Mountain God Ìṣẹ̀dá Àwòrán Ohun-ìṣeré Eré láti ọwọ́ Shuhe Huang

Mountain God Ìṣẹ̀dá Àwòrán Ohun-ìṣeré Eré láti ọwọ́ Shuhe Huang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán Kọ̀mpútà, Ìṣẹ́dá 3D, Ìṣàwọ̀ àti Ìyọrísí.

IdẹÀwòrán Kọ̀mpútà· 2024

Mountain God Ìṣẹ̀dá Àwòrán Ohun-ìṣeré Eré

látọ̀wọ́ Shuhe Huang

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Àwòrán Kọ̀mpútà

46,039

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #161567

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Mountain God Ìṣẹ̀dá Àwòrán Ohun-ìṣeré Eré

Iṣẹ́ àkànṣe ìṣẹ̀dá àwòrán ohun-ìṣeré kan tí ń lọ lọ́wọ́, èyí tí ọ̀rọ̀ àṣà ìbílẹ̀ ará Ṣáínà nínú The Mountain God and the Proud Insect ti dá sílẹ̀, ń bá a lọ báyìí. Nípa lílo àpapọ̀ ìmọ̀-ẹ̀rọ 2D àti 3D, ó ń ṣàfihàn àwọn ẹ̀dá àrídìmú láti oríṣiríṣi ọ̀nà pẹ̀lú ìtọ́jú pàtàkì. A ti dàpọ̀ àwọn ẹ̀yà àṣà ìbílẹ̀ Ṣáínà sínú àwọn àpẹẹrẹ náà ní ọ̀nà tí ó dára gidi, tí ń ṣàfikún ìjìnlẹ̀ àti òtítọ́ sí àwọn ohun-ìṣeré náà. Ìdàpọ̀ àṣà àtijọ́ yìí pẹ̀lú ìmọ̀-ẹ̀rọ ìgbàlódé ń mú àwọn ohun-ìṣeré jáde tí ó ní ẹ̀dá àkànṣe àti ìfanimọ́ra tí ń fà ènìyàn mọ́ra ti ìní-ọlá àṣà ìbílẹ̀.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Mountain God Ìṣẹ̀dá Àwòrán Ohun-ìṣeré Eré jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Mountain God Ìṣẹ̀dá Àwòrán Ohun-ìṣeré Eré yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Mountain God Ìṣẹ̀dá Àwòrán Ohun-ìṣeré Eré ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: A character design project inspired by Chinese traditional culture from "The Mountain God and the Proud Insect" is ongoing. It employs 2D/3D techniques to faithfully depict fantastical creatures from different angles, with added traditional Chinese elements for authenticity. This fusion of tradition and technology results in characters embodying unique traditional traits.
Ìwọ̀n àti Àpò: The character measures approximately 6 meters in height, with a seat behind measuring 10 meters x 7 meters x 11 meters. Surrounding smaller creatures range in size from approximately 0.3 to 0.75 meters. The character can be used in 3D mythological games, visual effects for films, and as collectible figurines. The character utilizes a combination of 2D and 3D technology.
Àwọn Àkọlé: Chinese mythology, god, superpower, fantasy, otherworld, model
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Before designing, extract keywords from the original work for the foundation. Innovate elements like color and shape for inspiration. Gather extensive data, prioritize sketches for style and elements, and use tools like Designdoll, ZBrush, 3ds Max, and Substance Painter. Develop low and high poly models, conduct UV mapping, rendering, and coloring, refining continuously in Photoshop for desired outcome.
Ìpèníjà Àpèsè: During 3D design, challenges extend to hardware and software limitations. Intricate head details expose flaws in traditional workflows, especially with long hairs causing detail loss. ZBrush's retopology preserves details as a workaround. Some models pose challenges for automatic UV unwrapping, solved by deleting unseen faces beforehand. Limited hardware affects precision, slowing production. Optimal hardware setup is crucial for efficient 3D modeling.
Ìwádìí: Research on character design inspired by Chinese tradition, particularly "The Mountain God and the Proud Insect" from the Classic of Mountains and Seas. Methodology integrates creative exploration, literature review, and design iteration. Data collection involves keyword extraction, utilizing tools like DesignDoll, Marvelous Designer, ZBrush, UVLayout, KeyShot, 3ds Max, and Photoshop.
Ìmísí: Since childhood, I've loved Chinese mythology, but noticed its portrayal in books is often flat. Inspired by modern 3D software, I aim to use 2D/3D techniques to give life to creatures from the Classic of Mountains and Seas. My project focuses on authenticity by blending traditional elements with modern technology, creating vivid characters with distinct traditional traits.
Àkókò Iṣẹ́ Àkànṣe: The project began in Beijing in May 2022, completed in August 2022, and was exhibited at the Beijing University of Chemical Technology Art Gallery in July 2023.
Ìlànà Ìṣiṣẹ́: Before design, extract keywords. Brainstorm innovative elements. Gather data, finalize style with sketches. Use Designdoll, Marvelous Designer, ZBrush for shaping. Create low/high-res models, UV map with UVLayout, refine, preview with Keyshot. Enhance materials in 3ds Max, color with Substance Painter, render. Iterate for quality due to hardware limits. Post-process in Photoshop for logos, layout adjustments.