Hua Chenyu Mars Concert Àgbékalẹ̀ Ìtàgé Eré Orin láti ọwọ́ Peng Guo, Ka Ping Kwok and Bin Li

Hua Chenyu Mars Concert Àgbékalẹ̀ Ìtàgé Eré Orin láti ọwọ́ Peng Guo, Ka Ping Kwok and Bin Li jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Iṣẹ́ Ọnà Aṣàfihàn, Ìtàgé, Àṣà àti Àyíká.

WúràIṣẹ́ Ọnà Aṣàfihàn· 2025

Hua Chenyu Mars Concert Àgbékalẹ̀ Ìtàgé Eré Orin

látọ̀wọ́ Peng Guo, Ka Ping Kwok and Bin Li

Oníbàárà: Beijing Yamei Times Culture Media Co. Ltd

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Aṣàfihàn

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

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Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Hua Chenyu Mars Concert Àgbékalẹ̀ Ìtàgé Eré Orin

Eré Orin Mars ti Hua Chenyu jẹ́ àgbékalẹ̀ ìtàgé eré orin ní gbangba tí a dá fún ibi ìṣẹ̀lẹ̀ ńlá ní ìta gbangba. A ṣètò ìfilélẹ̀ rẹ̀ sí àgbègbè mẹ́rin: ìtàgé àkọ́kọ́ tí ó gbòòrò tó mítà 106 tí ó sì ga tó mítà 28.5 pẹ̀lú ipele márùn-ún ti àyè ìṣeré, ìtàgé ilé aláyíká tí ìbú rẹ̀ jẹ́ mítà 19, ìtàgé ìgbòòrò tí ó gùn tó mítà 30 tí ó gba àárín àgbègbè àwọn olùwòran kọjá, àti ìkọ́lé aláyíká tí ìbú rẹ̀ jẹ́ mítà 100 tí ó yí gbogbo ètò náà ká. A da àwọn pátákó LED tí ó dàbí dígí pọ̀ mọ́ àwọn pẹpẹ tí ó lè gbéra àti àwọn ohun èlò ẹ̀rọ. Àwọn ohun èlò tí ń tan ìmọ́lẹ̀ padà àti èyí tí a lè ríran kọjá so ìtàgé náà pọ̀ mọ́ ojú ilẹ̀ ìyọ oòrùn.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Hua Chenyu Mars Concert Àgbékalẹ̀ Ìtàgé Eré Orin jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Hua Chenyu Mars Concert Àgbékalẹ̀ Ìtàgé Eré Orin yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Hua Chenyu Mars Concert Àgbékalẹ̀ Ìtàgé Eré Orin ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: To present this visually stunning effect, the design team ingeniously integrates the performance area, installations, and structures within the venue, collectively creating a "Martian civilization" that is both epic and futuristic. Here, every audience member can feel the charm of Hua Chenyu's music and his dedication and passion for music.
Ìwọ̀n àti Àpò: In terms of stage layout, we meticulously planned four major zones: the main stage, the "home stage," the extension stage connecting the main stage and the "home stage," and a massive circular structure enveloping the entire setup. The main stage is 106 meters wide and reaches a height of 28.5 meters, divided into 5 levels of performance space. The background consists of 10 sets of movable platform mechanisms, creating a versatile spatial effect. The "home stage" is a circular stage with a diameter of 19 meters and a top structure height of 16 meters, resembling an "interstellar device" from the "Martian civilization." The extension stage, serving as a bridge in the "Martian civilization," spans the audience seating area, naturally connecting the main stage and the "home stage," with a total length of 30 meters and an internal mechanical slope of 11 meters. The massive circular structure has a diameter of 100 meters, encompassing all the aforementioned spatial structures, presenting a rich and vibrant stage effect.
Àwọn Àkọlé: Stage, Hua Chenyu, Concert, Shandong
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The main stage combines state-of-the-art self-developed mirrored LED screens with mechanical elements, forming a stable and poised structure imbued with infinite possibilities for transformation. On the "home stage," a blend of natural and science fiction atmospheres triggers a magical chemical reaction. The viewing angle tends towards a miniature "four-sided stage," offering a broader perspective for the audience and facilitating interactive and relaxed performances. Serving as a bridge connecting the main stage, the extension stage features a massive circular structure enveloping the entire venue, enhancing immersion and symbolizing the mutual dedication between Hua Chenyu and his fans. The immense circular installation in the fourth section embraces the entire stage, providing the audience with a sense of departing from home, wandering, and returning to their own abode.
Ìpèníjà Àpèsè: The stage has a very high load-bearing capacity, numerous transformation effects, and the plan needs to be adjusted according to weather changes.
Ìwádìí: In the process of stage design, safety has always been our top priority. From the initial stages of the design concept, we completed safety technology assessments for the structure, mechanics, and other hardware to ensure that all designs meet safety standards. During the construction process, we strictly adhere to safety regulations and conduct rigorous fire safety certification for all materials used. Additionally, we continuously monitor natural weather conditions such as rain and wind in real-time and have developed corresponding emergency plans.
Ìmísí: This concert is the realization of a three-year promise between Hua Chenyu and his fans, as well as a heartfelt tribute to their mutual emotions. The theme of the stage design echoes Hua Chenyu's classic masterpiece "Born to Be Wild," drawing inspiration from the magnificent cities of mythological realms, evoking a sense of harmony with nature and a longing for the unknown.
Àkókò Iṣẹ́ Àkànṣe: It is published on 02, April, 2024 and in Shandong, China.
Ìlànà Ìṣiṣẹ́: In terms of implementation, we have adopted a variety of innovative technologies. Firstly, we have independently developed the technology that combines mirrored LED screens with mechanical elements, allowing the stage to accommodate infinite changes and possibilities within a stable and poised structure. Secondly, we have utilized a large amount of reflective and transparent materials to seamlessly integrate the stage with the natural sunrise landscape. Additionally, by combining conventional movable platforms with unconventional moving forms and utilizing unconventional materials, we have created an extremely rich stage transformation. The application of these innovative technologies has enabled the realization of the entire stage design and the presentation of unique effects.
Àwọn Ọmọ Ẹgbẹ́: Beijing Yamei Times Culture Media Co Ltd
Peng Guo
Ka Ping Kwok
Bin Li