Selena Àga láti ọwọ́ Aciole Felix jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.
FàdákàOhun-èlò Ilé· 2025
Selena Àga
látọ̀wọ́ Aciole Felix
Oníbàárà: Morada Decor
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #161889Àpẹrẹ Náà
Nípa Selena Àga
Selena jẹ́ àga tí a fi igi Jequitiba àti koríko àdánidá ṣe. Fọ́ọ̀mù rẹ̀ ni a gbẹ́ pẹ̀lú ẹ̀rọ CNC tí ó ṣe iṣẹ́ alaye kíkún, èyí tí ó ṣẹ̀dá àwọn ojú tí ó dán tí ó sì tẹ̀síwájú láìsí ìsopọ̀ tí a lè fojú rí. Iṣẹ́ ọwọ́ oníṣẹ́-ọnà ni ó parí ìkójọpọ̀ àti ìmúdúró koríko náà. Koríko náà ń lọ láti ibi ìgbọ́kànlé ẹ̀yìn dé orí ìjókòó, tí ó ń dá ohun kan tí ó tẹ̀síwájú tí ó fi ìfẹ̀ẹ́rẹ́fẹ́ ojú kún ìwọ̀n tí ó dúró ṣinṣin bí òkúta kan. A lo ìparí tí a fi omi ṣe láti dín ipa lórí àyíká kù. Selena ṣe àkópọ̀ ìrísí tí ó rọrùn pẹ̀lú ìkọ́lé tí ó lágbára tí a pinnu láti pẹ́ fún ọ̀pọ̀lọpọ̀ ìran.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Selena Àga jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Selena Àga yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Selena Àga jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Selena was designed with the aim of having a light and minimalist look. It represents a little of what we tried to convey with these innovative surfaces and transitions, resulting in the smooth shapes of a resistant and durable chair. The continuity of the straw produces a minimalist effect, and the transparency of this material generates lightness in a monolithic volume. The chair is a tactile object, to understand its complexity it is necessary to feel each transition, fit and surface.
- Ìwọ̀n àti Àpò
- Width 0.560 mm
Depth 0.600 mm
Height 0.840 mm - Àwọn Àkọlé
- minimalist design, cnc machining, jequitiba wood, portuguese straw, form and function, contemporary design, sustainable design
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- A project focused on detailed cnc programming. Added to artisanal processes that require a lot of experience and care, in the use of organic materials, such as Jequitibá wood, and natural straw.
It highlights the resistance created in the machining processes, generating precision in assembly. And its water-based finish guarantees lower environmental impact. This makes the product durable and sustainable, thinking about pieces that will be used for generations. - Ìpèníjà Àpèsè
- Search for fluid surfaces, without encounters, without visible obstacles, the process of fixing the natural straw, to form the smooth piece, search for exclusive tools and solutions with partners, was a great and time-consuming challenge, but delivered an exceptional result. Furthermore, it increased our creative repertoire.
The challenge was to make an aesthetically minimalist chair, which at the same time was structurally robust, and with this appearance was ergonomically attractive. - Ìwádìí
- The research into the design of the brief showed us that the natural puts us in a very positive way, in tune with our ancestry, awakening intrinsic sensations that welcome us, influencing human well-being, which is why the final objective of the project was to deliver a contemporary product , made with natural materials and organic shapes.
There was also a great effort in researching technology and tools that could execute according to the project. - Ìmísí
- In-depth CNC machining techniques were essential to define the shape of the chair, this was exploited to the maximum.
The search for fluid and smooth surfaces, characteristics that make the piece so interesting, and that hide the formal complexity, with different visual elements.
Also the natural straw, starting at the back, moving towards the seat, generates a continuous element of visual lightness and the impression that the chair does not have many stops, making the product even more fluid. - Àkókò Iṣẹ́ Àkànṣe
- The project began in Lagoa Vermelha, Rio Grande do Sul, Brazil on April 2, 2023 and ended in March 2024.
- Ìlànà Ìṣiṣẹ́
- The natural straw in the seat initially creates hesitation, and the feeling when sitting is one of surprise, comfort and security.
Designed with an organic shape and fluid lines, at the same time complex and intriguing, it becomes a product that also appeals to the sense of touch, going beyond ergonomics and visuals, interacting with human curiosity.
Visually light in a product with materials as noble and known for their robustness as wood, this product conveys softness and elegance. - Àwọn Ọmọ Ẹgbẹ́
- Design - Aciole Felix
Prototyping - Eduardo Bossardi
Approval - Rafael Schmidt
Search - Juliano Schmidt - Ìfọwọ́sí Àwòrán
- Pherphoto fotografias
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