Vitrine MDS Iṣẹ́ Àkọ́kọ́: Ìṣàfihàn láti ọwọ́ Thiago Mondini

Vitrine MDS Iṣẹ́ Àkọ́kọ́: Ìṣàfihàn láti ọwọ́ Thiago Mondini jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé Ibi Àfihàn Ìṣòwò, Inú Ilé àti Àfihàn.

IrinIbi Àfihàn Ìṣòwò· 2026

Vitrine MDS Iṣẹ́ Àkọ́kọ́: Ìṣàfihàn

látọ̀wọ́ Thiago Mondini

Oníbàárà: Thiago Mondini Arquitetura

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ibi Àfihàn Ìṣòwò

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #180515

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Vitrine MDS Iṣẹ́ Àkọ́kọ́: Ìṣàfihàn

Àyọká Ìwé: A ṣe àpẹrẹ àyè náà gẹ́gẹ́ bí ìṣàfihàn ìgbà díẹ̀ nínú ilé-ìtajà kan, tí ó ń gbìyànjú láti fi ohun-èlò ọ́fíìsì hàn ní ọ̀nà tí ó dàbí àwòrán-àfihàn tí kò sì fi ìtajà hàn gan-an. Dípò àfihàn ìtajà tí ó jẹ́ àṣà, ìṣètò náà gba àyè kí a lè ní ìrírí ẹyọ kọ̀ọ̀kan pẹ̀lú àkíyèsí àti ìmọ́lẹ̀ púpọ̀ síi. Inú ilé-ìtajà tí ó jẹ́ àwọ̀ eérú dúdú ń ṣiṣẹ́ gẹ́gẹ́ bí ẹ̀yìn àyíká tí ó yàtọ̀ fún ìyàn àṣàyàn ọlọ́rọ̀ ti aṣọ àti ìparí tí ó fẹ́rẹ̀ẹ́ jẹ́ àwọ̀ kan ṣoṣo. A yan àwọ̀n àwọ̀ wọ̀nyí pẹ̀lú ìṣọ́ra láti tẹnu mọ́ àpẹrẹ àti àwọn ìkúnwọ́sí ti ẹyọ kọ̀ọ̀kan nígbà tí ó ń pa ìṣètò gbogbogbòò mọ́ ní ìdákẹ́rọ́rọ́ àti pẹ̀lú ìwọ̀ntúnwọ̀nsì tí ó rí ojú.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Vitrine MDS Iṣẹ́ Àkọ́kọ́: Ìṣàfihàn jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Vitrine MDS Iṣẹ́ Àkọ́kọ́: Ìṣàfihàn yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Vitrine MDS Iṣẹ́ Àkọ́kọ́: Ìṣàfihàn nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: This exhibition was conceived for a retail space with the intention of presenting office furniture in a way that moves beyond the conventional office setting. Rather than emphasizing functionality alone, the design creates an environment where the pieces can be experienced from a more expressive perspective. Through the use of color, materials, and atmosphere, the space becomes a vibrant and sensorial experience that invites visitors to engage with the furniture in an unexpected way.
Ìwọ̀n àti Àpò: 17 square meters of exhibition space inside an office-furniture store.
Àwọn Àkọlé: exhibition, interiors, interior design, office, office space, furniture, store, brazil, brasil
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The design process focused on carefully selecting finishes to create a cohesive yet nuanced composition. A predominantly monochromatic palette formed the base concept, while subtle variations in fabric textures and tones were used to give each piece its own identity. Another challenge was working with a limited range of products, as the exhibition prioritized newly launched items for the inaugural event. This constraint required strategic curation and thoughtful spatial arrangement to create visual richness with a small selection.
Ìpèníjà Àpèsè: The challenge lay in presenting diverse products within a single space without visual conflict. The solution embraced a monochromatic palette, allowing each piece to be highlighted individually while maintaining a harmonious and cohesive overall composition.
Ìwádìí: Type of research was design-focused, aimed at exploring non-commercial ways to present office furniture. Objectives included highlighting product design and creating an engaging, sensorial experience. Methodology combined visual analysis, material studies, and spatial composition. Data collection used fabric samples, color tests, and mock-ups, with feedback from store staff and visitors. Results showed subtle contrasts enhanced perception of each piece. Insights revealed careful curation can elevate product presentation, influencing retail design and customer engagement.
Ìmísí: Color contrast and color blocks. Cozyness, textures and good lighting. Interesting shapes and compositions. This is a space to feel at home, not at an office.
Àkókò Iṣẹ́ Àkànṣe: The project started in June 2025 and finished in August 2025. It was displayed in Balneario Camboriu, Brazil.
Ìlànà Ìṣiṣẹ́: Interaction happens through movement and perception. As visitors walk through the exhibition, each furniture piece is revealed within a carefully composed visual sequence. The monochromatic palette creates a calm base, while subtle variations in fabrics and finishes encourage closer observation. This approach allows each object to stand out individually without visual conflict, transforming a conventional retail display into a more immersive and gallery-like experience.
Àwọn Ọmọ Ẹgbẹ́: Architect: Thiago Mondini
Ìfọwọ́sí Àwòrán: Image #1: Photographer ArqVerso
Image #2: Photographer ArqVerso
Image #3: Photographer ArqVerso