Fragments Àwọn Ohun Ọ̀ṣọ́ Aládàákòó láti ọwọ́ Ariane Rosa

Fragments Àwọn Ohun Ọ̀ṣọ́ Aládàákòó láti ọwọ́ Ariane Rosa jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Àlàáfíà Ayé, Iṣẹ́ àti Àpẹẹrẹ Ewéko.

IrinOhun-èlò Àlàáfíà Ayé· 2025

Fragments Àwọn Ohun Ọ̀ṣọ́ Aládàákòó

látọ̀wọ́ Ariane Rosa

Oníbàárà: Ariane Rosa Arquitetura e Design

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ohun-èlò Àlàáfíà Ayé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #168949

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Fragments Àwọn Ohun Ọ̀ṣọ́ Aládàákòó

Fragmentos jẹ́ àkójọpọ̀ àwọn ohun ọ̀ṣọ́ aládàákòó tí a ṣe láti inú òkúta máàbù àtúnlò tí ìbá ti sọnù lọ. Ọ̀kọ̀ọ̀kan nínú wọn (ìkòkò ọ̀ṣọ́, ọ̀pá fìtílà, àti tábìlì ẹ̀gbẹ́) tẹ̀lé ọ̀nà àpẹẹrẹ ìyíká, níbi tí àárín ẹ̀yà kan dì ohun èlò fún òmíràn. Ìlànà tuntun yìí mú kí a lò àwọn ohun èlò ní ọ̀nà tó dáa jùlọ bí ó ti ṣe ń tọ́jú ẹ̀wà àdáyébá òkúta máàbù náà. Èsì rẹ̀ jẹ́ àkójọpọ̀ tí kò níí gbó tí ó darapọ̀ mọ́ ẹ̀wà ìgbàlódé pẹ̀lú iṣẹ́-ọnà tó ní ojúṣe, tí ń yí àwọn àkúkù padà sí iṣẹ́-ọnà àgbéró.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Fragments Àwọn Ohun Ọ̀ṣọ́ Aládàákòó jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Fragments Àwọn Ohun Ọ̀ṣọ́ Aládàákòó yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Fragments Àwọn Ohun Ọ̀ṣọ́ Aládàákòó nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Fragments is a collection of decorative objects crafted from discarded marble, transforming waste into timeless design pieces. Each object, tables, vases, and candle holders, is carved from the core of another, ensuring zero material waste. The collection embodies sustainability, craftsmanship, and contemporary aesthetics, making each piece a unique work of art that merges innovation with environmental consciousness.
Ìwọ̀n àti Àpò: The Fragments collection includes:

Vases: 500 x 100 mm, 400 x 100 mm, 300 x 100 mm
Candle holders: 400 x 50 mm, 350 x 50 mm, 300 x 50 mm
Side table: 300 mm diameter tabletop, 450 mm height

All pieces are crafted from solid marble, ensuring durability and a timeless aesthetic. The collection follows a zero-waste production approach, where each object is carved from the core of another.
Àwọn Àkọlé: Sustainable design, circular economy, upcycled marble, luxury decor, eco-friendly furniture, zero waste, contemporary design, high-end craftsmanship, material innovation, timeless aesthetics
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Fragments is crafted using advanced stone-cutting techniques combined with traditional craftsmanship. Each piece is extracted from the core of another, utilizing precision CNC machining to maximize material efficiency. The finishing process includes hand-polishing and sealing to enhance durability while preserving the natural beauty of the marble. This innovative method ensures zero waste, transforming discarded stone into elegant, sustainable design objects.
Ìpèníjà Àpèsè: The biggest challenge was transforming discarded marble into a cohesive collection without generating additional waste. The nested design required precise CNC cutting to ensure each piece emerged from the core of another, demanding extensive material studies and prototyping. Balancing sustainability with high-end aesthetics was also crucial, proving that circular design can align with luxury without compromising quality or visual appeal.
Ìwádìí: The research explored circular design in furniture and decor, focusing on repurposing discarded marble. Using CNC cutting techniques, we developed a modular, nested approach that minimizes waste, achieving nearly zero material loss. This innovation merges sustainability with luxury, proving that high-end design can be both responsible and beautiful. The study promotes a shift in the industry, encouraging more conscious material use and sustainable product development.
Ìmísí: Fragments was born from the desire to give new life to discarded marble, transforming waste into timeless design. Inspired by nature's ability to reshape materials over time, the collection follows an organic process: each piece emerging from the core of another. This approach not only minimizes waste but also highlights the beauty of imperfection, embracing sustainability as both a concept and an aesthetic principle.
Àkókò Iṣẹ́ Àkànṣe: The project started with an idea in March 2023 in Itajai, Santa Catarina, and was completed in September 2024 in Itapema, Santa Catarina, where it was launched to the public in a signature showcase at Araucaria Moveis.
Ìlànà Ìṣiṣẹ́: Fragments invites interaction through its sculptural presence and modular concept. The pieces can be displayed individually or as a set, creating a harmonious composition. The vases, candle holders, and table share a design language that emphasizes continuity, as each emerges from the core of another. This approach not only enhances visual cohesion but also reinforces sustainability, offering a conscious and elegant way to incorporate natural materials into everyday spaces.
Ìfọwọ́sí Àwòrán: Photos by Alisson Lima Morais