim to incorporate elements of Song dynasty aesthetics into the space, blending them with contemporary aesthetic values. Through the charm of the Song dynasty, they seek to convey the concept of returning to a more refined and leisurely lifestyle, encouraging us to savor and enjoy the present moment.
- Ìmísí
- The enduring artwork of the Song dynasty, such as "Along the River During the Qingming Festival" and "Elegant Gathering in the Western Garden," vividly portray the refined world of that era. From paintings to architecture and poetry, the Song dynasty excelled in aesthetics and artistic appreciation. Described as a pinnacle in Chinese history, the elegance of the Song dynasty is enduring, with Wuxi's cultural heritage preserving its essence for over a millennium.
- Àkókò Iṣẹ́ Àkànṣe
- The project is located in the northwest intersection of Heng 2 Road and Zong 2 Road, Huishan District, Wuxi City, Jiangsu Province, China. It was completed in December 2023.
- Ìlànà Ìṣiṣẹ́
- The entrance corridor serves as a transition space, designed for passage and experiencing the surroundings. The facade features large suspended blocks as partitions, with miniature scenes of Jiangnan gardens at the bottom, creating a sense of vitality amidst rocky landscapes and lush greenery. Wooden lattice grids are asymmetrically placed with concealed backlighting, softening the light and intertwining contemporary materials with cut facades to evoke an ethereal Eastern Zen atmosphere. The use of frame structures on one side breaks the physical boundaries of the building, allowing indoor and outdoor scenery to blend, evoking a sense of Zen tranquility. The choice of spiral "flower clusters" lighting fixtures within the frames draws inspiration from osmanthus petals, embedding a memory of the city's culture.
In the central hall area, contemporary design techniques separate the mortise and tenon structure from the building, incorporating the philosophy of "wuwei" to break traditional constraints and explore new possibilities in form, material, function, and concept. Embedded garden scenes with rough textures of sand and stones integrate Eastern Zen elements, while wood serves as the primary material base, complementing the stone and allowing natural light to filter through the ceiling, creating a serene and minimalist atmosphere. - Àwọn Ọmọ Ẹgbẹ́
- Zhijun Zhong
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