Awakening of Insects Iṣeto Inu Ile Ibugbe láti ọwọ́ Yu Ouyang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IrinInú Ilé· 2025
Awakening of Insects Iṣeto Inu Ile Ibugbe
látọ̀wọ́ Yu Ouyang
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #171378Àpẹrẹ Náà
Nípa Awakening of Insects Iṣeto Inu Ile Ibugbe
Awakening of Insects jẹ́ ilé ibugbe aládàáni tí a ṣe àpẹẹrẹ rẹ̀ ní Shenzhen, China. Ilé náà ní àyè pátákò tí ó kárí mítà squéà 150, tí a ṣètò sórí ìpele méjì. Àwọn ohun èlò tí ìmọ́lẹ̀ lè gbà kọjá, tí a rí ìmísí wọn látinú iṣẹ́ ọnà lattice ìbílẹ̀, jẹ́ kí ìmọ́lẹ̀ àdánidá wọ inú ilé náà jinlẹ̀. Pákó ilẹ̀ tí a fi kún lẹ́yìn-ọ̀-rẹyìn àti àtẹ̀gùn tí a tún ṣàtúnṣe sí ń ṣètìlẹyìn fún ìrìnàjò tààrà tí ó rọrùn jùlọ, láì dín gíga aja kù. Ìwọ̀n àwọn ohun ọ̀ṣọ́ ilé, àlàyé àtẹ̀gùn àti àwọn àpẹẹrẹ ọ̀ṣọ́ jẹ́ èyí tí a ṣe àkànṣe. Ètò náà so ìtòlẹ́sẹẹsẹ àyè ti Ìlà-Oòrùn pọ̀ mọ́ àwọn ìlànà ìṣètò ti Ìwọ̀-Oòrùn.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Awakening of Insects Iṣeto Inu Ile Ibugbe jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Awakening of Insects Iṣeto Inu Ile Ibugbe yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Awakening of Insects Iṣeto Inu Ile Ibugbe nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Emphasizedinnovation in daylight optimization("light-permeable materials", "deep natural light penetration")
Highlighteduser-centric circulation("streamlined structural planning", "smoother vertical circulation")
Stressedcultural hybridity("East-meets-West elements", "cross-cultural dialogue")
Balancedtechnical precision("proportional dialogue", "topological refinements") withemotional resonance("poetic, culturally resonant habitats") - Ìwọ̀n àti Àpò
- The building has a gross floor area of 150 square meters and is divided into two levels.
- Àwọn Àkọlé
- Private Residence Design, Retro Style, Eclecticism, Home Furnishings, Residence
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- This project incorporates specially customized elements across material selection, dimensional specifications, and stylistic treatments to ensure optimal adaptation to the spatial requirements. Key components such as the configuration of staircases, dimensions of furniture, and patterns and proportions of decorative artwork are meticulously tailored to harmonize with the architectural environment.
- Ìpèníjà Àpèsè
- This project involves the construction of a post-installed floor slab, where determining the compatibility between structural configuration, elevation positioning, functional requirements, and spatial perception presents a significant challenge. During the slab construction process, it is critical to maximize spatial ceiling height while integrating lighting systems, water supply pipes, and sewage drainage pipelines. These installations must be meticulously planned during the structural renovation phase. Additionally, comprehensive coordination of detailed specifications—including slab formwork design, material selection, and utility routing—must be finalized during preliminary planning stages to ensure seamless execution and optimal spatial performance.
- Ìwádìí
- This project aims to explore the integration of design languages across diverse cultural contexts and historical eras within the Chinese context. While there is a growing preference among young Chinese for retro aesthetics, particularly French-inspired styles, our design philosophy prioritizes a contemporary exploration rooted in China's current cultural landscape. By seamlessly integrating modern design principles with traditional Chinese cultural elements and drawing on the strengths of Western influences, we seek to develop a cohesive design language that resonates with China's unique sociocultural identity and spatial narratives.
- Ìmísí
- This project draws inspiration from the interplay between cultural heritage and technological innovation. Motivated by the need to revitalize traditional craftsmanship in contemporary contexts, the design reinterprets regional spatial paradigms through modern structural logic. The spatial narrative emerges from reconciling dualities: light permeability informed by vernacular latticework, fluid circulation reimagining ceremonial pathways, and material dialogues bridging artisan techniques with parametric precision. By synthesizing Eastern spatial hierarchy with Western tectonic principles, the scheme transforms functional constraints into poetic spatial experiences, proposing cross-cultural sustainability for urban dwellings.
- Àkókò Iṣẹ́ Àkànṣe
- The project commenced in Shenzhen, China in August 2023 and concluded in November 2024.
- Ìfọwọ́sí Àwòrán
- Picture 1-5:Photographer KaiFeng Zhu 2025
Oníṣọwọ́
Ṣàwárí Ju Designers.org Lọ
Ṣàwárí àwọn ọjà, iṣẹ́ àti àǹfààní láti ọ̀dọ̀ àwọn alábàáṣe ìpolówó wa.
Díẹ̀ Síi Láti Ṣàwárí
Àwọn Àpẹrẹ Tó Jọra
Ṣàwárí àwọn àpẹrẹ mìíràn tó gba àmì ẹ̀yẹ nínú ẹ̀ka kan náà, tí a yàn nípasẹ̀ ìyege.