Lasso Aṣọ Ọṣọ láti ọwọ́ Cristina Orozco Cuevas

Lasso Aṣọ Ọṣọ láti ọwọ́ Cristina Orozco Cuevas jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2014 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Aṣọ, Ọ̀gbọ̀, Àwọ̀, Àpẹẹrẹ àti Ẹ̀wù.

IdẹAṣọ· 2014

Lasso Aṣọ Ọṣọ

látọ̀wọ́ Cristina Orozco Cuevas

Oníbàárà: Cristina Orozco Cuevas Studio

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Aṣọ

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #30204

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Lasso Aṣọ Ọṣọ

Lasso gẹgẹbi itumọ jẹ okun gigun pẹlu noose yen ni opin kan. Dipo ti a ti ni atilẹyin ninu; aṣọ yii jẹ abajade ti. O ni ifọwọkan pataki ati darapupo Yato si diẹ ninu awọn ikanni pipin pataki ki ina le kọja nipasẹ rirọ pupọ. O ti wa ni idaji ile-iṣẹ - idaji tiase, hun ni awọn looms itanna ati ge nipasẹ ọwọ. Ise agbese yii jẹ ohun ti o wuyi ati afẹsodi bi suwiti kan ati pe o ti jẹ ọkan ninu awọn italaya giga ati iṣawari lori iṣẹ mi bi oluṣapẹrẹ asọ-ọrọ. Ise agbese yii jẹ nipa serendipia, ikọsẹ lori, iṣawari aye, fortuity ati ijamba.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Lasso Aṣọ Ọṣọ jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Lasso Aṣọ Ọṣọ yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Lasso Aṣọ Ọṣọ ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: half industrial - half crafted, designed with textile CAD software, woven in jacquard electronic looms and cut by hand. It is woven industrially, but cut by hand which gives job to machines and external people. It forms vertical channels as a kind of fray where the light can pass through very sofltly. The frays are crafted processes and lasts months. A fabric with this kind of processes in the industry mills is nearly impossible but not that much.
Ìwọ̀n àti Àpò: Widths available: 1.40 m and 2.80 m. Rapport repeat: 35 cm width x 25 cm height. Uses: lamps, pillows, bedscarfs and decorative curtains. As a finish ironing the loose fur brings more volume and the frayed channels are more obvious. It is of massive production and the loose yarns are strongly moored with a tafeta special weave union.
Àwọn Àkọlé: Jacquard, textile, decoration, fabric, lasso, half indusrtrial, half handmade, fur
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: All polyester dyed yarns woven in Jacquard electronic looms. The floated yarns are cut manually by a special tool we call knife shutter. The weave technique is very old (double fabric). However the important aspect is how I applied the weaves interlaced in order to be viable to be produced and not just as a prototype as good productivity performance. The special tool developed reminded textile engineers old techniques to make corduroy.
Ìpèníjà Àpèsè: At the beginning the aim was to develop a fabric with square bags. It would have little bags to put inside tools or jewelry. After weaving and testing different techiques, this came up as a serendipity all of it. There were more than 10 previews designs to get to the final lasso fabric. The weaves interaction result was floats in warp and weft. To cut the yarns in vertical and horizontal, we developed a special tool that works as a long shuttle knife to have a better and faster production. It was an enormous challenge to have it accomplished as a product and to convince the mill that it would work.
Ìwádìí: The research was completely experimental. Textile engineers were afraid that using this technique on industrial looms could not work, specially the machines weaving. The process of cutting the loose yarns was hard in order to bring a product that because of the hand crafted process would not be so expensive that would not work with the market prices. Besides the lead time to deliver a roll of this product within 3 weeks at least. Since warping process till the client's door. The cut part can be done by external workers so other people get a job.
Ìmísí: I named it lasso as a long rope with a running noose at one end. This project can be described as: experimentation. This fabric started with the research of something very different from the result. More than inspiration this project is about having luck, stumbling upon, chance discovery, fortuity and accident. It is a piece of hard work, research, mulish and not withdraw.
Àkókò Iṣẹ́ Àkànṣe: The project started in March, 2012 and ended in September, 2012.
Ìlànà Ìṣiṣẹ́: It has a special appearance as it seems as an extra application or embroidery upon the fabric but in fact it is woven like that. People always want to touch first than see the furry yarns. If there is light behind the soft feeling is quite special and light passes through the frayed parts. This kind of textile can replace goose feathers.
Àwọn Ọmọ Ẹgbẹ́: Cristina Orozco Cuevas