Jardo Ilé Gbígbé Ìdílé láti ọwọ́ Maciej Basalygo jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2026
Jardo Ilé Gbígbé Ìdílé
látọ̀wọ́ Maciej Basalygo
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #182809Àpẹrẹ Náà
Nípa Jardo Ilé Gbígbé Ìdílé
Iṣẹ́ àgbékalẹ̀ Jardo ṣàfihàn wíwá ìwọ̀ntúnwọ̀nsì láàárín iṣẹ́ ìkọ́lé, iṣẹ́ ọnà, àti àgbékalẹ̀ ọ̀ṣọ́. Ìfẹ́ rẹ̀ sí iṣẹ́ ère gbígbẹ́ ní ipa pàtàkì lórí àbájáde ìkẹyìn, èyí tí ó hàn nínú àwọn àgbékalẹ̀ ohun èlò inú ilé àti àtẹ̀gùn. Ìpèníjà pàtàkì fún un ni ṣíṣe àtúnṣe ìwọ̀n àti ààlà àwọn yàrá láti mú àwọn ọ̀nà àbáyọ ìbílẹ̀ tí ó wọ́pọ̀ kúrò. Ó dojúkọ ẹ̀kọ́ àyíká àti ìdàgbàsókè alálòpẹ́. Ó lo àwọn àǹfààní iṣẹ́ ọnà ìbílẹ̀ àti àwọn olùṣelọ́pọ̀ àdúgbò tí wọ́n ń ṣiṣẹ́ pẹ̀lú igi, òkúta, dígí, àti àwọn ohun èlò ìbora àdánidá.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Jardo Ilé Gbígbé Ìdílé jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Jardo Ilé Gbígbé Ìdílé yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Jardo Ilé Gbígbé Ìdílé ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The design deliberately limits the range of materials and colors used, which is a key element in creating new functional interior scenarios. The design demonstrates the optimization of the composition of forms and planes, used as a means to accentuate individual rooms and highlight the quality of the selected finishing materials. The lack of obvious boundaries between partitions creates a sense of visual continuity in the design concept and can serve as a subtle guide through the home. The abstract mezzanine staircase serves as the architectural focal point and the heart of the home’s ecosystem.
- Ìwọ̀n àti Àpò
- The thorough renovation project covered approximately 200 square meters of space on two floors. The floors, plaster, ceilings, installations, windows, stairs, and all furnishings were replaced. New eco-friendly and energy-efficient materials were introduced.
- Àwọn Àkọlé
- Interior design, interior remodeling, unique designs, sculptural staircases, woodworking,
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- To achieve the desired results, the project relied on an in-depth technical analysis and placed a strong emphasis on environmental sustainability and eco-friendly practices. It leveraged the strengths of local craftsmanship and local manufacturers. Particular attention was paid to custom-designed details and unique interior elements crafted from wood, stone, glass, and natural finishes.
- Ìpèníjà Àpèsè
- A major design challenge was manipulating the proportions and boundaries of the rooms to eliminate solutions that are characteristic and typical, particularly when it comes to concealing modern installation technologies. Only the preparation of precise construction drawings, coordination, and direct supervision of the work on-site ensured that the design objectives could be achieved.
- Ìwádìí
- An analysis of the research shows that investors and designers are consciously striving to improve quality of life, taking into account not only aesthetic and spatial qualities, but above all their integration with eco-friendly solutions aimed at reducing the carbon footprint and energy consumption. One of the most important preliminary tasks of the project was to collect basic preliminary data on energy consumption patterns and the potential for using alternative and sustainable energy sources. The result was the optimization of functional, spatial, material and execution solutions.
- Ìmísí
- The project illustrates the search for the perfect balance between architecture, art, and design. It is the result of creative discussions with the clients, which led to an analysis of their favorite forms and natural phenomena, including color schemes. The designer’s fascination with sculpture also had a significant influence on the final result, which was reflected in the furniture and staircase designs, as well as in the selection of design accents in the lighting fixtures and decorative accessories.
- Àkókò Iṣẹ́ Àkànṣe
- The facility is located in Gniezno, Poland. The project began in 2019 and, with interruptions, continued until 2024.
- Ìlànà Ìṣiṣẹ́
- A new aesthetic and architectural context has been proposed for the occupants of this space, allowing for a continuous interpretation of the emotional codes developed during the design phase. Care was taken to ensure the use of materials with natural characteristics. The availability and variability of natural and artificial light were determined. Communication rules were defined so that the interiors would better foster the most important family relationships. LED lighting was diversified to highlight the most important functions and visual elements of the family space.
- Ìfọwọ́sí Àwòrán
- Image #1-5 : Photographer Maciej Frydrysiak
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