Suwen Guqin láti ọwọ́ Shanghai Yitong Cultural Communication Co.,Ltd.

Suwen Guqin láti ọwọ́ Shanghai Yitong Cultural Communication Co.,Ltd. jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Orin.

IdẹOhun-èlò Orin· 2026

Suwen Guqin

látọ̀wọ́ Shanghai Yitong Cultural Communication Co.,Ltd.

Oníbàárà: Shanghai Yitong Cultural Communucation Co.,Ltd.

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ohun-èlò Orin

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #180049

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Suwen Guqin

Suwen jẹ́ guqin, ohun èlò orin olókùn ìbílẹ̀ ti Ṣáínà, tí a tún ṣe àtúnṣe rẹ̀ fún ìlò ìgbàlódé. Ìrísí rẹ̀ tẹ̀lé qin ti ìjọba Tang tí a tọ́jú sí ilé ìsìn Horyuji. Pátákó ìró rẹ̀ ni a fi igi kédárì tàbí paulownia tí ó ti dàgbà ṣe, àti ẹ̀yìn rẹ̀ ni a fi igi catalpa ṣe. Ìpele ìsàlẹ̀ rẹ̀ da eérú ìwo àgbọ̀nrín pọ̀ mọ́ ọ̀dà aláìlẹ́gbẹ́. Ihò inú rẹ̀ tí a ṣe pẹ̀lú ìmọ̀ ẹ̀rọ ìró fún ara kékeré náà ní ohùn àti agbára ìró ti ohun èlò tí ó ní ìwọ̀n kíkún. Ìparí ọ̀dà tí kò dán tí ó ní ìlà ṣe ojú tí ó gbẹ tí kò yọ̀. Ibi ìso okùn tí ó gbòòrò ní ìrù rẹ̀ mú kí ìṣíkiri ìka rọrùn fún àwọn akẹ́kọ̀ọ́ tuntun àti fún àwọn olórin tí wọ́n ní ọwọ́ kékeré.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Suwen Guqin jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Suwen Guqin yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Suwen Guqin ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: This product echoes the classical elegance of the Tang dynasty qin at Horyuji Temple and is reimagined for modern playing. Innovatively, its compact body produces rich, expressive sound that meets professional standards, without sacrificing portability. Its matte grain lacquer finish remains dry and non slip. Details like the widened string anchor at the tail and the tuning pegs honor classical aesthetics yet serve modern practicality. Altogether, this instrument is timeless yet made for today.
Ìwọ̀n àti Àpò: 1100mm*150mm*45mm
Àwọn Àkọlé: based on the Tang dynasty qin at Horyuji Temple, matte grain lacquer finish, portable, acoustically optimized, performance grade sound quality, full sound presence in a compact body, widened string anchor at the tail, contemporary reinterpretation of traditional instruments
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The soundboard is crafted from aged cedar or paulownia over one hundred years old, with catalpa for the back. The base layer blends deer antler ash and raw lacquer using ancient methods, contributing to a resonant, open tone with rich harmonics ideal for performance. Furthermore, a proprietary matte grain lacquer finish creates a dry, non slip surface that enhances finger glide across the strings. The lacquer is also environmentally friendly and excels in water resistance and enduring beauty.
Ìpèníjà Àpèsè: The challenge is balancing how professionals and the public see the guqin. Experts value strict adherence to the historical form, while most users favor practical improvements. To bridge this gap, every modern refinement, such as the size and lacquer finish, stays within Tang dynasty aesthetics. The look remains true to tradition, and with use, the instrument delivers the rich tone and volume rivaling a performance grade full size qin, fulfilling both cultural respect and functional progress.
Ìwádìí: The design solves key problems in traditional guqin use. Full size models are hard to carry and difficult for beginners, while smaller qins lack volume and tonal depth. Glossy lacquer finishes are often slippery, and standard shapes suit smaller hands poorly. The design echoes classical charm of the Tang dynasty qin at Horyuji Temple, while using acoustical engineering to achieve the volume, sound projection, and nuanced tone of a performance grade qin, enhancing both practicality and comfort.
Ìmísí: This instrument draws on three key inspirations. The name Suwen evokes the exchange between the player and the qin in the stillness of night, embodying inward reflection central to Eastern thought and forming the spiritual core of this instrument. Its shape follows the Tang dynasty qin at Horyuji Temple, preserving its serene dignity. Based on the insight that greater smoothness does not mean smoother play, the matte grain lacquer finish prevents slipping or sticking from hand perspiration.
Àkókò Iṣẹ́ Àkànṣe: The design and development of this qin lasted from September 2022 to August 2024 in Shanghai. It debuted in May 2025 at the Contemporary Masters Qin Making Exhibition of the 2025 Yueyang Guqin Art Festival.
Ìlànà Ìṣiṣẹ́: Thoughtful refinements fully enhance the playing experience. An acoustically engineered interior cavity delivers the tonal volume and richness of a performance grade full size qin within a compact body, not merely increased volume. A widened string anchor at the tail and optimized proportions make finger movement across the strings easier, especially for beginners and players with smaller hands. The matte grain lacquer finish provides a non slip surface, improving control during performance.
Àwọn Ọmọ Ẹgbẹ́: Ding Liang