Cycle Of Matter Àgọ́ Ìfihàn láti ọwọ́ Marzena Michalska - Smart Design Expo

Cycle Of Matter Àgọ́ Ìfihàn láti ọwọ́ Marzena Michalska - Smart Design Expo jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé Ibi Àfihàn Ìṣòwò, Inú Ilé àti Àfihàn.

FàdákàIbi Àfihàn Ìṣòwò· 2026

Cycle Of Matter Àgọ́ Ìfihàn

látọ̀wọ́ Marzena Michalska - Smart Design Expo

Oníbàárà: Smart Design Expo

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ibi Àfihàn Ìṣòwò

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #181174

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Cycle Of Matter Àgọ́ Ìfihàn

Cycle of Matter jẹ́ àgọ́ ìfihàn tí a ṣe àgbékalẹ̀ rẹ̀ fún ilé-iṣẹ́ tó ń ṣe tílì amọ̀ (seramiki). Àgọ́ náà bo àyè tó tó mítà onígun mẹ́rin 135, ó sì ga tó mítà 4 níbi tó ga jùlọ. Ìrísí òde rẹ̀ tí a ti pa dé kò fi púpọ̀ hàn, nítorí náà ìtàn inú rẹ̀ máa ń ṣí payá lẹ́yìn tí ènìyàn bá wọlé nìkan. A fi àwọn tílì ìpìlẹ̀ tí kò ní àwọ̀ tàbí àrà bo àwọn ojú ilẹ̀ àti ògiri, kí ohun èlò náà lè hàn ní ipò àìsèdá rẹ̀. Ọ̀nà àárín kan máa ń darí àwọn àlejò kọjá ọ̀wọ̀ọ̀wọ́ àwọn àyè tó dúró fún àwọn ìpele ìṣelọ́pọ̀ tílì. Àwọn ògiri ìpínyà tí a ṣe ní àkànṣe, ilẹ̀ pẹpẹ àti nǹkan bí àwọn àtùpà ìmọ́lẹ̀ 160 ni ó ṣe ìbẹ̀wò náà lọ́ṣọ̀ọ́.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Cycle Of Matter Àgọ́ Ìfihàn jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Cycle Of Matter Àgọ́ Ìfihàn yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Cycle Of Matter Àgọ́ Ìfihàn jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Art in Motion. Material that lives.
The Stargres booth was conceived as a spatial narrative about the life of a tile. Its compact, enclosed architecture reveals little from the outside, concealing a story that unfolds only once inside. Clad entirely in raw base tiles without color or pattern, the monochromatic earth-tone space is structured around a central corridor guiding visitors through symbolic stages of tile creation, highlighting process, material origin and rediscovery.
Ìwọ̀n àti Àpò: Total area: 135 sqm
Maximum height: 4000 mm
Platform height: 150 mm
Cladded surface with ceramic tiles: approx. 250 sqm
Custom partitions: 17 X type modules, 3 V type modules
Suspended tile composition: 16.5 sqm
Lighting fixtures: approx. 160 units
Integrated AV system with 43 inch screens
Àwọn Àkọlé: exhibition architecture, trade fair design, ceramic tiles, sustainable narrative, spatial storytelling, temporary architecture, material research, immersive space
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The structure was built as a modular temporary architecture with a 4 m maximum height. System platform flooring (150 mm, laser leveled) supported full tile installation without grouting. Custom X and V partitions were fabricated in OSB and finished with client tiles or structural paint. Powder coated steel edge profiles defined the platform. Over 160 luminaires created layered scenographic lighting. Installation included integrated electrical systems and multimedia walls.
Ìpèníjà Àpèsè: The main challenge was presenting a raw base tile as a central aesthetic element while maintaining architectural coherence. Structurally, the booth required heavy ceramic cladding within temporary fair regulations and height limits. Achieving stability, modularity and precise installation without visible technical compromise demanded tight coordination between design, engineering and production teams.
Ìwádìí: Stoneware plays the first fiddle here. The aim was to understand how an exhibition stand could clearly show how tiles are produced and communicate the life of this material. The concept was developed as a spatial story that guides visitors step by step through the cycles. Material tests, technical drawings, mockups and cost analysis supported the process, with close collaboration between the design team and Stargres production consultants. The result was a corridor shaped booth showcasing the product, with the base covered in the material in its primary form.
Ìmísí: The project was inspired by the idea of returning to origin. Instead of presenting finished collections, the design focuses on the base tile, the raw state preceding color and pattern. This gesture reflects transparency in production and a sustainable mindset. The booth becomes an architectural storyboard, guiding visitors through the symbolic stages of material transformation and rediscovery.
Àkókò Iṣẹ́ Àkànṣe: The project started in June 2025 in Poland and was completed in October 2025. Production began in September 2025. The booth was installed between 17-21 October 2025 and exhibited at Warsaw Home 2025 from 22-25 October 2025 in Warsaw, Poland.
Ìlànà Ìṣiṣẹ́: Visitors enter a visually restrained exterior that reveals little of the interior. A central corridor guides them through sequential spatial frames representing stages of tile production. Surfaces, lighting and material transitions create a gradual discovery process. The booth encourages slow exploration rather than immediate display, transforming product viewing into a curated spatial experience.
Àwọn Ọmọ Ẹgbẹ́: Designer: Marzena Michalska
Design Studio: Smart Design Expo